Sentences with phrase «playing to the gallery by»

Not exact matches

«Harriet Harman's attempts to play up to the left - wing gallery look like a return to the class war attacks of the Crewe and Nantwich by - election,» said shadow equality minister Theresa May.

All he's interested in is playing to the gallery and he measures the success of his policies by the column inches he generates.

Gove, by contrast, has rarely tried to play to the gallery and does do detail.

For all intents and purposes retired by the 1960s, Dennis Morgan re-emerged to play cameos in two theatrical features, Rogue's Gallery (1968) and Won Ton Ton, the Dog Who Saved Hollywood (1976).

And Daredevil has a tendency to stretch out its conversational scenes to the point of enervation, especially with regard to Fisk's attempts to romance an art gallery owner (played by Man of Steel's Ayelet Zurer).

Real - life stuntwoman Zoe Bell (who doubled for Uma Thurman in «Kill Bill» and Lucy Lawless in «Xena: Warrior Princess») and Tracie Thoms (whose role would have been played by Pam Grier or Samuel L. Jackson in any other movie) deliver great performances throughout their half of the film, but it's Kurt Russell who walks away with «Death Proof» as Stuntman Mike, yet another excellent addition to his rogue's gallery of classic characters.

On a whim, he declares that he painted the children with the oversized eyes, and the lie spirals out of control until the paintings become a revolutionary, multi-million-dollar industry (much to the chagrin of an art critic played by Terence Stamp and a gallery owner played by Jason Schwartzman — two amusingly droll performances).

Played by Allen Lenny Weinrib is a fretful non-violent sportswriter married to a pert Soho gallery owner (Helena Bonham Carter) who insists that they adopt a baby boy.

Juliet heads down there to speak at the eccentrically named local Guernsey Literary and Potato Peel Pie Society, and meet the gallery of adorable lite - eccentrics (played by the likes of Tom Courtenay and Penelope Wilton) whose society was born in semi-defiance of the German occupation.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Whether you choose to fish from the wharf at Riverview's front door, play golf at Port Fairy's renowned links golf course, enjoy the beaches and ambience of this charming fishing village where more than 50 buildings have been listed by the National Trust or explore the shops, galleries and restaurants then Riverview on the Moyne is the place for you to stay.

The St.Marina Chapel's square, located by the beach and next to the «Yacht Club» seaside restaurant, is a beautiful area that plays host to many functions and includes an art gallery, a souvenir shop and some boutiques.

Sotheby's just hired Christy MacLear, the chief executive of the Robert Rauschenberg Foundation, in an attempt to start managing artists» careers, estates and foundations, a role historically played by galleries.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Jointly commissioned by the Whitechapel Gallery and Phillips, Fair Warning plays with expectations of popular online questionnaires or personality tests, to examine the use of data collection when attempting to represent user tastes.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

I have two films that portray games played by girls in two adjoining galleries and in two smaller spaces, annexed to these large film installations, are shorter works that are all filmed in industrial locations.

A Photographic History 1960 - Present through the lenses of photographers, curated by Gallery Director Carlos Benitez to spotlight the creative and collaborative role that photographers played in the history of rock music.

She concluded by playing her violin so sweetly that when the lights came up it was impossible to imagine a world without galleries or feminists.

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Before the performance, visitors are invited to view an accompanying installation of works of art that relate to the play in the Landay Teaching Gallery, jointly - curated by Lily Fernald, the director, Rachel Hawkins, the stage manager, the actors, and the Museum's Student Advisory Board.

In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitions.

These questions hover at the back of my mind as I stand in the audience that has turned up to listen to Lucas talk, at the launch of Sarah Lucas — After 2005, Before 2012, a new catalogue of her work since 2005, in an improvised gallery space upstairs from Lucas's London gallery, Sadie Coles, which has played host to a series of shows by Lucas for the last 12 months, all but one under the headline title Situation (which is also the name of the space).

Naama Tsabar's sculptures reference minimal structures, most notably Robert Morris» felt works from the late 1960s and early 1970s; Tsabar's objects, however, double as instruments to be played by the artist and fellow musicians during live gallery events.

These reels exist as mixes — combinations of various sounds by a number of authors that play constantly during the gallery's opening hours, corresponding to a cycle of human consistency.

1993 Women at War, LedisFlam Gallery, New York Street Play, Tribeca 148 Gallery, New York, NY Coming to Power: 25 Years of Sexually X-Plicit Art by Women, David Zwirner Gallery, New York, NY Annual Exhibition, The National Academy of Design, New York, NY

He stuck to this phrase throughout his life, meaning not that art is uninfluenced by society, but that it can not be used as a tool within society, that once an artist begins to play to the gallery his work descends to propaganda or pot - boiling.

Blue Rain Gallery, Santa Fe: In his exhibition title, the artist martin spei introduces his viewers to the concept of tramoya, defining the Spanish term as «various leftover stage props and devices that may or may not be seen as detritus by the next play's crew when they...

Learn about Glyndor Gallery exhibitions on a tour led by Wave Hill's Curatorial Fellow.Avifauna: Birds + Habitat features artworks that delve into the relationship between birds and their habitats — from the role birds play in propagating plants to changes in how natural and built environments affect migration patterns.

The work originally consisted of a row of 1,000 marbles on the floor of the CCP Main Gallery, waiting to be kicked around and played with by visitors.

Shown again in New York's Michael Werner Gallery, in one room, representing the 19th century, cannons sat on an artificial grass carpet surrounded by objects including potted palms, a candelabra, two lobsters playing cards, a gun, a stuffed python poised to strike and two velvet chairs.

Other projects include Sort of Opera: Pass the Spoon (In collaboration with David Fennessy and Nicholas Bone, featuring a live music played by the Red Note Ensemble), The Tramway, Glasgow (2011); touring to The Hayward Gallery, London, UK (2012).

Whether this is partially motivated by the need to shed the «play it safe» image of the institutional gallery or just to play catch up with spaces like the Saatchi Gallery with its globally diverse range of exhibitions, is to some extent irregallery or just to play catch up with spaces like the Saatchi Gallery with its globally diverse range of exhibitions, is to some extent irreGallery with its globally diverse range of exhibitions, is to some extent irrelevant.

While the India Art Fair plays a very important role in the region, it is a for - profit entity and its content is limited to the artists represented by galleries that pay to be included in the fair.

Image: Work by JR June 18th — August 9th, 2011 Featuring original works from Banksy, Faile, Shepard Fairey, Sixeart, Os Gêmeos, Mark Jenkins, JR, KAWS, Barry McGee, José Parlá, Judith Supine, Swoon, Titi Freak, Dan Witz Carmichael Gallery is pleased to announce Playing Field, an exhibition of artwork from the collections of our collectors.

With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.

This juvenilia gave way to a game of agitprops, what this writer has called «I Hate My Mom and My Room» art, that played out in soon - to - be-abandoned galleries, and by force, museums.

Each year, Ruberta will play host to one group exhibition involving all of the participating galleries, followed by five successive two - month residencies, one for each gallery.

She then invites gallery visitors to reconsider items that can be easily discarded, especially when viewers are encouraged to become active participants by playing, creating, and performing.

This Saturday, relatively newcomer gallery Odetta will play host to Max Yawney and his gang for a curated evening of spoken word, sound, film and music, along with a special performance by Yawney's group, The Unglued Radio Workshop.

Opening in May, the gallery will be home to the FBI basement office of Fox Mulder (played by David Duchovny) from the breakthrough hit series, The X-Files.

Inside, the museum's neo-classical galleries will play host to paintings from the past three decades, rarely seen before by the public.

Major Private Art Gallery Downsizing by Selling Home in Central Edinburgh The Herald; April 12, 2016; Miller, Phil; 598 words... which has played host to Turner Prize - winners and giants of the... Ingleby, became the largest contemporary gallery outside London when it moved... exhibition by Mark Wallinger, a Turner Prize winner, who produced SGallery Downsizing by Selling Home in Central Edinburgh The Herald; April 12, 2016; Miller, Phil; 598 words... which has played host to Turner Prize - winners and giants of the... Ingleby, became the largest contemporary gallery outside London when it moved... exhibition by Mark Wallinger, a Turner Prize winner, who produced Sgallery outside London when it moved... exhibition by Mark Wallinger, a Turner Prize winner, who produced State...

A video image of Nauman's hands enacting the possible combinations of the four fingers and thumb is suspended in a dark gallery accompanied by three sound elements: Nauman's voice calling out the instructions for the different finger and thumb combinations; a piano played by artist Terry Allen and recorded in response to Nauman's instructions; and Nauman intermittently speaking the words «for children, for children.»

Liverpool's Tate gallery is playing host to a hundred works by the late Andy Warhol, known as the father of Pop Art.

Einzelausstellungen / Solo Exhibitions 2016 Creative play entails some risk taking, Scrap Metal, Toronto, CA Make every show like it's your last, Muée d'art Contemporain de Montréal, Montréal, CA To stand amongst the elements and to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, To stand amongst the elements and to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, to interpret what one knows, Museum Dhondt - Dhaenes, Deurle, BE 2015 Jolly Grown Up (with Olive May Gander), Quartz Studio, Turin, IT Ernest Hawker, 2015, Performa 15, New York, US Fieldwork, Lisson Gallery, London, UK The Canter of Edward De Bono - An exhibition by Spencer Anthony, David Risley Gallery, Copenhagen, SE Portrait of a blind artist obscured by flowers, Singapore Tyler Print Institute, Singapore, SG Nobody Walks Away from True Collaboration Triumphant or Un-bruised, Proyectos Monclova, Mexico City, MX Make every show like it's your last, Contemporary Art Gallery, Vancouver, CA, Aspen Art Museum, Aspen, USA Rayne Gander: READ ONLY, ACCA, Melbourne, AU 2014 Ryan Gander, gb agency, Paris, FR Make Every Show Like It's Your Last, Manchester City Art Gallery, Manchester, UK Ch ance Everything, Mostyn, Llandudno, UK The artists have the keys, 2 Willow Road, London, UK Explorer's v's Pioneers, Taro Nasu, Tokyo, JP

In the center of the main gallery is a Rirkrit designed ping pong table (produced by Cumulus Studios) fabricated to be played outdoors.