Sentences with phrase «plays clips from the film»

The Blu - ray's menu simply plays clips from the film with a pale green tint.

The nicely scored menu plays clips from the film in up to four rectangles whose dimensions are constantly changing.

The nicely scored menu plays clips from the film, stopping on them like snapshots until fading to a bank resembling a slightly animated version of the cover art.

The scored menu plays clips from the film with muted colors, rain, and other filters.

Not exact matches

Even in quieter moments, you can just watch clips from the films, which are playing behind the vehicles.

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

The film plays like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.

The menu loops clips from the film along while Nick Cave and Warren Ellis» «Three Seasons in Wyoming» plays.

Nebraska, the new film from Alexander Payne (The Descendants), will be playing in competition, and the first clip has only added to my jealousy of this year's festival - goers.

With elements of Footloose and Step Up, the story is continually brought crashing back around us with clips from Platoon — a film Josh so loves that it plays a central role in the film's climax and redemption for all involved.

The brief clip from the live action film shows the Trainspotting star as a grown - up Christopher Robin being told by his boss, played by Mark Gatiss, that he needs to sack people.

Because this movie was, for the first time, introducing a new actor (George Lazenby) playing Bond, much of Binder's work here consists of a montage of clips from the previous films, as the need was felt to stress to audiences that they were still following the adventures of the same man.

Select any of them and you'll hear some information (from the troubadour) about the film or short, its source, and the role that Mickey played, followed by a brief clip or montage from the appearance.

Our favorite character from the film (which has yet to be introduced to the public) finally gets a few seconds of exposure in the above clip starring Cate Blanchett, and hired gun Tom Hollander (playing the creepshow character, Isaacs).

The menu applies a ghosting effect to the edges of a looped 40 - second montage of clips from the film while an excerpt of the film's very»80s score plays.

The first clip from the film has arrived and it finds both Ralph Fiennes, and us, meeting Zero played by Revolori (and F. Murray Abraham as the older version), who is hired as a lobby boy at the titular hotel and gets thrown into the wild orbit of M. Gustave.

Commercially speaking, this probably doesn't matter: The Disaster Artist's target audience are people who have already semi-memorized The Room and who will appreciate Franco's studious recreations of scenes from the film, as well as the lengthy clip reel coda that plays his recreated scenes side - by - side with the originals to further demonstrate their studiousness.

Drafthouse Films is bringing the madness to US shores with Sono Sion's Why Don't You Play In Hell hitting select theaters and VOD platforms across the nation on November 7th and we've got an exclusive clip from the film along...

Various bits of ephemera appear in the secondary picture window as the film plays back — interviews, alternate line readings, clips from the edited - for - TV version of the film and the 1932 Scarface.

A montage of film clips plays while the pop - up ski - themed menu expands from the bottom up.

Late - night host plays Mos Eisley Cantina's doorman Randy and actor reprises Luke Skywalker in «exclusive clip from non-existent film»

Taking the form of a video essay, the film is at its best stitching together clichéd clips from different movies — montages of house parties and masturbation sequences playing out over an angsty soundtrack by indie band Summer Camp.

The menu plays scored clips from the film with a hazy border.

See Woody Harrelson play a L.A. cop whose destructive lifestyle begins to spiral further out of control in the trailer and new clips from the film «Rampart».

That said, The Hunger Games movie will have to feature scenes that don't feature Katniss (played in the movie be Jennifer Lawrence), and now we're getting a look at one with this latest clip from the film.

The DVD's recycled menus play full clips and looped animated scenery from the film, with listings atop sheet music and musical notes as cursor.

The animated main menu plays color - drained clips from the film (many of them from the trailer) with the film's title partially covering them.

Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet

A ten - minute clip (or shorter) from a film like The Story of the Weeping Camel from Mongolia might suffice to create a powerful discussion prompt on geography and language, on different perspectives about material luxuries, survival, family, how loved ones are cared for, being kind and considerate, what different living environments look like and how they are built, and how kids play or entertain themselves in different settings.

The clip is showing off various actions scenes from the game, while playing the theme from to the films.

Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of clips from old Hollywood films, with actors and musicians making sound or playing instruments.

A 24 - hour montage of clips from thousands of movies referencing time of day, the film by Christian Marclay is playing in its entirety six Saturdays at the SFMOMA.