Sentences with phrase «pleasure kind of way»

The movies also happen to be pretty entertaining in a guilty pleasure kind of way, and it'll be great to see the whole cast reunited for the first time since they all went their separate ways to become big movie stars.
Overall I had a fun time with Unsolved in a guilty pleasure kind of way.

Not exact matches

Pollan amazes me again and again, not just with his often beautiful prose (the kind of writing where you stop and reread a passage just for the pleasure of it) but with his ingenious way of looking at things, such as exploring how a corn plant manipulates humans, rather than the other way around.
It tells you where everything is it every moment and you are supposed to be able to, it gives you all the tea leaves that you could read; but I went from that just the same way the rest of human history went of being interested in that kind of pseudoscience to actually seeing the pleasure in actual science, and the utility of it, too.
So he gets these exotic plants — and in some cases nobody has seen the pollinator — but he is able to predict what the pollinator is like just by looking at the structure of the plant; and this, in a way, is kind of [an] independent test of his theory and a very amusing one and is one that will also get him a lot of pleasure.
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I think just the way to get over that is to realize that sex is for your pleasure, and to just kind of... It's reprogramming the mind, really, and realizing you're not going to hell.
I think that we have such a limited view of what kind of pleasure we can have from sex, because we have sex the same way typically over and over and over again.
The pleasure of A Quiet Place is in John Krasinski's commitment to imagining the resourceful ways in which a family might survive in this kind of world, then bearing witness to the filmmaker's skillfully constructed methods of putting them to the ultimate test, relentlessly breaking down all of the walls the family has erected to keep the monsters out.
The pleasure of A Quiet Place is in Krasinski's commitment to imagining the resourceful ways in which a family like this might survive in this kind of world, then bearing witness to the filmmaker's skillfully constructed methods of putting them to the ultimate test, relentlessly breaking down all of the walls the family has erected to keep the monsters out.
And while the movie is extremely violent (without much blood), he does find clever ways to show violence, and even seems to be commenting on the cinematic pleasure of seeing well - orchestrated, creative, gleefully over-the-top fights in films as a kind of catharsis.
One of the enormous and incidental pleasures of Andrew Haigh's superlative drama 45 Years is the way it presents us with two superb actors absorbed in the kind of roles and script that don't come along too often.
This does not have to happen anymore and for me, wow, what a pleasure and relief to finally be able to suggest and recommend to my friends and clients a way to find a quality home builder, or a contractor specializing in all kinds of additions and renovations, a man of his word, and a luxury home builder who stands behind his work.
Thank you so so much, it is very kind of you to put this out there for us poor but talented invididuals who have the pleasure of doing things the long and hard way (but of course more rewarding way)!
Instead and pressingly, even with wild up and downs, flaws and all, the 2017 Whitney Biennial is the best of its kind in some time for the multiple ways it reveals how — selected as it is, without overdetermined political and aesthetic dogma, and curators remaining open to the exigencies of pleasure and the mysterious ways that art mutates but doesn't play catch - up — a show of artists simply at work, whether making expressionistic paintings, idiosyncratic functional constructions, casting the further shores of socially activist conceptualism, or documenting collapsing ecosystems or family dynamics — that artists are always addressing and channeling issues of the day.
I was interested in the way that the film moved between expressions of pleasure, pain, rage, and humor to offer a kind of collective portrait of black gay life, one that was and arguably continues to be almost absent in mainstream media and popular culture.
Call us masochists, but we take pleasure in this kind of thing, not least because — another internal conflict — usually there's some nice bright colour to bathe in along the way.
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