Whether they major in the field or take a course or two, students have found that informed visual thinking, no less than
the pleasure of aesthetic experience, continues to enrich their lives and their work.
Not exact matches
In modern societies, Weber argued, the biblical God must compete with worldly gods such as
aesthetic experience, material success, nationalistic fervor, erotic
pleasure, and the many other forms
of self - transcendence and this - worldly immortality that call out to our inner demons.
Every person has a need for the
pleasures of the mind and the body; these include sexual, intellectual,
aesthetic, interpersonal, and spiritual satisfactions, as well as adventure derived from new
experiences.
The pervasive, universal values are not moral and are not mere
pleasure, they are
aesthetic in the sense
of the intrinsic harmonies and intensities
of experiencing.
Experiences of the pleasures of the mind and the senses, including physical, intellectual, aesthetic, interpersonal, and spiritual satisfactions, as well as the adventure of new e
Experiences of the
pleasures of the mind and the senses, including physical, intellectual,
aesthetic, interpersonal, and spiritual satisfactions, as well as the adventure
of new
experiencesexperiences.
One
of More's colleagues, a Swedish philosopher named Nick Bostrom, took to the podium at the same conference to predict «orgasms and
aesthetic - contemplative
pleasures whose blissfulness vastly exceeds what any human has yet
experienced,» as well as «love that is stronger, purer and more secure than any human has yet harbored» and «values that will strike us as being
of a far higher order than those we can realize as unenhanced biological humans.»
«In these instances, music is typically the central source
of these
experiences, and
aesthetic qualities were very much involved in the
experienced pleasure.
In The Dynamics
of Creation, Anthony Storr, the British psychiatrist, contends that an individual who «fears love almost as much as he fears hatred» may turn to creative activity not only out
of an impulse to
experience aesthetic pleasure, or the delight
of exercising an active mind, but also to defend himself against anxiety stimulated by conflicting demands for detachment and human contact.
But taking the whole relaxation thing up a notch (or 10) are these 9 bathtubs in Queensland, where postcard - perfect views
of the Whitsunday Islands and towering rainforests add an
aesthetic pleasure to the whole
experience.
Van der Stokker argues for the role
of pleasure in
aesthetic experience, finding alliances between beauty and intellect, playfulness and criticality.
Each reveling in visual detail, eliciting an almost iconoclastic charge, the works in this exhibition continue to expose layers
of pleasure and discomfort lurking beneath the surface
of aesthetic experience.
The works in this exhibition examine the human
experience of pain,
pleasure and desire as well as the
aesthetic manipulation
of consumers in late capitalist societies.
Rødland's work evades the reach
of language, according to the gallery, exhibiting an almost iconoclastic charge and exposing layers
of pleasures, discomfort and pain beneath
aesthetic experience.
«Furthermore, the conquest
of each box is added to the
pleasure of an enigma; that
of the end and
of a rebirth; that
of a corpse magically revived; that
of an
aesthetic experience compared to the banality
of an object.»