Sentences with phrase «plot of the story so»

The movie had Angelina Jolie and Morgan Freeman, how was the whole plot of the story so horrible?

Not exact matches

Failure brings you closer to discovering what works, so instead of calling something a failure, reframe it as a pivot or plot twist in your life story.

At the World Government Summit in Dubai, in February, Musk again cued the scary organ music, evoking the plots of classic horror stories when he noted that «sometimes what will happen is a scientist will get so engrossed in their work that they don't really realize the ramifications of what they're doing.»

Same story when trained the Q - aida and Tali - ban to fight the so - vi - et troops who were considered non religious or infidels at that time and it was the pr - opa - ganda that was used to recruit islamic worriers from all over the Islamic world until they were driven out of afghani lands and until there was no use from them the plot was made to eliminate their presence and to pave the way for a new invasion by the west for those areas with out any fight but seems it did not work out as was hoped for and that's why their troops are deep down in the...!?

I completely agree with you in that your statement, «Almost all great stories, novels, myths, and movies have as their core plot the idea of a person who sacrificially gives of himself for others, to rescue and deliver them from some calamity, and in so doing, suffers great personal loss, but ultimately rises into glory,» is no coincidence.

The most striking instance of the concrete new taken into an apocalyptic story so that it becomes the peripety or surprise in the plot would be the adaptation of the apocalyptic story by the early Christians to the new which they saw in Christ.

One of the elements that makes Downton so compelling is its use of apparently tiny plot lines to tell a bigger story.

-- that plot's linkage, in the stories of both congregations and poor societies, marks the struggle for recollection of the past so that cultural identity, the pattern, is maintained in the face of cultural obliteration?

We note in any case, and emphatically, that it is, like so much in the patriarchal narratives, a very good story indeed especially in the graphic portrayal of Tamar, in its deft integration of plot, and in its fine suspense.

So I was extremely angry and disappointed to see newspapers briefed with invented stories of my involvement in a «Pugin Room plot.»

Just as in story - telling there must be certain recognisable principles that help guide the plot, so too can these signposts help voters to understand the direction of travel for a leader and for their party.

They aren't simply exploring parts of the map because the game demands it, they're doing so because of how it furthers the plot of the story.

The plot, you see, is the bulk - standard revenge story of our hero going after the man who killed his family, and overcoming seemingly unsurpassable obstacles in order to do so.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

This modest film falls into the category of «character study», which generally means there there isn't a real plot or story follow, so much as a brief peek into a life of someone for a while, perhaps in the hope of learning a thing or two about a different mode of life, or as a reflection of our own.

Howman and his co - director / writer Ethem Cetintas are so concerned with keeping the plot mellow that they have robbed their story of any drama.

So it start out with the genric plot of bowser stealing peach and the the game begins and your collecting toads and sticker with the navi of this game kersti who from sticker place where they grant wishes and if this sounds familar it is because it is really simalr to super mario rpg except no geno and then after you save town you are sent out into the world where you collect comet pieces and with little to no story.

I think a story with... I don't want to say «broader appeal» about a movie on its way to becoming the most successful ever, so let's say «more conventional plotting» could have been created for Infinity War if it had opened with Thanos already possession of 3 or 4 of the stones.

Solidly told by German writer - director Fatih Akin («Head - On», «The Cut»), it displays decent if unexceptional TV - movie chops until a pile - up of plot holes and wild story twists take it somewhere so crude that you'd be forgiven for finding it offensive.

Ritter is so charismatic, and so good at toggling between sarcasm and outright pain, that a lot of this is more watchable than it should be, given the glacial pace at which the plot moves and the amount of time spent on lesser characters and filler stories.

So despite that Silent Hill: Shattered Memories is short on story and plot, it is terrifying as hell mysterious and realistic, with tons of smartness and horrific fun.

If there's something holding me back from four stars, it's that this is a somewhat cliched story, one that follows, in broad strokes, the plot of the original, but Creed is so well made that it's a tiny issue.

Rockstar's keeping the details of the plot close to its chest at this point, but we're expecting the game's story to play a crucial part in Redemption, perhaps more so than any other Rockstar game.

But at least you'll never get lost trying to follow the story because, luckily, every so often Najafi cuts back to a group of far - too - talented actors sitting in a room together, watching the action on a screen and explaining the entire plot to each other.

Its basic plot, of a conspiracy to produce something worthless so as to profit further down the line, is a paraphrase of The Producers, but there are elements of any number of other movies or types of movie: the Horatio Alger rags - to - riches story, the hard - boiled newspaper melodrama (at one point, the editor's face is so close to the employee at whom he's shouting that their noses touch).

So a very silly choice of plot which could of completely back fired (amazed it didn't), plus it has too many similarities to the first Star Trek film with the V'Ger story.

It also becomes immediately clear why this was the story chosen for adaptation in Hollywood: where the story of Ash might make for a better straight - up kids story, Detective Pikachu's plot offers the chance for some jokes that'll make adults chuckle too in that manner Pixar has become so expert at.

If the plot sounds familiar, it's because the movie follows the same basic story beats of the original, and while that's not as problematic as it would be for most sequels — after all, these guys are so dumb they transcend logic — there's something that just feels off about this installment.

What makes Blockers standout in comparison to so many other films with a similar plot is that there are three females at the center of this story.

There's no one who will come away from this film thinking the best parts stem from its story, and no one will be sitting on the edge of their seat because of the plot, so why not try a fresh approach?

As is the way of these movies, from The Big Sleep on down, the plot overcomplicates a simple story to the point where things can be outright confusing — especially so when many of the characters are high in the process.

The plot details are being kept pretty sparse and all we know so far is that the story revolves around a group of college kids on a camping trip who discover they aren't alone.

However, because the story is told primarily from the point of view of the parents and the cops — the «normals,» so to speak — and because the plotting is so airport - novel silly (a flashback to the cop's abduction could have been plucked from a low - rent Bourne knockoff), any thematic interest winds up buried underneath a mountain of lurid implausibility.

The story involves time travel and alternate realities, so the mixing of the younger actors and older actors fits well within the film's complex plot.

Just following the main story beats will always place you at an underleveled disadvantage, so Chronicles X offers you an endless supply of fetch, Affinity, and kill sidequests that have the secondary objective of grinding you to the proper level to continue the main plot.

So instead of a plot driven by murderous miscomprehensions, they tell the story of a gentle, ex-con husband (Nicolas Cage) and an infertile, maternally obsessed wife (Holly Hunter) who conspire to kidnap a quintuplet on the premise that his real parents already «have more than they can handle.»

The Plot: Hit and Run is the story of Charlie Bronson (Shepard), a former getaway driver who busts out of the Witness Protection Program to drive his girlfriend (Bell) to Los Angeles so she can land her dream job.

What is so special about The Miniaturist is that despite its delicious and unfamiliar period setting, its concerns are absolutely modern: privacy, sexuality, corruption, commerce, hypocrisy, race, public shaming... all woven into a tightly plotted story full of surprising twists.»

Like so many of the supporting characters, he is only forced into the overarching plot when the story requires it.

As well, the first half of the film is stronger than the second, as a cross-desert car race feels more like Smokey & The Bandit and less in line with the story that was so well plotted in the set - up

If you're reading this review you're almost certainly familiar with the plot and premise of Rogue One, and Disney has also specifically asked the media to avoid spoilers, so we'll respect the request and tread lightly on summarizing the story.

I think it feels this way because it's so focused on its main plot at the beginning and in the end, but spends a great deal of its middle meandering around on vignettes while the main story sits on pause.

The biggest problem with the story is how trite and generic it all plays out, with all of the expected story beats and Sci - Fi tropes present and accounted for; the game thinks it's being clever at times but, in all honesty, it's so predictable that it essentially became background noise for me after an hour or two as I feigned surprise at all the tired plot revelations.

But the movie can't risk offending anyone too much, so the thornier parts of the story are abandoned for cartoonish villains (wealthy parents, bigoted torch - wielding protesters) and a caricatured plot.

The only minor nit is that some of the book's final scenes pick up on story threads from much earlier in the series — like from books 3 and 4 — and if (like me) you haven't read those volumes in 15 or so years, the resolution of these dimly - remembered plot points lack the narrative punch they might have had.

The amount of story trying to be told in Deadpool 2 slows the film's pace ever so slightly in the first act, as screenwriters Rhett Reese and Paul Wernick set the table with a lot of plot points that asked to be explored.

The vast majority of movies feature pretty predictable plots, so I think it's much more important to see what the director does with the material; I worry less about the originality of the story itself.

Solace enjoys the basics of a workable crime story, but it becomes so bogged down with its supernatural elements and its flimsy plot that it spins its wheels.

Of course they've made huge progress in their personal stories, which is the point, but there's something sadistic about slowing down the plot in the final moments so that the characters can have little moments of their owOf course they've made huge progress in their personal stories, which is the point, but there's something sadistic about slowing down the plot in the final moments so that the characters can have little moments of their owof their own.

This plotting allows the film - makers to concentrate the story on the trio as adults, living in a secluded village known as The Cottages, so making the most use of its name actors.