Sentences with phrase «plot out of his stories»

He'll chop plot out of his stories to serve a greater emotional or thematic need.

Not exact matches

I would like to sketch out four of the possible plot lines, acknowledging that, as in all good stories, there are likely to be plenty of surprises along the way.

Same story when trained the Q - aida and Tali - ban to fight the so - vi - et troops who were considered non religious or infidels at that time and it was the pr - opa - ganda that was used to recruit islamic worriers from all over the Islamic world until they were driven out of afghani lands and until there was no use from them the plot was made to eliminate their presence and to pave the way for a new invasion by the west for those areas with out any fight but seems it did not work out as was hoped for and that's why their troops are deep down in the...!?

The second Story - substitute proposal suggests that moral rights and duties can be squeezed out of the characters themselves, without the aid of any Story - like the odd movie that succeeds with good characters even without the benefit of a discernible plot.

Her saving grace there, as in Out of the Deep I Cry, is her ability to create a story both intensely human and delightfully unpredictable, with events flowing naturally from collisions of character rather than the exigencies of plot.

They reversed the trend of apocalyptic narrative: instead of thrusting the decisive change out of the plot into the consummation, they brought the symbols of the end into the midst of the crisis of the story by applying them to Jesus.

In fiction and drama and film the traditional forms of plot are being pressured out of shape in a way that has never happened since people began to tell stories.

Plot actions within Wiltshire's story of conflict and self - interest play out the following pattern:

I believe that telling such a story enables a congregation to comprehend its nature and mission and therefore I now set out to examine the major aspects of parish story: its setting, characterization, and plot.

Pompeo's story is a plot line that would not be out of place in the drama House of Cards, where the ruthless House chief whip maneuvers himself into the vice president slot and ultimately the presidency.

Future Tory leaders The press were out to run a very OTT story about a «plot to get rid of Cameron», and that was never the case.

Even if fairies stories tend to be formulaic - fairy is happy, fairy gets in trouble, fairy gets out of trouble and learns a lesson - this one introduces the bold - ish concept of the sisters» bond rather than the usual marriage plot.

I am a huge fan of the original Prince of Persia trilogy, and when I heard about this game I was a little worried that they would change to much of what made the original games great, and I was right, the gameplay has been completely destroyed, platforming is awkward do to too may actions being mapped to the same buttons, combat is tedious and unenjoyable, it's EXTREMELY repetitive, having to search around for light seeds just to advance the plot is stupid, and do to the fact that you can't really die the whole game just feels like trial and error, and the new Prince character is completely unlikeable, while they messed up most of the game it's got some good things going for it, the voice acting is solid, the graphics are beautiful, and the ending does have interested in seeing where the story goes from here, but I'm not sure if I want to pick up the next game they come out with, this was a huge disappointment and isn't worthy to bear the Prince of Persia name.

Why bother to nattily plot out the film's visual vocabulary when the story itself is treated as little more than ripped - from - the - headlines sensationalism, devoid of nuance and empathy?

As much as I loved Inglourious Basterds, that film was a series of digressions from the main plot, but this film is actually centered on the story he lays out at the beginning.

Laden with lazy writing that drags out clichéd phrase after clichéd phrase — seriously, the line «you don't write, you don't call...» should be permanently retired from screenplays, especially if it's delivered between characters who hate each other — the story kind of plods along, checking off plots points from a list.

It isn?t quite the story the synopsis explains it to be, which as it happens turns out to be a much better film because of it, it creates a gritty, realistic plot with the post 911 affects in the background story.

So it start out with the genric plot of bowser stealing peach and the the game begins and your collecting toads and sticker with the navi of this game kersti who from sticker place where they grant wishes and if this sounds familar it is because it is really simalr to super mario rpg except no geno and then after you save town you are sent out into the world where you collect comet pieces and with little to no story.

It would hardly be spoilerific to detail more of the plot when the story is already out there, but there's a thoroughly enjoyable, will - they - won «t - they - publish central storyline it would be a shame to scupper for those who aren't au fait.

While it drives the plot, the restaurant is a garnish for the more prominent, and equally unconvincing, parts of the story: Dion's involvement with a gourmandising Polish mobster (Michael Gladis) and Tommy's attempt to break out of his funk, be a competent single father and relate to his own dad (John Doman).

This game has the worst plot out of any game I've ever played by far, it's RARELY funny, and the story literally seems like it was written by 6 year olds.

Sydney Pollack's («Three Days of the Condor» / «Out of Africa») well - made but unimportant political thriller (more a character driven than a plot driven story) is set in New York City and frames its story around an assassination plot of an African leader set to speak at the United Nations.

As a result, the plot of the screenplay by Jonathan Aibel and Glenn Berger (both of whom also wrote the original) comes across as a series of false starts and ends, as the extent of Shen's plan unfolds in chunks along with the facts about Po's past, and since the details of both are foregone conclusions from the beginning, the simple story feels drawn out for little effect.

The story is hard to follow because we are immersed in the little - known world of lobbyist, for that the plot turns out to be original.

The story of The Departed may be something we've heard and seen before, but in this incarnation Scorsese carefully plots the back story and builds up the tension in a very methodical manner — just like squeezing out a well - fed shit.

Perhaps he is bored by it all by now, or perhaps he just realizes that all people want is to be creeped out, because, outside of the ominous atmospheric elements and moments of booga - booga, there is barely an effort made to string together a legitimate story or some workable plot to keep us interested.

I was interested in the plot of the original, but Rage Burst doles out an underwhelming story at a stagnant pace.

A much more developed plot in comparison to his directorial debut, the story focuses on the misfortunes of a pair of hit men as they carry out their boss's dirty deeds.

The plot is easy to follow and while the special effects, as well as the story's villain — played by strangely possessed Bobby Cannavale — are not as polished or as fleshed out as they perhaps should be, the overall flow of the story is not totally impaired as a result.

«Tell me the story of us», Frances says to Sophie as they elaborately plot out their future in a whimsical dreamlike world.

As fun and clever as the first half may be, by the end the story runs out of steam, unsure of how to resolve some impossible plot threads other than in the most improbable way.

Plot details are being kept under wraps at the moment, but we do know that the story takes place in Tijuana and may include breaking Alan (Zach Galifianakis) out of a mental institution.

There is a whole world involving the supporting players Lucy, Ida, Wally and Bert who all play significant roles in the film that we haven't gotten to and we've left out pretty much all the major plot turns and twists of the story.

That's down to Don Mancini, the writer and director of the original film who plots out a new chapter in the pint - sized killer's story which begins with Chucky arriving at the house of a young paraplegic woman.

And while the plot brings the story of rogue — almost invincible — entities wiping out various interstellar crews full circle, one wonders what the point of the entire...

Lego Marvel Super Heroes 2's plot plays out over 20 story missions, a handful of which were genuinely entertaining.

And while the plot brings the story of rogue — almost invincible — entities wiping out various interstellar crews full circle, one wonders what the point of the entire enterprise was and who was clamoring for such an effort in the first place.

Story follows a podcaster who sets out to interview an eccentric, reclusive old seafarer, only to find himself a plaything in the gruesome plot of a deranged killer.

Based on a true story, the plot follows Solomon Northup (Ejiofor), a free black man tricked into slavery by a pair of men posing as circus promoters, then transported south to Louisiana, where he's forced to live out his predicament alongside a plantation owner (Fassbender).

When private eye Doc Sportello's ex-old lady suddenly out of nowhere shows up with a story about her current billionaire land developer boyfriend whom she just happens to be in love with, and a plot by his wife and her boyfriend to kidnap that billionaire and throw him in a looney bin... well, easy for her to say.

Story follows a podcaster who sets out to interview an eccentric, reclusive old seafarer, only to find himself a plaything in the gruesome plot of a -LSB-...]

A scene featuring a deranged Anna Faris playing herself got most of the attention, but it's cross-cut with an even funnier moment: Keegan - Michael Key sitting in his minivan with some hardcore killers, trying — successfully, as it turns out — to convince them that George Michael is truly «O.G.» It's the sort of sublimely ridiculous moment that makes you wish these guys hadn't needed to expend their brainpower on coming up with a story for Keanu, which suffers when it tries to further its own silly plot but glimmers when it just lets its stars get silly.

Instead of crafting deft plot twists, the film relies on random behavior and a confusing structure designed to dole the story out in tiny bits over the entire running time.

Like with anything that is popular, the movie's plot has led to countless fan theories; ranging from aspects like the story was all in the head of Rod the TSA agent, that Get Out is a sequel to Being John Malkovich, the important symbolism of the deer, the dramatic irony of Chris picking cotton to lead to his escape, and much more.

8:00 am — TCM — Gold Diggers of 1935 This movie is not even as good as Gold Diggers of 1933 (to which it is unrelated in plot), but it does have one thing that makes it eminently worth watching — the epic «Lullaby of Broadway» number that closes the show, with a full story - within - a-dance playing out through three verses of the song.

The Plot: Hit and Run is the story of Charlie Bronson (Shepard), a former getaway driver who busts out of the Witness Protection Program to drive his girlfriend (Bell) to Los Angeles so she can land her dream job.

While the title of Avengers 4 has definitively ruled out Infinity Gauntlet, the plot of Avengers: Forever might have some insight to offer as Adam Warlock's story as it pertained to the Soul World might be left out.

Less a fully - fleshed out story, than an impressionistic sketch flick which leaves the rudiments of plot structure to the viewer's imagination, Nights and Weekends is, nonetheless, an engaging slice - of - life adventure as riveting as a train wreck.

Telling the plot of the story as if the audience can't figure it out visually is insulting and detracts from the scene.

The problem is exacerbated by the fact that he keeps dropping out of the story completely for long periods of time, only to be awkwardly shunted back into the plot while the film nervously assures us that he really is relevant to this story, and on top of that, there's also an incredibly forced and out - of - place romantic subplot which the film really would have been much better without.