Sentences with phrase «plot points change»

Not exact matches

There were important developments left out, segments glossed over, timelines shifted, plot points were outright changed.

If we start this season with those two in our starting 11 it will be a clear sign from this organization that nothing has changed and that we will never get it right until both Kroenke and Wenger are gone... neither one of these players should still be with our club at this point because they represent the settling half - measures that have plagued this team for a number of years... this is what I call the «no man's land» of the soccer world, where teams don't have enough talented young players, unlike a Monaco or Dortmund, because they have lost the plot from an organizational standpoint... they are so reliant on one individual to run the whole operation that their once relevant scouting department has become so antiquated that it can no longer find those hidden gems it once had... furthermore, when you leave all decision - making to a manager who despises any dissenting opinions, your management team becomes little more than a stagnant group of «yes men» and no new ideas emerge... so instead of developing a team with the qualities necessary to excel in a particular system, you continually make half - brain purchases year after year to stifle dissent from the ticket - buying public, then try desperately to finagle together a lineup regardless of what would make positional sense... have you ever heard of a team who plays players out of position so often... of course not because that manager would likely be fired and never work for a team of any consequence ever again

While the novel of «Fifty Shades Freed» offered a more satisfying and complete arc that showcases how married life has changed the protagonists, for both better and worse, the movie adaptation cut some of the most important plot points, in an effort to create a shorter and more cohesive plotline.

The manner in which Coogler swiftly reveals game - changing plot points generates surprise without coming off as manipulative.

The movie starts like the trailer, showing how kick - ass decides to be a superhero, but as soon as he meets hit girl and Big Daddy, who were already super heroes before him, the whole point of the movie entirely changes to satisfy the revenge plot between Big Daddy and the main bad guy.

Plot points are constantly contradicted, characters inexplicably change with no discernable arc, and the tone is all over the place.

Throughout the story, we're often only told of seemingly vital plot points through second hand accounts, characters tend to change their outlooks without reason merely to fit in the story's trajectory and our main antagonist is a cookie - cutter villain who simply confronts Hope with little reason other than he's on set to be a contemptible dude.

(That latter point also shows how the recurring sight of billboards for the Broadway musical Rent — whose tagline, «no day but today,» is not only fairly synonymous with this film's title, but whose plot also centers around life - changing interpersonal bonds forged in the isolating environment of NYC — to be another sly, savvy detail.)

The Terminator franchise has always existed somewhere in the mushy middle between unified stories told across multiple films (The Lord of the Rings, Harry Potter) and serial stories free to change actors, back stories, and plot points (James Bond, any superhero franchise).

His transformation is partly physical: in a poorly explained plot point, he begins turning from a slimy human to slimy alien, very slowly despite warnings of how very quickly he's changing.

One of the central plot points in «Bingo: The King of the Mornings» sees our protagonist pleading to change the script for the American TV franchise in which he stars.

One of the central plot points in «Bingo: The King of the Mornings» sees our protagonist pleading to change the script for the American...

That shows the line between «can» and «can't yet» and it literally plots the next step for each student so we found it incredibly useful and it was used by teachers because all they had to do was follow the student along their line, when the colour changed from green to white, they could check on that point, refer back to the NAPLAN writing guide and work out «what is the next focus for that student?»

An eBook that allows an author to change section, to move up plot points depending on reader input, to change the entire setting based on a reader's location — that is a wholly different genre than that of regular books, and is obviously where we're heading (some of the more adventurous of us).

I didn't change the main plot events or any turning points.

That plot point is where the story changes to put the protagonist in a bind and is often a «gotcha.»

Do you ever do more than correcting typos (e.g., change wording, even change a minor plot point)?

It's hard to learn the necessary skills while working on a novel you care about, since you might not be willing to change an element you love to fit a conceptual plot point.

On another note, I read many years back that good plotting dictates that you begin your story at the point closest to the incident that will forever change the life of the protagonist.

One of my favorite authors is updating one of my favorite kids / YA series of books so that they are a little more modern, she starting writing these books 30 years ago and things have changed since the time of the Apple II (we now have internet, smartphones, WiFi and text messaging) while at the same time clarifying some plot points and even adding a few scenes and plot enhancements, these are only available as ebooks at this point.

I will avoid spoilers, but the last section not only ruins the entire plot, it drastically changes the whole tone of the game up to that point.

Record of Agarest War Zero is shorter than the original, but if you connect this game to the first one's save file, or beat the game once, you get access to a digest mode of Record of Agarest War, where you can replay the major plot points of the game plus «Extra mode» which ups the battle difficulty without changing the story.

One of the key threads of Fragments is the way that vision changes depending on your vantage point, and there are dramatic shifts in both perspective and scale throughout; from digital explorations via endless scroll to earth — as - camera, as in Jeremy Bolen's Site A / Plot M series (2012).

The thermosteric sea level change plot is right on point, but would be nice if someone could put some actual temperature values to this, but it sure looks like a baby hockey stick — how cute.

Your plot distorts the position, since it includes the step change coincident upon the Super El Nino of 1997/98, and therefore does not answer the point I made.

This and the 5 - day running average means there will be changes in the last 4 points plotted when new data are added.

Specifically, it plots a ratio of 30 - year NOAA temperature changes to the cumulative amount of CO2 tonnes emitted up to that point.

Download NOAA 2013 year - end global monthly dataset used for difference calculations and plots (NOAA changes all historical data points for each new month's dataset, so «C3» will retain this 2013 dataset for the near future).

The change in behaviour of the plots between Regions 1 and 2 is so pronounced that it suggests that some major change in the atmosphere occurs at this point.

The way I see it, if you get various data points of ocean heat content, you then have to plot a trend to see how that is changing with the other changes in incoming and outgoing radiation and greenhouse gases andland use etc..

We can see this more clearly by plotting just the corrected data (black lines are a piecewise - linear fit by change - point analysis):

A plot of the distribution of model points at 1990, 2000 and 2010 would be really nice; I would expect the distribution to change, being less skewed in 2010 than in the previous «fitted» decades.