The result is a stylistic and colorful film (using modern music set to the old time theme, and a frustrating jump in time that often skips over major
plot points in favor of lining up the next musical number.
Not exact matches
U-571's
plot moves like a rocket, never pausing for breath, and this works to a
point, but certain events (what happens to Keith's Major Coonan, for example) are glossed over
in favor of more (exceptionally well - done) shots of exploding depth charges and topside battles.
I guess the «should have more substance» comment could be directed toward the movie as a whole, as important
plot points feel glossed over
in favor of the sexier material.
When the
plot switches back to New York — Allen's once -
favored stomping grounds before he moved things abroad for a while, starting with Match
Point,
in 2005 — we get a different setting and a different woman (Blake Lively, The Age of Adaline) with some passable moments and others that recall better scenes
in earlier films.