The book is more about character and
plot than issues, but as an added bonus, it will inspire you to get think hard about current events.
Not exact matches
Last year we decided to garden in a large community
plot but had a lot of
issues, tried to plant too many things, and spent way more
than we had planned on coping with problems / drought / pests / neighbors etc..
I have no problem forgiving it for it's slight
plot issues in places because it more
than made up for them with wonderful acting and a great heart to it's story.
In other words: This is a standard -
issue earnest Amerindie drama, where the people do as needed to serve the
plot and the point, even if that means they behave far more idiotically and short - sightedly
than they're meant to be.
Now that's not to say there aren't certain characters that are anything more
than plot devices but this small
issue is exactly that, small (pun?).
It may be fair to say that some movies made with the
plot revolving around Christmas are far better
than others, but on the whole Four Christmases could be quite a fun movie for the most part, although, as already mentioned, the film perhaps takes a turn towards more serious
issues as it progresses.
More of a thoughtful meditation
than a narrative feature, this meandering Turkish odyssey is packed with profound
issues rather
than well - defined characters or
plot.
On the main
issue, concentrating the
plot on a slice of life rather
than trying to convey the whole sweep of Dredd and Mega-City life, I now see that he's right,» he says.
Despite the
issues I have with some of the
plot points and characters, there's more
than enough development to give the sequences stakes, and the production and performance of the mixes is iPod - worthy stuff.
Because of that structure, critique groups are often better with writing craft
issues on a smaller scale (clarifying sentences or paragraphs, scene goals, immediate motivations, dialogue passages, etc.)
than on a story - sized scale (character development,
plot flow, story goals and motivations, themes, emotional arcs, etc.).
The
plot races as fast as the track runners in it, and — without ever feeling like a book about «
issues» — it deftly tackles topics like isolation, diverse family makeup, living with illness, losing a parent, transcending socioeconomic and racial barriers, and — perhaps best of all — what it's like for a tween to love their little sister more
than all the cupcakes in the world.
More
than a couple of
plot and character
issues were kindly pointed out as well.
«There's more
plot, more character, and more high - concept craziness here in this first
issue than you'll find in any three or four collected trade paperbacks from the big two comics publishers.
Nowhere are these
issues more apparent
than in Liberation's
plot.
There's nothing worse
than comments coming out of left field to force a
plot advancement (and don't even get me started again on the translation
issues...).
As long as the story of each chapter is deeper
than the generic New Super Mario Bros style «reach the end of the levels»
plot, and the bosses have interesting designs and motivations, then I don't think Bowser being the main villain would be much of an
issue.