Sentences with phrase «plot twist ending»

This kind of misdirection comes pretty standard with murder mysteries, but Swanberg has fun tweaking the formula to contain an element of self - awareness which results in a plot twist ending.

A good plot twist ending is wasted as the film takes no time to get an audience involved with Statham's heroic arc.

Not exact matches

If you liked «Gone Girl» and «The Girl on the Train,» you'll appreciate this book's lyrical plot - line and gripping twist at the end.

It would be a hell of plot twist at the end of this season's movie

Each episode brings new plot twists and turns that I never could have EVER imagined would happen within the story line and every time I watch, the episode ends and I just want more more more!

There's an INCREDIBLE plot twist at the end of this series, so if I say anything more, I'm afraid I'll ruin it for you.

Spacey's always had a knack for dark comedy, and he steals every scene he's in - and it's no surprise than when the premise is twisted in the last third, he's the boss the whole plot ends up revolving around.

The single player campaign shows off a lot of weapons and has a pretty cool story (though the big plot twist at the end makes no sense).

Dorff is stellar and the film builds some tension but a bit too much required suspension of disbelief, some plot holes, weak dialogue, and two increasingly silly twist endings ultimately sink the piece.

There are several plot twists you don't see coming and you'll certainly stick around for the ending.

Every plot twist of Richard Loncraine's formula flick is telegraphed far in advance, from the marital meltdown at the start to the romantic antics at the end to the heart - tugging life challenges in between.

All of these fake endings are clever, with the best twist coming on the final one — but between the multiple fake endings and the gloriously clever opening sequences, there are just too many instances of idiot plotting to make Game Night worth spending your eight - to - ten dollars, plus treats, babysitters, parking or whatever.

The first couple of levels are a bit dull story-wise but it picks up and has a couple of very interesting plot twists, the ending was a bit weak though but that could have been due to my high chaos

Cooper and Lawrence do their best, but the material consistently works against them, from the overwrought dialogue to the never - ending plot twists in place of character development.

The plot twists and turns and it keeps you guessing till the end, and that's what makes the film good.

Noteworthy for its rich characterizations and startling plot twists, including a delightful surprise ending that is both a sexual double entendre and a matriarchal triumph.

There is a plot twist towards the end, you can see it from a mile away.

i went in expecting nothing more than an action flick with tech - savvy scenes, a standard plot and random twist at the end, and that's what they gave.

The first couple of levels are a bit dull story-wise but it picks up and has a couple of very interesting plot twists, the ending was a bit weak though but that could have been due to my high chaos playthrough.

And I figured out the ending and plot twists long before they happened.

But even by the end once you see... I guess it's the «plot twist» of the heist?

From the concept of a world with time travel to the twist of the plot involving him encountering himself, to where it ends up (and I won't dare spoil it, because this is one of those movies you must experience without being ruined in advance).

And, of course, they go toe - to - toe with the eponymous walking nuclear tank at the very end before dealing with the final plot twist.

The ending delivers a plot twist that is both shocking and overwhelmingly real — making everything which has happened before suddenly come into focus.

Given the number of people involved in the production (the end credits feel like they go forever), it's amazing to think that the many plot twists have been protected right up until the day of release.

The plot also offers up a few clever twists and turns at the end that provide some excitement.

The lowdown: A disfigured Jewish woman returns to Berlin from a concentration camp just after the end of WWII, and becomes embroiled in a twisted plot of her husband's.

The A.V. Club caught a special sneak preview screening of Split at Fantastic Fest, where we described as a «Hitchcockian take on a Silence Of The Lambs serial - killer movie,» featuring Shyamalan's signature plot twists and turns — including one at the end that had our audience gasping and applauding — and anchored by McAvoy's virtuosic, if showy, performance as Kevin / Dennis / Hedwig / et al..

This adaptation of Joseph Conrad's 1909 short story ambitiously twists the premise to add a bit of sexual tension, although the plot can't quite sustain itself right to the end.

And yet, in another twist of the tricky plot, her remark might stand as the moral of a story flecked by moments of hope whose ending has no conclusion.

A uniformly great supporting cast fills out the gallery of suspects, and the many twists and turns of the plot all come out right in the end.

After the exposition ends and the double - crossing begins, however, the film quickly loses steam, degenerating into a drearily familiar thriller, long on implausible plot twists and short on sympathetic characters or credible dialogue.

Even though there are multiple plot twists that add a great degree of excitement to the film, at the end of the day you will be left contemplating the ideas and motifs that the film brings up, and its very horrifying yet surreal ending.»

The problem with films that rely on plot - twists is that the audience is already second - guessing everything they see, trying to work out the surprise ending before its properly revealed.

This is all teasing the eventual reveal of half - assed psychological motivations and a plot twist that wouldn't be half - bad if it came in the first act, but which Diablo treats as a profound insight that needs to be saved until the end.

The aim to leave the audience satisfied is evident throughout but especially in the end where a plot twist could have been worked as a bone - chilling yet emotional impacting moment that the film instead opts to keep low - key and lighthearted.

She and Holofcener find some success in pacing, tossing in plot twists in just the right spots needed to convince the audience to stick with Every Secret Thing until the end.

By the end of the show we've had several unexpected and unforeshadowed plot twists, and it kind of seems like even the writers are as fed up with «Smash» as the rest of us are.

The movie is also riddled with giant plot holes, strange story developments and one of the lamest twist endings in recent memory.

He reeled off plot point after plot point, twist after twist, and the awesome ending he came up with.

twist to her marriage that feels like it's trying to distract us from the fact that the main plot line isn't going to come to a satisfying end.

Personally I loved the story so many plot twists that even in the end you couldn't know what was gonna happen.

In that light, this movie does deserve some credit for a few things: discovering a slightly clever twist on the usual home - invasion plot, providing a heroine whose techniques never stretch believability and only occasionally make us question her reasoning, and coming to an end just before the constant turning of the tables would start to seem too ridiculous.

But two games in, it's just gotten irksome, especially as this game halfheartedly makes some overtures toward the origin of this whole zombie mess before taking a hard left turn into a completely ridiculous, unearned plot twist, and then just... ending.

However, just as you think you know where the story is heading, a plot twist trips you up, and forces your full attention until the very end.

Even so, the plot builds slowly, finally reaching its most intriguing twist right at the very end, so the credits start rolling just as things get properly riveting.

The mystery / thriller, directed by Renny Harlin and scripted by Wayne Kramer and Kevin Brodbin adds a few unconventional twists to the tired «tracking down a serial killer» plot, but ends up outfoxing itself with a few too many narrative convolutions and contrivances.

«Happy End» plays at times like a critique of technological alienation, dispensing key plot twists via chilling iPhone videos and Facebook chat sessions.

The story is a maze of plot - twists which are simply confusing instead of intriguing and the ending is not satisfying.

suffers only from a somewhat convoluted plot that gets heavy - handed with action sequences and good - guy / bad - guy twists and turns towards the end.