Sentences with phrase «poetic aspects of»

On view through August 23, 2015 WILLIAM BAZIOTES: SURREALIST WATERCOLORS Allentown Art Museum 31 North Fifth Street Allentown, PA The museum notes «Baziotes (1912 - 1963) was an important contributor to Abstract Expressionism who also upheld the mysterious, dreamlike, and poetic aspects of Surrealism.»

The museum notes «Baziotes (1912 - 1963) was an important contributor to Abstract Expressionism who also upheld the mysterious, dreamlike, and poetic aspects of Surrealism.»

Sassen compels us to reflect on the realistic character of photography, which emphasizes the spectacular and poetic aspects of her work.

In a video interview with MIT, Jackson says that «bringing it [the piece, Chariot] to MIT and working with the Energy Initiative was a... seamless, perfect fit in the sense that it was an opportunity to sort of explore perhaps... some poetic aspects of what they're doing.»

«I had an intuitive feeling that Mexicans would like a more poetic aspect of my work,» said Dean at an interview held at the museum.

Not exact matches

It's all done consciously, but what we now know through research is that while that remains an extremely useful aspect of intelligence, there's an awful lot more that's going on on the margins of the mind, areas that are much more hazy or poetic.»

But a vital source of power in the image — whether visual or poetic — is its ability to work beyond the scope of the word: to evoke, suggest, allude to or embody aspects of experience that elude discursive reasoning.

Certain aspects of that tradition remain vibrantly meaningful as psychological, ethical, social and historical insight, expressed often in irreplaceably poetic and mythical form.

«15 Moreover, Whitehead emphasizes that symbolic reference, at least in human symbolisms, is generally a two - way affair in which the symbol and the symbolized are frequently interchangeable, a situation that suggests a reciprocal interaction between secondary (poetic) imagination and the social or cultural aspect of symbolizing.16

Adrian, a beautiful, well - reasoned answer, with some excellent and lovely quotes from a man who could make even the drollest aspects of science lyrical and poetic.

I'm temped to wax poetic on the many magical aspects of that trip (and I probably will at some point), but it's Friday and we've got places to go and rosé to drink, so I'll restrain myself.

And for a man, the «feminine» aspect of himself — the part more connected to his emotional, poetic self — shows up as a woman and is called his anima.

As I conclude these thoughts, my mind is flipping through the poetic excursion it just had the privilege of experiencing; scenes allowed to sink in so that the vastness of the volcanic nature swallows all attention, or the peculiarity of the aspect ratio which brings to mind Cormac McCarthy's lack of quotations; an artistic expression which empowers the themes and mysticism of the film.

From philosophy and religion to geography and architecture, to weapons and mythology and symbolism, the author introduces us to every aspect of this land and its varied peoples with poetic prose that draws us easily into the story.

By the mid-sixties Poons began to move away from the optical, scientific aspect of his work in a poetic and painterly direction.

With an affection for utopian novels like Sir Francis Bacon's The New Atlantis and Mary Shelley's The Last Man, Rivers's work blends aspects of fiction and reality in a subversive and poetic manner.

The works in Surrealism USA are borrowed from public and private collections in the United States and abroad, and all aspects of the Surrealist movement in America are represented: the figurative depictions of a fantasy world by Peter Blume, Dorothea Tanning, and Helen Lundberg; the social surrealism of O. Louis Guglielmi, James Guy and Walter Quirt; the imaginary landscapes of Kay Sage and Yves Tanguy; Joseph Cornell's enigmatic and poetic constructions; the lyrical abstractions of Arshile Gorky and William Baziotes; the automatic experiments of Jackson Pollock and Gerome Kamrowski.

At this early stage, his works were mostly done in a geometric Op art style that drew ideas from both Bauhaus and Minimalist theory, while by the mid-sixties, he moved away from the optical, scientific aspect of his work and toward a more poetic and painterly direction.

Exhibitionism seeks to amplify this independent vision through individual exhibitions that, variously, consider aspects of the social landscape, the poetics and politics of space, language and semiotics, figuration and the grotesque, interiority and exteriority, pattern and decoration, and rupture and displacement, among many other possibilities.

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

Frankenthaler appears to have been absorbed by the technical aspects of painting in this work — her flowing paint and the forms that emerge from it are precise and subtle — but its poetic title underlines its relationship to landscape.

Adopting an almost anthropological approach, he recombines aspects of the quotidian with his incisive artistic wit, opening up space to challenge the rules of the everyday through his poetic alterations.

I search for poetics - an encounter again with an aspect of the self.

Ross Bleckner is an influential American artist who is primarily known for his poetic paintings that deal with complex themes such as losing something one loves and different aspects of memory.

David Hammons, Untitled (Speakers)(1986), (acoustic speakers, bottle caps, wire): The sculpture and installation art of David Hammons speaks in poetic and provocative ways to aspects of African American cultural history and contemporary black experience.

These performative actions, that either become or create the work, are devised to test and expose the internal processes of methodological labour — the exhaustive, the obsessive, the poetic and the absurd — aspects that are all inherent to scientific practices.

He tried to move the debate from the old binary positions of previous decades, declaring that «the true painter, will be he who can wring from contemporary life its epic aspect and make us see and understand, with colour or in drawing, how great and poetic we are in our cravats and our polished boots».

Through the re-telling of this story, Stevenson's work drew out the interlaced poetic and economic aspects of so - called «primitive» and «developed» cultures.

Each work depicts a tender scene, poetic and subtle, offering compelling attention however coupled with idiosyncratic considerations; this composed structure affirms a play with perspective and dimensionality which attests to the artist's preoccupation with the technical aspects of painting.

Julien is currently producing a new work that is a poetic meditation on aspects of the life and architecture of Lina Bo Bardi, entitled The Seven Faces of Lina Bo Bardi.

Exhibition: SOLO EXHIBITIONS 2010 A-D Gallery, Athens, Greece, Within the Mind 2006 C. Grimaldis Gallery, Baltimore, MD, Unborderville 2005 A-D Gallery, Athens, Greece, Unborderville 2004 Kouros Gallery, New York, NY, Sacred Shadows 2003 C. Grimaldis Gallery, Baltimore, MD, Sacred Shadows 2001 A-D Gallery, Athens, Greece, Sacred & Poetic References 2000 A-D Gallery, Athens, Greece, Artificial Enemy 1999 Recalcati Arte Contemporanea, Torino, Italy, Tripticon, New Index 1998 Artforum Gallery, Thessaloniki, Greece, Air Chicago 1996 Show Centre of Hdk, Berlin, Germany, The Untruth 1994 Show Centre of Hdk, Berlin, Germany, Poetry of the Moment - Photographic References GROUP EXHIBITIONS 2012 C. Grimaldis Gallery, Baltimore, MD, Behind Walls C. Grimaldis Gallery, Baltimore, MD, Summer «12 2010 C. Grimaldis Gallery, Baltimore, MD, Summer «10 C.Grimaldis Gallery, Baltimore, MD, Wasteland 2009 Xippas Gallery, Athens, Realities & Plausibilities, curator: A. Moschovi Thessaloniki Museum of Photography, Greece, 10 Aspects of Hellenic Photography curators, Jean - Pierre Giusto and V. Loakimidis Thessaloniki Museum of Photography, Athens, Greece, Art Athina 09 2008 Theatre de la Photographie et de l Image, Nice, France, Aspects de la Photographie Hellenique, curators Jean - Pierre Giusto and V. Ioakimidis 2007 Maison Européenne de la Photographie, Paris, France, The Athens Effect, curator: Birgit Hoffmeister 2006 Fondatione Mudima Milano, Milan, Italy, The Athens Effect, curator: Birgit Hoffmeister C.Grimaldis Gallery, Baltimore, MD, Through The Lens II The Beltzios Collection, Trikala Greece, An Outing, curator S.Bahtsetzis 2004 C. Grimaldis Gallery» Baltimore, MD & «A-D Gallery» Athens, Art Athina Sala de Exposiciones, Canal de Isabel II, Madrid, Spain, Self - Aboutness, curator: Marilena Karra White Box, New York, NY, Every Day Hellas, curator: Heather

The poetic quality of his work is rooted in his mastery of the technical aspects of painting, his ability to mine the cultures of the past, and, most importantly, his talent for marrying the cerebral and whimsical.

The show features a new series of anamorphic mural installations that document the most recent aspects of the collective aesthetic and poetic research of the group focusing on the study of geometric abstraction in relation with the architecture and the surrounding urban space.

Julien's work is included in the collections of institutions around the globe, he is currently producing a new work that is a poetic meditation on aspects of the life and architecture of Lina Bo Bardi.

Julien is currently producing a new work that is a poetic meditation on aspects of the life and architecture of Lina Bo Bardi.

He works at the interface of ancient history, metaphysics, the psychosocial aspects of ufology & the politics of aesthetics — all countered with an overpowering poetic vision that has echoes of the wilful extremism of rock n» roll.

His reaction was to change his style completely and return to the «poetic» aspect of photography that had inspired him in his Paris days.

I would like give an honorable mention to Blindspot Gallery (also in South Island Arts District) for its touching presentation of photography and video by South Ho Siu Nam with the show good day, good night, which explored the poetic and durational aspects of Occupy Central.

My commitment is precisely this attitude, which aims to make people forget geometry — not to declare it to be an expressive aspect of the poetics, but to make it be forgotten in a multidimensional space in a two - dimensional field, where there are multiple visual focuses in an active dynamic of multiple perceptions.

Leaving Babylon has a fascinating and poetic piece on why it is often the unseen, hidden and less showy aspects of «activism» that are the most important.