Sentences with phrase «poetic forms from»

Not exact matches

There is a homology between them, but nothing allows us to derive the specific feature of religious language — i.e., that its referent moves among prophecy, narration, prescription, wisdom, and psalms, coordinating these diverse and partial forms of discourse by giving them a vanishing point and an index of incompleteness — nothing, I say, allows us to derive this from the general characteristics of the poetic function.

The field of imagination at any rate is broad, ranging from automatic, instinctual, or reflex actions (in which the problem of meaning is virtually, but not entirely, non-existent), to more or less habitual modes of response to «natural signs,» and rising ultimately to sophisticated conceptual activity and various poetic or secondary forms of meaning — making in cultural and social significations.19 In the higher reaches of semiotic activity an increase in imaginative freedom is accompanied by a greater risk of error.

A narrative of a Lenten meditation in poetic form written from the standpoint of the apostle Thomas: And if it were not for his love, his grace that sought me out behind locked doors, called me to touch and then believe, I would not be here at your humble table ready now with you, to break the bread and pour the wine as he did years ago.

The form was invented by Disney eighty years ago, with «Snow White and the Seven Dwarfs» (1937), a film I still think has never been surpassed, and when you watch something as transporting as «Snow White» — or «Bambi,» or «Toy Story,» or «Beauty and the Beast» — every gesture and background and choreographed flourish, from the facial expressions to the drip - drop of water, flows together with a poetic unity.

Beginning life as Maddin's interactive Seances project, in which the director channelled the spirits of lost silent movies through improvised live happenings, the film eschews traditional narrative form to instead seduce its audience through its poetic visuals, compelling ideas and inspiring performances from the likes of Charlotte Rampling, Geraldine Chaplin, Mathieu Almaric and Udo Keir.

They will transform those words from prose to poetic form.

They include a guide to poetic forms, writing prompts, writing tips, and advice from published poets.

In the Classroom: Talk with students about how a novel in verse is different from a prose novel (e.g., the use of white space, line breaks, poetic forms) and why an author might choose this verse format.

Her mastery extends to her use of varied poetic forms, including acrostics, which incorporate lines from some of Frost's favorite poems.

After a discussion about significant themes in the personal narratives in Making It Home, students can write found poems in which they use words from a selection of text and rearrange and edit them in poetic form, capturing the essence of the narrator's experience.

In deftly turned odes to our fine feathered friends, Yolen explores the distinct traits of select avian species — from the kingfisher to the wood duck to the great horned owl — in a variety of poetic forms, while Stemple supplies crisp, close - up photos of the poem's handsome subjects.

Her three - dimensional forms, at once poetic and quirky, are translated from the artist's personal archive of found images, their sources ranging from details of architectural ornamentation — whether an Art Deco wall sconce or vintage wallpaper — to articles of clothing.

Cast in bronze from molds of actual tulips, the languid arches of the sculptures form a sort of poetics of failure.

From poetic drawings to room size installations, she was able to give her fears a physical form in order to exorcise them.

This piece advanced Curto's technique of setting tens of thousands of individually shaped gems from a kaleidoscope of symbolic colours, as he shaped the plexiglass resin board into a poetic three - dimensional form to seemingly suspend the sparkling «flying carpet».

Frankenthaler appears to have been absorbed by the technical aspects of painting in this work — her flowing paint and the forms that emerge from it are precise and subtle — but its poetic title underlines its relationship to landscape.

From painting to print, sculpture and installation, the featured works juxtapose publicly intended messages with deeply personal revelations, which are at once polemic and poetic, positive and negative, both in tone and form.

Their action can be taken as an unproductive yet poetic form of wind erosion, directed toward this uniquely uncorrupted material from a time when there were no life witnesses to the planet's geological transformation.

In the video, the artist symbolically reunites an iceberg (in the form of a flag) with the glacier from which it came; a poetic gesture reconnecting long divided companions.

The exhibition takes a nonlinear form and is organized around diverse poetic themes that cut across time periods, media, styles, and artistic cultures, bringing together voices from a wide range of practices and representing diverse communities and sensibilities.

His spectacular frenzies of color and form become visual analogues of the very urban landscape from which he scavenged his materials — poetic visual kaleidoscopes of the communities and underground economies to which Bradford's inherently referential source material gestures, and the volatile emotional admixture of desires, concerns and vitality that make up the complex socio - economic layers of Bradford's worlds.»

These selected works from MMoCA's permanent collection demonstrate the array of poetic meanings that have been ascribed to abstract forms, including a concern for the effect of abstract shape on our perceptions; a wish to map conceptual structures; and attempts to make visible the invisible world of nature's underlying patterns and forces.

Moore's «Loving the Alien» episode formed the initial part of a four - way discussion, bringing together three artists who share a use and poetic interrogation of the found image, ranging from conceptual practices of the 1970s to more Web - informed emerging methodologies.

With works dating from 1975 to 1988, the exhibition «Poetic Form» focuses on John Chamberlain's mid-career return to the use of car...

The artist is also driven to display how the tribally sanctified spaces in which those forms of worship and spirited performance takes place are Black pocket - universes of intense energy, eloquence and illumination — ones that exist in simultaneous alignment and detachment from the poetics of Black political and popular culture but are as well - organized as those realms around the acquisition and consumption of material wealth for culturally redemptive purposes.

With works dating from 1975 to 1988, the exhibition «Poetic Form» focuses on John Chamberlain's mid-career return to the use of car metal as a sculptural material, as well as his long - term interest in vibrant, colorful expression in 2 and 3 dimensions.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyriFrom The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrifrom Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Though the painting's creation is strongly based on the methodology of approach, Jason Martin seeks validation for his work from a more poetic instinct, allowing the viewer to form associations, directed by the form, texture and colour.

Twenty - plus artists contribute more than sixty works in diverse media — ranging from quasi-architectural interventions (Los Carpinteros) to incisive social critique (Daniela Ortiz and Alexander Apóstol) to poetic reflections on history and form (Quisqueya Henríquez and Ishmael Randall Weeks).

At Kouros, a group of rarely seen canvases and watercolors from 1947 - 48 deals with organic, floral and undersea forms, in poetic compositions of luminous color.

I often think of these conjoined forms as an allusion to nature's defiance of artificially imposed, man - made divisions on the ground; a poetic provocation from the past or a proposition for an imagined future where indeed they may reunite.

Forming a poetic counterpoint to many of the works on view, Rain Under Lamppost (2014) presents an animated video projection, which replicates the action of falling rain, through the cone of light from a lamppost.