To which the answer is that he exists in imagination and serves such and such
poetic functions.
Hence I will speak of
the poetic function of discourse and not of a poetic genre or a mode of poetic discourse.
The sense in which all these forms of discourse may be said to be revelatory turns on what Ricoeur calls their «
poetic function.»
As a first approximation, we may say that
the poetic function points to the obliterating of the ordinary referential function, at least if we identify it with the capacity to describe familiar objects of perception or the objects which science alone determines by means of its standards of measurement.
This new analogy invites us to place the originary expressions of biblical faith under the sign of
the poetic function of language; not to deprive them of any referent, but to put them under the law of split reference that characterizes
the poetic function.
It is in this sense of manifestation that language in
its poetic function is a vehicle of revelation.
But to these three traits
the poetic function adds a split reference by means of which emerges the Atlantis submerged in the network of objects submitted to the domination of our preoccupations.
I am first defining
the poetic function in a negative manner, following Roman Jakobson, as the inverse of the referential function understood in a narrow descriptive sense, then in a positive way as what in my volume on metaphor I call the metaphorical reference.7 And in this regard, the most extreme paradox is that when language most enters into fiction — e.g., when a poet forges the plot of a tragedy — it most speaks truth because it redescribes reality so well known that it is taken for granted in terms of the new features of this plot.
There is a homology between them, but nothing allows us to derive the specific feature of religious language — i.e., that its referent moves among prophecy, narration, prescription, wisdom, and psalms, coordinating these diverse and partial forms of discourse by giving them a vanishing point and an index of incompleteness — nothing, I say, allows us to derive this from the general characteristics of
the poetic function.
This idea of a consciousness which posits itself in positing its contents undoubtedly constitutes the strongest resistance to any idea of revelation, not only in the specific sense of the religions of the book, but also in the larger, more global sense that we have just connected to
the poetic function of discourse,
The exhibition draws on Jakobson's distinctive ideas on
the poetic function of language as a departure point for considering forms of expression situated beyond semantic clarity.
The group exhibition «More Than Just Words [On the Poetic]» is taking the idea of
the poetic function of communication as a point of departure for ways of expressing thoughts and ideas beyond semantic unambiguity.
[159] This reference to the blog's own position about its message seemed to be a linguistic event of the type contemplated in Johnson's Microstyle, possibly the idea of language's
poetic function in which the language highlights its own form.
Not exact matches
According to this subtle blend of political doctrine and
poetic vision, the
function of the French state is to maintain in unity, independence, and prosperity a pre-existing nation with definite features.
29:10 the characteristic Hebrew
poetic parallelism of members puts prophet and seer again in the same essential
function:
This is precisely the
function of a
poetic apocalypse.
When the reality of God is eschatologically identified with his dawning Kingdom, then God can be known only as an active and apocalyptic process that even now is becoming all in all... This is precisely the
function of a
poetic apocalypse.
This conjunction of fiction and redescription, of mythos and mimesis, constitutes the referential
function by means of which I would define the
poetic dimension of language.
So it is therefore appropriate, I believe, to inquire into the particular revelatory
function attached to certain modalities of scripture which I will place under the title
Poetics, in a sense I will explain in a moment.
On this triple basis — autonomy through writing, externalization by means of the work, and the reference to a world — I will construct the analysis central to our discussion of the revelatory
function of
poetic discourse.
Hence the
function of
poetic discourse is to bring about this emergence of a depth - structure of belonging - to amid the ruins of descriptive discourse.
Poetic discourse suspends this descriptive
function.
To introduce this idea of a revelatory
function of
poetic discourse, I will draw upon three preparatory concepts that I have examined at greater length in my other writings on hermeneutics.6
long have i admired laura's
poetic combination of flavor and
function.
The idea of «defamiliarisation» originally emerged with the Russian Formalists (1914 — 1930) who contended that the basic
function of
poetic art was to challenge and renew perception.
Victor Shklovsky writes, «The essential
function of
poetic art... was to shock us into awareness by subverting routinized perception, by making forms difficult and by exploding the encrustations of customary perception» (quoted in Stam, Burgoyne, Flitterman - Lewis, p. 10).
Voiced by Pierfrancesco Favino, the 19th century general
functions as a kind of
poetic, philosophizing narrator, commenting on what he observes from his high vantage point atop Janiculum Hill.
Poised between the organic and the manmade, the practical and the
poetic, Pardo's art playfully insists that form needn't necessarily follow
function (or vice versa) instead suggesting multiple and mutating definitions and applications that toy with our expectations.
The resulting, highly
poetic constructions
function as acute reflections of contemporary society.
In the context of Midtown Manhattan, however, Elmgreen & Dragset render the pool devoid of
function via its displacement, and in turn, prompt a simultaneously more cerebral,
poetic, and aesthetic approach to the actual object as well as its setting.
The ordinariness of the objects imbues the work with a
poetic tension - things are familiar but, isolated from their original
function, somehow wrong.
It is made up of «very concentrated sentences that
function like medicine,» fatmi says, «and started with the
poetic and provocative statement: «My father has lost all his teeth, I can bite him now».»
In equal measure tactile and fragile, the works by contemporary Latin American artists in this gallery
function like
poetic ballads...
As Nauman says: «When language begins to break down a little bit, it becomes exciting and communicates in nearly the simplest way that it can
function: you are forced to be aware of the sounds and the
poetic parts of words.»
Based on formal analogies, Halmer creates a subtle coherence between painting and objects and transforms their specific
function into a
poetic state of being.
Based on a set of concepts falling under the ocular physiology (Fovea, macula, lens, etc.), the exhibition also proposes the various
functions of the camera eye in its ability to perceive the world on a symbolic and
poetic way.
Drawing from the sighting of a similarly shaped sign atop a downtown Los Angeles building, the Three Points billboard
functions both as an outdoor exhibition space and as a display of personal
poetics.
The traces to traditional art mediums and the representation of mundane material make the works unfamiliar yet aesthetic; by stripping objects off its original
function, replacing them within an art context, and combining them to form a new sculptural entity, Stramrud unavoidably points at Surrealist juxtaposition techniques with its aim to create an image of
poetic reality.
Her photographic works questions how we subscribe to the traditional modes of production and places of
functioning through the
poetic ambiguities and fractures harmonies, created by the disparate arrangement of images on a single plane.
Schulze returns to New York with a
poetic, yet tense, amalgam of installation, painting, and sculpture, in which every object is sabotaged furniture, a decorated and mythic object for living, suffused with extreme magnitude while rinsed of all
function.
The titles in the Janus series: No Known Way, Been and Gone, Dancing in the Night, Beginnings and Endings, Touching Distance, The Approaching Night, Night Embrace, read like lines from a Samuel Beckett text and
function as
poetic and philosophical underpinnings to his imagery, whilst all the while refusing literal translation.