That's not how
poetic language works.
Not exact matches
But after years of
work on the
poetic, metaphorical nature of religious
language (and hence its relative, constructive and necessarily changing character), and in view of feminism's critique of the hierarchical, dualistic nature of the
language of the Jewish and Christian traditions, my bonds to biblicism and the Barthian God loosened.
This approach is continued from another perspective in the thinking of Horace Bushnell and Francis H. Drinkwater who
work through the
language of the heart and provide us with the category of
poetic - simple.
She once said, «Punk rock is just another word for freedom,» but her best
work, including «Mercy Is,» her lullaby for director Darren Aronofsky's Noah, is immersed in the
poetic tradition of Blake and Rimbaud as well as the
language of the Bible.
[39] In spite of the diversity of their plastic
language, they perceived a common basis for their
work; this being a method of direct appropriation of reality, equivalent, in the terms used by Restany; to a «
poetic recycling of urban, industrial and advertising reality».
And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The
Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with c
Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of
language, how the same words can to be constantly reconstructed to describe anew... While
language is essential to both practices, they share an incredible ability to transform
language or imagery with equal grace into the
poetics of a purely visual yet rigorously embedded experience... The work is saturated with c
poetics of a purely visual yet rigorously embedded experience... The
work is saturated with content.
The
works» own features — line, form, texture, color, volume — are weaved into fresh and
poetic, alternative visual
language that is outside of existing preconceptions or representation systems, and play out as spatial development with rich sensory engagement.
Working in the mode of what has been called «
poetic Conceptualism,» these artists provide new perspectives within the global Conceptual narrative, utilizing the Icelandic landscape,
language, and culture as their source material.
Through a process of
poetic subtraction, Michelle
works with the
language as it exists on the original page to write a decolonial counterpoint to the Western - centric way of imaging, an thus, imagining the world.
The
works mirror the artist whose life integrated the noble
poetics of two
languages, the written and the visual.»
Focusing on personal
poetics from multiple perspectives and through various mediums, Seldon Yuan's
work extends across a spectrum that plays on optical effects, absurdity, surrealism,
language, familiar objects and spaces that are often in service of a personal narrative.
While their visual
language is characterized by dreamy and
poetic aesthetics, the concept behind the
work is often based on an unexpectedly critical engagement.
Coinciding with the gallery's announcement for joint - representation of the artist's estate with Andrea Rosen Gallery, this selection of
works from the artist's different bodies of
works once again manifested the timelessness and universality of Gonzales - Torres» silent and
poetic visual
language that resists any art historical classification.
Through a process of
poetic subtraction, Dizon
works with only the
language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West.
Concurrently, his
work celebrates the
poetic nature of hip - hop's
language, both verbal and physical, as well as its powerful and empowering contribution to an increasingly hybrid global culture.
A new series of ceramic floor
works referred to as «code poems» gather a range of references to the interaction of visual form and
language, namely a nod to the American L = A = N = G = U = A = G = E
poetics through an appropriation of Hannah Weiner's experimental text Morse Code (2002), as well as the spatial elegance of Carl Andre's minimal floor sculptures.
Richard Tuttle has been pursuing a
poetics of unassuming beauty since the late 1960s, contributing crucially to the
language of painting while eschewing its conventional trappings; Julian Schnabel is represented by a recent
work in which a rain - stained lampshade becomes the occasion for meditation on accident and intention, seeking, as Elizabeth Taylor once said, to «give the maximum emotional effect with the minimum of visual movement.»
Finlay's
poetic work with its focus on the
language and beauty of the letter is particularly relevant to our region, where the tradition of calligraphy and the rich history of the written word are integral to Middle Eastern artistic canons.
Taking a conceptual approach to making objects, Amanda Ross - Ho mines her life, the Internet and her own art to create
poetic works that investigate how
language is structured and relationships are formed.
In Coventry's
work, the detritus, aggression and excess of postmodern society is expressed through the poised and elegant
language of modernism.There is a
poetic detachment in his
work, expressed through his favouring of workmanlike, un-aesthetic colours which can often appear random, coldly institutional or light industrial.
Poetic works allow us to say everything; they offer a subversive
language that can transcend the law.»
Isaac Julien (b. 1960) is a British artist and filmmaker whose
work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theater, painting, and sculpture, and uniting them to create a unique
poetic visual
language in audio visual film installations.
``... But her
work struck me as merely
poetic, treacly wishing - minimalism spiced with a little
language.
Though the eclectic arc of Morton's practice was rooted in post-Minimalism, a
poetic approach to
language and symbolism progressively distanced her
work from easy categorization in the early to mid-70s.
Isaac Julien is a British artist and filmmaker whose
work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to create a unique
poetic visual
language in audio visual film installations.
In her highly theoretical and
poetic film
works, Cha uses performance, speech, and text to explore interactions of
language, meaning, and memory.
Other
works reflect Wong's erotic infatuation with firemen and prisoners, exploring the dynamic between hero and convict with the aid of his own and others»
poetic language.
Each of the six artists will present
works aligned with the methodologies or interests inherent to the
poetic process, lending a lyrical sense to both material and object by using a mix of individual abstract
language and intuitive composition or gesture.
Breaking out of illustration's prescriptive narrative mode, Leveille maintains a relationship with
language yet subverts the narrative potentials of her
work in her personal determination to create something
poetic rather than literal.
For this project the artists are
working at the intersection of
poetics and politics, drawing on the multiplicity of African diasporic traditions, while anchoring music and
language at the root of their collaboration.
His enigmatic and until very recently under - appreciated body of
work uses
language, performances, paintings, sculpture and prints to inhabit the
poetic space of the written word and theatre.
Pope.L's
work has a gut - punch immediacy, and issues of race, alienation, and democracy break down into a
poetic and absurd interplay between identity,
language, and materials.
Marc Van Cauwenbergh is inspired by the human body in motion to
work with a well - defined visual
language that is
poetic and sensual.