Not exact matches
This «
poetic dimension,» as Macquarrie calls it, is a state
of mind in which
things are seen in the light
of their Being, much as Van Gogh portrayed, and Heidegger understood, an entire
world of human involvements in a simple pair
of farming boots.
But while Hockney is entranced by the
things of this
world, Suárez moves fluidly between material realities and material impossibilities, finding
poetics along the way.
Addressing inanities, profanities and vanities in the contemporary
world of art, the first section is an «open letter to the art
world»; the second a meditation on the art fair phenomenon; the third is about «naming
things in the face
of no names»; the final section addresses what the artist regards as «a paucity
of poetics.