She once said, «Punk rock is just another word for freedom,» but her best work, including «Mercy Is,» her lullaby for director Darren Aronofsky's Noah, is immersed in
the poetic tradition of Blake and Rimbaud as well as the language of the Bible.
Not exact matches
It is highly
poetic, and most religious
traditions and religious rites were written using the King James Version
of the Bible.
Now there are a number
of important footnotes to Aristotle, but I simply wish to draw attention to the point
of culmination
of the
tradition, that period bridging the thirteenth and fourteenth centuries that saw the production
of the grand synthesis
of the Angelic Doctor, Saint Thomas Aquinas, as well as its
poetic embodiment in The Divine Comedy
of Dante.
Certain aspects
of that
tradition remain vibrantly meaningful as psychological, ethical, social and historical insight, expressed often in irreplaceably
poetic and mythical form.
But after years
of work on the
poetic, metaphorical nature
of religious language (and hence its relative, constructive and necessarily changing character), and in view
of feminism's critique
of the hierarchical, dualistic nature
of the language
of the Jewish and Christian
traditions, my bonds to biblicism and the Barthian God loosened.
On this wave
of inspiration, Cædmon began to Christianize the Old English
poetic tradition in keeping with the Icelandic view
of poetry as the capacity to peer into the runes and find the meaning
of the world.
Through Blake we can sense the theological significance
of a
poetic reversal
of our mythical
traditions, and become open to the possibility that the uniquely modern metamorphosis
of the sacred into the profane is the culmination
of a redemptive and kenotic movement
of the Godhead.
Giving them a space to voice their own articulation
of the faith is one
of the greatest ways to explore the rich
poetic heritage
of the Christian
tradition.
Kiarostami shoots Africa with an uncanny verisimilitude, coming close here to his idea
of a «
poetic cinema» indebted more to poetry and music than the theatrical novelistic storytelling
tradition.
It is to Lynne Ramsay's credit that it is difficult, if not impossible, to slot her debut feature into any existing British genre or
tradition, though there are echoes here
of Ken Loach's early
poetic social realism,
of Bill Douglas's stark, painterly style, and
of Robert Bresson's «pure» cinema, stripped down and sensual.
This is a film steeped in the nouvelle vague
tradition, with poppy bits
of poetic - seeming dialogue and pretty pictures
of beautiful, pining people, shot on multiple soon - to - be-extinct film formats (8 mm, 16 mm, and 35 mm).
It is at once delicate and frank in a way that partakes as much
of poetic as
of cinema
traditions.
In the bestselling
tradition of novelists such as Chimamanda Ngozi Adichie and Marlon James, this urgent,
poetic, and essential work announces the arrival
of a fresh and talented voice in international fiction.
They all present a
poetic re-working
of Greek popular
tradition, which develops around three themes: KARAGIOZIS, POSTCARDS
of old Athens, the EVIL EYE, a bead charm used to guard against ill omen and bad luck.
As a result, the full - flung
poetic beauty
of these recent paintings shows that the artist is continuing to advance upon her achievements, deftly alluding to both Western and Chinese sources without succumbing to either
tradition.
This work can be interpreted in the simplest, most direct manner — as a stereotyped image
of China's food culture and painting
traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use
of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation
of handwritten menus to capture a scene
of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen
of mysterious Oriental
poetic calligraphy and bonsai art.
A recurring principle
of formal repetition speaks to her works» time based genesis, with the result that the perusal
of their surfaces seems an act
of reconstitution, or recovery
of their
poetic content from a state
of preservation or repose not unlike how the reading
of verses from the Qu «ran recalls their origins in a long
tradition of oral recitation.
One - man shows include National Museum, Lagos, Nigeria, 1991, October Gallery, London, 1995, 1998, 2002, Contemporary African Gallery, New York City, 2005, Hood Museum, Dartmouth College, New Hampshire, 2006, Jack Shainman Gallery, New York City, 2008, exhibited in group shows at Contemporary African Artists: A Changing
Tradition, Studio Museum Harlem, New York City, 1990, Venice Biennale, 1990, 2007, Johannesburg Biennale, 1995, The
Poetics of Line, National Museum African Art, Smithsonian Institute, Washington, 1997, Encounters with the Contemporary, 2001, Osaka Sculpture Triennale, Japan, 1999, Altered, Stitched and Gathered, Process Status 1 Contemporary Art Center, 2007, Tapping Currents: Contemporary African Art and Diaspora, Nelson - Atkins Museum Art, Kansas City, 2008.
Parallel to this great modernist
tradition there is also an explicitly Brazilian conceptual art that was less dogmatic and structuralist than its counterparts in Europe and North America, but more open, more
poetic and more politically engaged, as we can see in the works
of Cildo Meireles.
In parallel with this great modernist
tradition is also an explicit Brazilian conceptual art that was less dogmatic and structuralist than their counterparts in Europe and North America, but more open, more
poetic, more politically engaged, as we can see in the works
of Cildo Meireles and Vik Muniz.
In her use
of contemporary technology, Aycock is advancing sculpture, taking up where artists like John Chamberlain left off, by utilizing the new processes
of industry towards a
poetic end, thus expanding the artistic
tradition of turning technology back on itself.
Throughout his career, James Bishop has engaged with European and American
traditions of postwar abstraction while developing a subtle,
poetic, and highly unique visual language
of his own.
Overton (b. 1971) works from the
tradition of post-Minimalism, creating powerful,
poetic situations from simple constructions and materials.
The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 5/23 (extended) Richard Prince; Alexander Calder / Ed Rusha / Gagosian / 980 Madison @ 77th / thru 6/14 Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21
Poetics of the Gesture: Schiele; TTwombly; Basquiat / Nahmad / 980 Madison — floor 3 / thru 6/14 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Opening 5/28 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 Opening 5/29 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Hugo McCloud / Roitfeld / 5a E 78 / thru 6/7 Andrew Kuo / Half / 43 East 78 / thru 6/2 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Dean Levin / Blumenthal / 1045 Madison @ 80 / thru 5/30 Lucas Samaras thru 6/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining
Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Opening 6/11 Sophie Calle / Cooper + Perrotin @ The Episcopal Church
of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29
These dreamlike sculptures evoke
poetic surrealist juxtapositions, exploring the artist's half - remembered childhood tales, as well as the constructed and fictitious memories
of childhood, folklore, and
tradition.
The exhibition presented a diverse landscape
of masterpieces from the museum's collection that incorporate
poetic inscriptions in their composition or have direct relationships to America's rich
poetic traditions.
He is author
of consent not to be a single being, In the Break: The Aesthetics
of the Black Radical
Tradition, Hughson's Tavern, B. Jenkins, The Feel Trio, The Little Edges, The Service Porch and co-author, with Stefano Harney,
of The Undercommons: Fugitive Planning and Black Study and A
Poetics of the Undercommons, and, with Wu Tsang,
of Who touched me?
Poetic and ruminative without being bound to
tradition, funny and knowing without being defined by the rhetoric
of postmodernism, the works are stylish and relevant without being subject to the whims
of art world fashion.
Finlay's
poetic work with its focus on the language and beauty
of the letter is particularly relevant to our region, where the
tradition of calligraphy and the rich history
of the written word are integral to Middle Eastern artistic canons.
Seeking to revivify and extend the conventions
of ink and wash painting, Hao spent many years studying Chinese classical paintings, acquiring vast knowledge
of historical works, as well as the many motifs and
poetic traditions related to them.
It allowed me to reconsider certain positions regarding my own work and reconnect with a type
of tradition I view as
poetic in the making
of images.
Considered metaphorically, the feathers evoke notions
of fragility, the
tradition of letter writing, or the freedom
of travel, for example, but del Rivero neutralizes the
poetic tenor by means
of formal simplification.
For this project the artists are working at the intersection
of poetics and politics, drawing on the multiplicity
of African diasporic
traditions, while anchoring music and language at the root
of their collaboration.
In this project, the artists are exploring the intersection
of poetics and politics and drawing on African diasporic
traditions with an emphasis on music and language.
Titled after the 1960s literary journal founded by Scottish artist - poet Ian Hamilton Finlay, «P.O.T.H.» looks back at this
tradition through a contemporary lens to assemble a diverse array
of poetic, typographic, and textual works, from wall painting to sculpture, by nearly twenty artists and writers, including Carl Andre, Ferdinand Kriwet, and Frances Stark.
The exhibition presents a diverse landscape
of masterpieces from the museum's collection that incorporate
poetic inscriptions in their composition or have direct relationships to America's rich
poetic traditions.
Known for his site - specific installations created from light and text, London - based artist Robert Montgomery follows a
tradition of conceptual art often described as post-Situationist standing out by bringing a
poetic and melancholic voice to the discourse
of text art, primarily in public spaces.
Throughout his career, Bishop has engaged European and American
traditions of post-War abstraction while developing a subtle,
poetic, and highly unique visual language
of his own.
And though it follows the age - old
tradition of using rugs as a means
of communication and mediums for cultural record, there are various other metaphors that can be inferred by NEL's
poetic creation: Carbon footprints being the cause
of Global Warming, our comfort directly correlating with the discomfort
of other species, [insert your inference here].
Recently exhibited at Beijing Design Week, Hanna's curious device intersects the city's love for bicycles, along with DIY technology and a long - held
tradition of transforming any public space into
poetic places, using the ephemerality
of water.