Sentences with phrase «poetic visual language»

Isaac Julien is a British artist and filmmaker whose work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to create a unique poetic visual language in audio visual film installations.

Isaac Julien (b. 1960) is a British artist and filmmaker whose work incorporates different artistic disciplines, drawing from and commenting on film, dance, photography, music, theater, painting, and sculpture, and uniting them to create a unique poetic visual language in audio visual film installations.

«Abstraction may be the most poetic visual language because it is ultimately about the spirit,» they write.

In doing so, he creates a unique poetic visual language in audiovisual film installations.

Coinciding with the gallery's announcement for joint - representation of the artist's estate with Andrea Rosen Gallery, this selection of works from the artist's different bodies of works once again manifested the timelessness and universality of Gonzales - Torres» silent and poetic visual language that resists any art historical classification.

With a background in sound, performance and writing, Pasquier has developed a poetic visual language in her conceptual approach to photography.

Not exact matches

And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with cPoetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with cpoetics of a purely visual yet rigorously embedded experience... The work is saturated with content.

He employs the visual language of authority (universal icons) and remodels these tools of the state to express more surreal and poetic contemplations of the individual.

The works» own features — line, form, texture, color, volume — are weaved into fresh and poetic, alternative visual language that is outside of existing preconceptions or representation systems, and play out as spatial development with rich sensory engagement.

The works mirror the artist whose life integrated the noble poetics of two languages, the written and the visual.»

Through photographs, installations and videos, Xing positions herself inside the event as a subject, a model, or a critical eye, creating a visual language that is both subversive and poetic.

While their visual language is characterized by dreamy and poetic aesthetics, the concept behind the work is often based on an unexpectedly critical engagement.

A new series of ceramic floor works referred to as «code poems» gather a range of references to the interaction of visual form and language, namely a nod to the American L = A = N = G = U = A = G = E poetics through an appropriation of Hannah Weiner's experimental text Morse Code (2002), as well as the spatial elegance of Carl Andre's minimal floor sculptures.

Her visual language is inspired by the dense color palettes of Matisse, the scale and breadth of the Abstract Expressionists, and the poetic lack of naturalism of Asian landscape paintings.

Throughout his career, James Bishop has engaged with European and American traditions of postwar abstraction while developing a subtle, poetic, and highly unique visual language of his own.

His multi-screen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language.

Richard Tuttle has been pursuing a poetics of unassuming beauty since the late 1960s, contributing crucially to the language of painting while eschewing its conventional trappings; Julian Schnabel is represented by a recent work in which a rain - stained lampshade becomes the occasion for meditation on accident and intention, seeking, as Elizabeth Taylor once said, to «give the maximum emotional effect with the minimum of visual movement.»

By interrogating the essential tensions underpinning existence and exploring the emotive properties of colour, Azadeh Razaghdoost creates a truly poetic and idiosyncratic visual language at the confluence of life's most fundamental impulses.

She writes poetic - criticism (sometimes bilingual), does language collage, (The North Georgia Gazette, Green Lantern Press, 2009; «m» forthcoming from Corrupt Press, 2012), visual and sound poetry, and performance.

Visual elements from the landscape, such as a branch, house, or road, are transformed into a more abstract visual language that vacillates between the recognizable, suggestive, determined and more pVisual elements from the landscape, such as a branch, house, or road, are transformed into a more abstract visual language that vacillates between the recognizable, suggestive, determined and more pvisual language that vacillates between the recognizable, suggestive, determined and more poetic.

Fragments of poetic language cohere with her visual iconography to produce nonlinear narratives of «unforeseen desire and untimely loss,» offering audiences untold tales from both collectively imagined pasts and distant futures.

Throughout his career, Bishop has engaged European and American traditions of post-War abstraction while developing a subtle, poetic, and highly unique visual language of his own.

Marc Van Cauwenbergh is inspired by the human body in motion to work with a well - defined visual language that is poetic and sensual.