Not exact matches
The breathtaking, richly eloquent, and visually -
poetic film - deliberately
filmed at a slow pace - about space travel and the discovery of extra-terrestrial intelligence (many years before Star
Wars (1977), Close Encounters of the Third Kind (1977), and E.T.: The Extra-Terrestrial (1982)-RRB-, was based on the published 1951 short story The Sentinel, written in 1948 by English science fiction author Arthur C. Clarke.
Monitor
film critic Peter Rainer called «Wind,» which was billed as Miyazaki's final
film and the story of which is partly based on fighter plane designer Jiro Horikoshi's life, «visually as beautiful as anything he's ever done,» though he noted that «the collision between
poetic fancifulness and grim reality, between peace and
war, never falls into focus.»
THE WORLD MADE STRAIGHT, based on the novel of the same name by Ron Rash, is a
poetic, savage
film about the presence of the past asserting itself in the present as events in 1970s North Carolina are tinged with the repercussions of the Civil
War battles fought there a century before.
And the adventurous English critic Raymond Durgnat devotes most of the final chapter of his first book, the 1967 Films and Feelings, to the
film, finding its story a reflection of American attitudes during the cold
war and appreciating, with some critical reservations, its «moral suspense» as well as its
poetic imagery.
Using the recurrent imagery of the sea, the
film sweeps the viewer into a
poetic meditation on the ebb and flow of self and stranger, love and hate,
war and peace, xenophobe and xenophile.