Sentences with phrase «poets use»

Poets use whichever pattern they need while also adhering to the limits of poetic form.

We can also help them understand and identify the words and phrases poets use to communicate emotions and convey sensory experiences through poetry.

We help students understand how poets use lines and stanzas to build poems in distinctive ways.

You can piggyback on their comments by explaining some poetry fundamentals after they've already observed them (e.g., ««Click clack» is an example of onomatopoeia, and poets use this device to suggest sounds, even coining new words in the process»).

Like any good poet she uses rich imagery - animal and plants and spices to describe her love, and the message is there for all who will read: this is not a woman who will be stopped in her pursuit of what she wants.

In his 1936 essay «The Irrational Element in Poetry,» Stevens remarks that the poet uses his intuition both in the selection of the subject of a poem and in his selection of the right words or sounds.

Among the supposedly best - educated persons of our time, the idea of a disenchanted world, grim and cruel, has largely replaced the living spiritual reality of which poets used to sing.

Suicidal poets used the pronoun «I» more often — perhaps a reflection of the excessive self - focus that's common in depression.

The real downer is Timberlake as a Greek chorus figure with feeble literary fantasies, who is an unreliable lover but not, alas, anything so interesting as an unreliable narrator: «As a poet I use symbols,» he tells us at the start.

Her collection of works titled Lunar Nibs got her the first place among nominees Anthea Hamilton, Michael Dean and Josephine Pryde, combining a variety of materials and techniques applied» in a similar way to a poet using language», according to Tate Britain director Alex Farquharson.

Connecting words and images, the poet uses the materiality of the written word to confront the audience with poetry in different contexts.

The chair of judges, Tate Britain director Alex Farquharson, said Marten, who is based in London, was making work which had real longevity and was using objects, forms and images in a similar way to a poet using language.

Something similar occurs in John Ashbery's most recent book, Breezeway (2015), where the poet uses lines by younger poets such as Todd Colby and Nicholas Hundley as epigrams.

He uses the separate prints and unique details in sequences and fluctuations to convey a more significant meaning, much like the way a poet uses individual words to write a poem.

Connecting words and images, the poet uses the materiality of the written word to confront audiences with poetry in different contexts.

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Not exact matches

Many great poets have the ability to use words that allow us to interpret what they're saying with our own experiences.

When you're done, you can tip your poet, using a credit card or, of course, your PayPal account.

Pulitzer Prize - winning American poet Robert Frost was famous for using rural country metaphors when examining important philosophical issues of the modern world...

The world for the poet is not material to be used for satisfying wants, it is something to be contemplated.

For poets of his generation, from Delmore Schwartz to John Berryman, the world had more topics than they could readily use.

The use of nature is enhanced by the community of craftsmen and technicians, the understanding of nature by the scientific community, the appreciation of nature by communication among poets and naturalists.

The 18th - century poet was a Christian, albeit one with a mystical bent and little use for traditional morality.

Or as one poet put it: death used to be an executioner.

Jesus used agricultural metaphors, Paul quoted Greek poets, and we too need to find ways of expressing... More

Jesus used agricultural metaphors, Paul quoted Greek poets, and we too need to find ways of expressing gospel truths in the thought language of our audience...

Drawing on the conventions of the classical literature of love and using an existing pan-Indian stock of symbols and figures of speech, the bhakti poets nevertheless strive for spontaneous, direct, personal expression of feeling rather than a rarified cultivation of aesthetic effect and the «emotion recollected», preferred by the Sanskrit poets.

But well known to some as the seasoned British poet and satirist, ten years older than Astrue, whose poems will break your heart in one line and chill you to the marrow in the next, and whose books Astrue used to keep on his nightstand.

American metaphysical poet Edward Taylor uses the images of Revelation 7 in his poem «Huswifery.»

I did some research into how the word theopneustos was used in other Greek literature of the time, and without fail, it is used of poets and philosophers who seem to speak with a certain passion and urgency that makes people listen and obey what they are saying.

He uses it to connect with the story that he's come to tell them, seamlessly weaving together the words of Greek poets and his own gospel presentation.

The poet and artist, as well as the psychologist, sometimes make use of an association of symbols quite different from that of controlled scientific and philosophical thought.

The Roman poet Horace (65 to 8 BCE) used «grind» in his endorsement of brothels.

But language is what the poet has to work with, and so the poet is forced to take sometimes exaggerated, sometimes extreme steps to pierce the mundane, breaking up lines, using words in odd new contexts, relying on sound effects and packing the stanzas with sensuous images and fragments from scripture, and the common language of faith suddenly takes on new meaning through these odd juxtapositions.

But the derivation of the word poet reminds us that it comes from the Greek root of the verb to make — and it was used in Greek times to describe people who made pots and roads and laws and walls.

He continues, «The poet's enjoyment of his present prosperity would not be complete unless those horrid Joneses (who used to look down their noses at him) were watching it all and hating it» (p. 21).

An American poet (F. Bland Tucker) has translated part of the ancient Christian document known as the Epistle to Diognetus, using these words: «He [God] came to win men by good - will, for force is not of God.»

It does not mean that one lives every day simply as if it were one's last — a kind of crazy living «for the moment» rather than living «in the moment,» to use a distinction made by the dying poet Ted Rosenthal in his book and movie bearing the same title, How Could I Not Be Among You?

David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity against Jews.

Just to refresh minds what «Ghazis» used to mean; Ghazi (warrior); The Ottoman poet Ahmedi, writing ca. 1402, defines a gazi as «the instruments of God's religion, a servant of God who cleanses the earth from the filth of polytheism.»

Wanis, a poet and songwriter who owns a multimedia company, noticed the historic grounds of St. Mark's Anglican Pro-Cathedral (a parish church used as a cathedral), built in 1839 in the village of El Menshaiya, were beautiful — and underutilized.

Just like most poets, those who wrote the Psalms often used exaggerated imagery to make their point.

The poets of antiquity did not simply narrate events, whether historical or fictional using standard prose, but rather placed the characters of the stories in an active and real - time dialogue.

This is the nemesis awaiting those who scorn logical analysis and yet use concepts that are either subject to such analysis or are mere poetry and should be left to poets not seeking to convey knowledge.

In the annotations I make no use of the concluding twelve pages of B, which make no mention of Aquinas or the three poets who disagree with him, and which are entirely missing from the other versions — see endnote [21].

It is not impossible to separate the Christian poets who have been concerned with this process from those who merely use Christian symbols because they provide a rich tradition for their own perspective.

«Simplicity» would be an apt term for Bonhoeffer's life, at least in the sense in which the poet Matthias Claudius, whom he greatly loved, used it:

Poets can only create their worlds through words referring to experience, and if they care about defining their worlds, their visions, precisely (and all good poetry is precise), they will use every device in their imaginative powers to crack, break, combine, and shuffle words, our worldly words, to their purposes.

The resulting journey into the lives and stories of these Christ - followers that God used to wake up the world has been turned into a «Poets & Saints» book, album and video curriculum.

The vivid imagination and the sharp observation of men and nature that marked his mind; his acquaintance with common speech and his joy in the use of proverbs; indeed, his capacity to express in creative speaking with a skill that only a poet and genius possesses the whole range of human emotions from awe in the presence of the numinous to the feelings of the body — all are reflected in his sermons (as also in the commentaries, his work of the lecture room), not consistently, of course, and not every time, yet most impressively in the Church Postil Sermons, one of the products of his exile on Wartburg Castle, written in order to furnish to the preachers of the Reformation examples of Biblical preaching.