On Saturday, April 29th, 2 PM, Lehmann Maupin will host a reading featuring six
poets whose work speaks to (or about) American identity and a sense of place: George Abraham, Safia Ehillo, Sonia Guinansaca, Jive Poetic, and Paul Tran.
They were often also
poets whose lines and images illustrated each other.
2:00 p.m. Anastasia Aukeman, Assistant Professor at The New School and author of Welcome to Painterland: Bruce Conner and the Rat Bastard Protective Association (2016) Bruce Conner and the Rat Bastard Protective Association Aukeman's talk on Bruce Conner and the inflammatory, close - knit community of artists that he named the Rat Bastard Protective Association will uncover a story that has not yet been told — of the subversive and, until now, almost secretly influential work of the artists and
poets whose political, social, and aesthetic concerns animated broader discussions throughout the United States.
Among the novelists and
poets whose work is represented here are Tennessee Williams, on artist Hans Hofmann; Mary McCarthy, on action painting; James Baldwin, on painter Beauford Delaney; John Ashbery, on Joan Mitchell and others; and Ralph Ellison on painter and collagist Romare Bearden.
Ironically, art criticism during the film noir era of Abstract Expressionism was dominated not by art historians but by
poets whose language was redolent with sensibility.
John Ashbery, Frank O'Hara and e.e. cummings are some of
the poets whose writing will inform paintings in the exhibition.
To celebrate The Chimney's third anniversary, we wish to reveal the pantheon of writers, thinkers, and
poets whose words have influenced the 12 artists presented in Endnotes.
In this course, available for professional development, undergraduate credit, or graduate credit, we will consider those American
poets whose themes, forms, and voices have given expression to visions of the city since 1850.
Read about Gil Scott - Heron, Talib Kweli, Mos Def, Common, and other hip - hop
poets whose intellect and lyricism shine through in their
He is also
a poet whose work has appeared in Best American Poetry.
Catherine Chandler, a deft hand at ballades, pantoums, villanelles, even sapphics, and an uncanny adept at the sonnet (she is the winner of the 2011 Nemerov Award) is
a poet whose expert attention appears to apply itself to just about everything on the poetic scale from giant themes to minute structural niceties.
Unlike Bob Dylan, Dylan Thomas was an accomplished lyrical
poet whose inspiration was based on an authentic folk source: the Celtic oral culture of Wales.
Chronicling a week in the life of Paterson (Adam Driver), a bus driver and amateur
poet whose home happens to be Paterson, New Jersey — also home to William Carlos Williams, Allen Ginsberg and Lou Costello — the film depicts, day by day, his banal but unexpectedly engrossing routine.
He is a published author and
poet whose works have appeared in publications such as Science Scope, the Kentucky English Bulletin and Curio Learning.
The first, «Shadow Painting,» is a series of poems inspired by the life and work of Laurence Hope, an Edwardian
poet whose work revealed her fascination with the peoples and evoke for the reader the exotic 19th - century India of the Raj.
Such blanket assessments are subjective, of course, and impossible to support, but there is no denying that Neruda is that rare modern
poet whose work achieved a global reach — nearly...
This bilingual (Norwegian - English) edition of 73 poems demonstrates
a poet whose vision of the natural world and humanity's place in it is cosmically penetrative.
Told from altering points of view through time, If I Forget You tells the story of Henry Gold,
a poet whose rise from poverty embodies the American dream, and Margot Fuller, the daughter of a prominent, wealthy family, and their unlikely, star - crossed love affair, complete with the secrets they carry when they find each other for the second time.
is an artist and
poet whose research - driven interdisciplinary works weave together art, writing, science and life in a complex yet elegant way.
As a literary mouthpiece for this tolerance - expanding enterprise, Kelley turns to Algernon Charles Swinburne, the famed 19th - century
poet whose classical poems and dramas have fallen into relative obscurity.
Walasse Ting, who mixed works on paper with artist's books throughout his career, was an itinerant Chinese - American artist and
poet whose color - saturated paintings refer to calligraphy and Abstract Expressionism.
He is also
a poet whose most recent publications are Book Left Open in the Rain (Black Square Editions / The Brooklyn Rail, 2009) and 12 Abandoned Poems (Kilmog Press, 2010).
Ovid, the Roman
poet whose legacy has inspired countless authors since his death around 2,000 years ago, will be the subject of a range of academic conferences and talks,, including events at the Guangqi International Centre for Scholars of Shanghai Normal University (31 May — 2 June), and the American Academy in Rome (9 March).
Lytle Shaw is a New York — based writer and
poet whose books include Cable Factory 20 (Atelos, 1999), The Lobe (Roof Books, 2002), Principles of the Emeryville Shellmound Shark Books (1998), and Frank O'Hara: The Poetics of Coterie (University of Iowa Press, 2006).
He is also
a poet whose most recent book is Trembling Hand Equilibrium (Black Square Editions, 2015).
Emma Cousin is a British artist, curator, writer and
poet whose humorous and surreal works on canvas and paper have already featured in London in two group shows, a solo show and a two - person show in the first two months of 2017.
TubeChop — Tom Waits Recites «The Laughing Heart» — Charles Bukowski — Also growling bear - like is the voice that reads this short poem by
the poet whose work was familiar with bites and claw marks.
Her «gift» was to let him know that Gabriela is now considered a genius at school, and that she is a photographer and
a poet whose poetry may soon be featured in the New York Times.
Not exact matches
It is no accident that Percy summons Flannery O'Connor to such questions as well; but unlike her, he does not anchor his response in St. Augustine and St. Paul (we have here no abiding place) nor in St. Thomas,
whose argument is insistent that the
poet's, the artist's, responsibility is to the good of the thing being made, not with the correction of appetites in his audience.
Nonetheless, as with
poets, one should be able to help those
whose neurons are not in the necessary configuration.
Christian bookselling giant Mardel publishes the poetry of Amy Carmichael,
whose life and work may inspire but
whose verse is flat and sugary, but nothing from contemporary poetry's most prominent Christian
poets, such as Richard Wilbur and Mark Jarman.
In a similar way, one might say that Western poetry and literature are the offspring of Virgil,
whose writings, especially the Aeneid, captured the Roman and medieval mind like those of no other
poet.
Experimental groups have proved the point, at least to their own satisfaction — witness
poet Gary Snyder,
whose writing reflects a vision gained in part from participation in such groups.
Blake reveals that finally the
poet and the prophet are one; the piper
whose song brings joy to the child is the lamb
whose pain both challenges and defies the tyrannic wheels of experience.
But the Christian
poet doesn't have it easy these days —
poets, says Grindal, write in images, and a church
whose language has become sociological and managerial («The Lord is my corporate manager») is asking the
poet to write hymns from abstractions.
But well known to some as the seasoned British
poet and satirist, ten years older than Astrue,
whose poems will break your heart in one line and chill you to the marrow in the next, and
whose books Astrue used to keep on his nightstand.
It is a land where alone one may understand the haunting sensuous beauty of the Bible, a land where poetry seems to spring from the stony hillsides, where
poets lived and walked
whose words are known and cherished more than those of any others, and, rendered into hosts of tongues of which they never heard, are loved and repeated the world around.
The witnesses referred to are in fact at first
poets or illustrious men
whose judgments are publicly recognized, speakers of oracles, and authors of proverbs.
And the great Sufi
poet Rumi said, «The Turk is one under
whose protection the peasant is saved from paying tribute to the foreigner.»
As is often the way with brainy, moody teenagers, I had come to believe in the gospel according to Jack Kerouac, Dizzy Gillespie, and a hodgepodge of Japanese
poets, absurdist playwrights, and existentialist philosophers
whose works I'd found on adjacent shelves on the second floor of the public library.
For a time he came under the spell of the enigmatic
poet Stefan George,
whose writings spoke of a heightened sense of «experience,» through which one perceives the multiple threads of the tapestry of life as a transparent whole.
Encounters like these brought Holly to the point of believing there was a God who fired the imaginative sense within her, but would eventually lead her to also investigate the beliefs of Christian
poets such as Gerard Manley Hopkins and TS Eliot
whose writing she connected with so profoundly: «I had a two - step conversion, first to belief in God then to belief in Christ.
She's sometimes called the female Bob Dylan, but Dylan is a songster
whose lyrics are poetic, while Smith is a
poet who also sings rock and roll.
This assumption is celebrated in the movie The Dead
Poets Society,
whose protagonist is a teacher who intends above all to help students make up their own minds.
The Greek
poet Sappho,
whose island home of Lesbos gave us the term «lesbian,» may have had a daughter named Cleis, which would put the earliest LGBTQ parent at around 600 BCE.
,» the phrase refers to a poem of the same name by the Puerto Rican
poet Fernando Fortunato Vizcarrondo
whose works explored the African - Puerto Rican experience.
Some of them are part of my life (my sister, my family of friends, my university professors, ladies I collaborate with) and others part of me forever (my mother and grandmother); and then there are also those who I have never actually met, but make an impact all the same: inspiring food bloggers and photographers
whose work and kindness I admire and aspire to,
poets and activists, comedians and writers who make me feel so damn proud to be a woman.
Hot on his trail is a comically serious policeman named Peluchonneau (Gael Garcia Bernal),
whose determination to capture the
poet is matched only by his desire to be recognized, even lionized, for his single - minded dedication.
It's the gentle, groggy call of a young wife
whose name is never mentioned (Jennifer Lawrence, increasingly rattled) who wakes up alone in bed, uncertain of the whereabouts of her intense
poet husband (Javier Bardem) or her general status in the isolated farmhouse they're renovating.
She was, for two decades, the wife and muse of the Belgian Symbolist
poet Maurice Maeterlinck, on
whose play that opera was based.