Sentences with phrase «point impacts the art»

Charlotte Burns: This idea that the conditions that people are in at any given point impacts the art that's being made.

Not exact matches

Dave and I chat a lot about technology in the recruitment world, and, as he points out, «Technology, and big data, in particular, has hugely impacted the way we do business in the 21st Century, but what about the art?

In addition ~ the budget cuts of the Great Recession caused schools to further pull back in areas like art ~ sports and extracurricular activities and ~ as a recent survey points out ~ the sequester has had an impact as well.

To further the case for STEAM, Allina points to several national studies on the positive impacts of art education on student learning.

Most state standards for English Language Arts require that students analyze the impact the point of view has on a text.

Whether or not a collection dedicated to the art of a particular country needs to serve as a historical museum is a moot point, but given that art history is now intimately linked to the study of social and political issues, presenting the old cocktail of countesses and Chippendale has a reduced impact.

Points of View: Jonathan T.D. Neil on the value of an art history degree; Kimberly Bradley on Okwui Enwezor's impact on Munich's Haus der Kunst; Maria Lind on the New Enlightenment; J.J. Charlesworth on how to make a racist chair; Mike Watson on the Venice Biennale's lack of social engagement; Sam Jacob on art in the city; Mark Sladen on postdigital publishing; Hettie Judah on art's ghosts in the retail machine;

From our early beginnings in the rural Village of Rouses Point in upstate New York to the vital impact we have made as the first non-profit to encourage and present the artists of the now thriving community of Bushwick, our journey as well as our mission remains unchanged: to create, promote and present collaborations among the visual, literary and performing arts, to connect emerging artistic communities and foster the imaginative energy in us all.

Signals: If You Like I Shall Grow is the first exhibition to reunite the works of Signals London's three founding artists, David Medalla, Gustav Metzger, and Marcello Salvadori, while also tracing the global impact resulting from the confluence of interests generated at that specific point in art history.

Taking applied arts as a point of departure, speakers examine the politics at play between the handmade and the industrially produced, and the way in which the idea of uniqueness impacts on what something might be worth.

Open to all Contemporary Art Society Museum Members, the scheme aims to provoke an examination of collecting practice that has a wider impact beyond the acquisition of the awarded work and act as a focal point for debate on gender imbalance in museum collections.

Michelangelo Pistoletto at the National Gallery in Washington, DC: The artist is being interviewed today by the NGA's James Meyer who is also the author of the monograph Michelangelo Pistoletto: The Minus Objects 1965 - 1966, «which explores the origins and impact of this seminal body of work as a radical turning point in postwar sculpture and conceptual art.»

It points out that it has taken 50 years to create a vibrant arts culture in Britain that is the envy of the world and appeals to the government not to slash arts funding and risk destroying this long - term achievement and the social and economic benefits it brings to all.The artists acknowledge that reasonable cuts and efficiencies are necessary butthey fear that the 25 % cuts being proposed will destroy much of what has been achieved and will have a particularly damaging impact on national and regional museums and their collections.The campaign is being organised by the London branch of a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in the UK.

Concerns about the impacts of continued lagging oil prices (not oil on canvases), the aftermath of Brexit, and the unexpected U.S. presidential election results, when markets immediately plunged and then recovered (and as of this writing the Dow topped a record 19,000 points), appear to have had little effect on art buying confidence from sophisticated collectors.

Her work made such an important impact that it usually gets to be taken as a reference point for sculpture art students.

But, as Desmarais points out, this selective access to information and art in general equally impacts the community of CCA alumni, artists, and art goers who are more often not full - time arts writers or wealthy patrons but who are the supposed beneficiaries of the institution's relationship to the California College of the Aarts writers or wealthy patrons but who are the supposed beneficiaries of the institution's relationship to the California College of the ArtsArts.