Sentences with phrase «point in his confrontation»

At almost any point in his confrontation with Brown, he could have called for backup and won control of the situation.

These will have the increasingly popular quicktime events at key points in the confrontation.

Not exact matches

Not only did he score just 11 points, including none in the fourth quarter, but things got worse after the game when he had a confrontation with a fan and took a shot at a Cleveland radio host for only asking questions after the Cavs lose.

Yea, they took a chance on our friendship and physical confrontation to try and point me in the direction of Christ.

Only a stopping of conversion will be «a starting point for harmony in society and for lessening mental insecurity, fanaticism and prevalent climate of confrontation».

It extends to all situations in which a judgment or a decision can be made only at the end of a debate or confrontation between adverse opinions and conflicting points of view.

Unfortunately for us, however, events in America may have reached the point where the only political action believers can take is some kind of direct, extra-political confrontation of the judicially controlled regime.

After Kylian Mbappe was tackled to the ground by an opposition defender in the penalty box and the referee subsequently pointed to the spot, a little confrontation between Cavani and Neymar broke out as to who should take the penalty.

Next time Costa plays against this guy, he would remember Holding pointing to his head in that confrontation.

Shortly after the confrontation, Greg Lee, the point guard who had passed to Walton for 14 assists in Walton's magnificent 21 - for - 22 NCAA championship game the previous spring, was benched for most of the 1973 - 74 season.

Speaking Thursday at the new police academy in College Point, de Blasio and Police Commissioner Bill Bratton outlined a three - day training course intended to enhance officers» ability to diffuse and de-escalate confrontations.

Political leaders can be crucial in showing people different paths and alternatives to violent confrontation, the researchers point out.

Given the picture's enduring popularity, there's really no point in rehashing the plot — OK, for the uninitiated (all two of you): Ripley (series star Sigourney Weaver) heads back into space and leads a team of military grunts against the nasty extra-terrestrials — but there's always room to rehash many of the highlights: Weaver's terrific performance in the central role; the contrast between the heroic Corporal Hicks (Michael Biehn) and the cowardly Private Hudson (Bill Paxton); the escalating villainy of company man Burke (Paul Reiser); scripter Cameron's ability to keep piling on confrontations and director Cameron's ability to milk them for maximum tension; and, of course, those wonderful alien creations.

This points to Vision getting severely wounded in this confrontation, which also explains why there isn't much footage of him fighting on the frontlines of the battle.

If this piece of movie news was the plot point in a Hollywood satire, we would start waiting for the scene where father and son have angry confrontation about legacies and what - not.

Slightly skewed towards the troubled present, this theme of insinuation (or integration) vice confrontation is muted in works that may reference a starting point (consider Chasm, Distant Relative, and Fissure); more evident but still aspirational in paintings that conjure the inevitably fraught process of advance (The Door to Revolution and Other World); and most pronounced in those that suggest the desired end state (First Light and Highway).

Instead, flanked as they are by a Chuck Close portrait and a Cindy Sherman print in an attempt to score muddy points about the figure and photography, the blustery confrontation between these two contemporary masterpieces fizzles into an awkward colloquy, an elevator how - do - you - do, while two other perfectly good works of art are scandalously reduced to useless bystanders.

Including full - color plates of over sixty works spanning York's career, a new essay by poet and art critic Bruce Hainley, plus earlier essays by Fairfield Porter and Calvin Tomkins, an extensive chronology, a complete bibliography, and a detailed catalogue of works, this publication is a testament to, as Hainley puts it, York's «pursuit of lyric intensity while negotiating a point - blank confrontation with history — all in stealth relation to the leopard - alive instant at the end of the brush.»

I would think that at this point in time, it would be much wiser to stay away from a further confrontation.

«They have strong brands and deep pockets — their ambitions in the legal industry are fairly clear at this point — they plan to target services adjacent to their traditional services accounting and consulting and expand into a range of managed services that will bring them into direct confrontation with traditional ASPs and to some degree legal tech,» he said.