Sentences with phrase «point in the movie where»

«And in a thriller, one of the things I wanted to do was, knowing we'd be sending the adrenalin off the charts at various points in the movie because of the story, we'd happily enjoy the number of points in the movie where people are just in rooms talking and that in itself could be exciting or dangerous.»

Okay, there are a few points in the movie where you go, «Where have I heard this music before?»

The shot «comes from a point in the movie where you're not quite sure who Kong is,» explains Vogt - Roberts, «what his purpose is, how people should be perceiving him.

Not exact matches

Harvey Keitel as The Wolfe enters at a pivotal point in the movie, where everything has gone wrong.

For over a decade I have wanted to have a «movie Bible study» where a group of people get together, watch a movie, and then point out where Jesus (or the longing for Jesus) shows up in the movie.

We have gotten to the point where we hide behind «freedom of expression» in order to write what ever we feel in a blog, book, movie, etc..

«I expect they'll use me in the movie to the point where I'll actually be killed,» he has said gloomily, adding that he sees this coming about as a result of «a ton of people falling on top of me.»

can you just imagine a top level club being so desperate that they would hire Wenger to manage their club... I guarantee that there is no truth to this story except the fact that he might have considered leaving Arsenal for a split second then he proceeded to lock himself in Kroenke's closet and threatened to harm himself with the plastic fork he always carries in his breast pocket, just in case there are free samples at the grocery store, until he was promised 2 more years... at which point they embraced one another in such an awkward fashion that Kroenke's mustache got stuck in Wenger's coat zipper... two hours or so later, once they were finally separated, they retired to Kroenke's private lounge where they watched his favourite movie «Major League» then played a quick game of Monopoly

I would watch a show where JO pointed out all the problems with our food system such as in the movies «Food Inc», «Fresh, Dirt», YouTube Dr. Lustig Sugar: the Bitter Truth, HFCS in milk (its not sugar,), foods we buy all have HFCS unless fresh, 1 in 4 children drink a fizzy pop every day (HFCS), GMO foods, books like «Food Politics», «Appetite for Profit», «Omnivores Dilemma», «Harvest for Hope», «Free for All», and Corporate greed, government lack of.

The view is amazing, and this is where we first noticed that the track looked exactly like the one in Cars, and Bub pointed out all the places that were featured in the movie.

I want absolutely everything organized and clean to the point where I am a little OCD about it, I like watching The Bachelor / The Bachelorette on Mondays, I prefer straight tequila over wine, I have a Beagle and a Chihuahua even though I don't even like either one of those breeds, I like Justin Timberlake, Michael Buble and Lyle Lovett, I have at least 20 bottles of shampoo and conditioner in my bathroom at any one time, Audrey Hepburn is my idol, I have an unhealthy addiction to Target and Zulily, Singing In The Rain is my favorite movie, Purple is my favorite color, my best friend and I have been friends for 20 years now, I haven't gotten my driver's license yet out of sheer laziness, my favorite desert is key lime pie and cheesecake, I hide chocolate all over my house for when PMS strikes, I have asthma that I've been hospitalized for 3 times, I used to play guitar, piano and conga drums, (I think) I'm a good photographer, I use to dance professionally (ballet) for 15 years, I love Mexican food and I'm Italiain my bathroom at any one time, Audrey Hepburn is my idol, I have an unhealthy addiction to Target and Zulily, Singing In The Rain is my favorite movie, Purple is my favorite color, my best friend and I have been friends for 20 years now, I haven't gotten my driver's license yet out of sheer laziness, my favorite desert is key lime pie and cheesecake, I hide chocolate all over my house for when PMS strikes, I have asthma that I've been hospitalized for 3 times, I used to play guitar, piano and conga drums, (I think) I'm a good photographer, I use to dance professionally (ballet) for 15 years, I love Mexican food and I'm ItaliaIn The Rain is my favorite movie, Purple is my favorite color, my best friend and I have been friends for 20 years now, I haven't gotten my driver's license yet out of sheer laziness, my favorite desert is key lime pie and cheesecake, I hide chocolate all over my house for when PMS strikes, I have asthma that I've been hospitalized for 3 times, I used to play guitar, piano and conga drums, (I think) I'm a good photographer, I use to dance professionally (ballet) for 15 years, I love Mexican food and I'm Italian.

It plagues me to the point where last night Alec was out with friends and all I wanted to do was to curl up with a movie and a beer and fold laundry after the boys were in bed.

«Every action movie has that point 10 minutes before the end of the movie where there's a countdown and somebody has to do something in order to prevent all the missiles from being fired,» he says.

I'm at a point where I've realized, I can hang at home for free; watch movies and eat Chobani in my snugglies, I don't have to actually do hard work for free.

However it got me thinking about the trend itself — I wondered if without noticing I've started living in a world of «fash - un» where every trend is for wearing regardless of which 90's movie it brings to mind (and more to the point — is it bad that I think the clueless reference is a good thing?).

There's a point near the end, just as the final battle begins, where Wikus flakes out on Christopher and just leaves him to fucking die, and in any other movie you'd just know he was gonna come back.

Somehow that moment says everything we need to know about his negligent upbringing, though Haigh weaves in other clues: Charley's home is a sty, messier than the stables where the horses sleep, and the only fatherly advice his dad has to offer is, «All the best women have been waitresses at one point,» even if the movie bears out that observation.

It's gotten to the point where I go to see movies (that I have no interest in seeing and I likely know will be bad) just because I have a Moviepass.

For 1956's Hollywood or Bust, Tashlin was again in the director's seat, but the movie was the team's last; after Martin and Lewis» relationship soured to the point where they were no longer even speaking to one another, they announced their breakup following the conclusion of their July 25, 1956, performance at the Copacabana, which celebrated to the day the tenth anniversary of their first show.Working again as a solo performer, Lewis also served as producer on his first post-Martin star vehicle, 1957's The Delicate Delinquent.

In his determination to lighten the heavy subject matter, Silberling also, to a certain extent, trivializes the movie with too many nervous gags and pratfalls: to the point where his heartfelt drama comes perilously close to tasteless comedy.

«Toast» is an oddly engaging movie that is aided by some great moments, including one where Nigel's friend points out that growing up in a dysfunctional household can only make him interesting as an adult, a sentiment I would like to agree with despite the lack of scientific studies.

In June, Grazer and Howard were optimistic that they had lowered the budget to a point where the movie and TV series could go into production.

The movie itself feels like a coin toss that always, always, always comes up «heads,» to the point where spending 90 minutes or so in this world constitutes a simulation of psychic abilities.

Sure, you don't want the studios to cut corners to the point where movies start looking cheap and silly — a big reason why superheroes and aliens have been making such a huge impact on movie screens in recent years is that we can finally make them look cool instead of tacky.

If you're interested in the subject matter but aren't really sure where to begin, The Fifth Estate an interesting starting point to whet your appetite, but those who already know the full and accurate story will likely be bored, while those who are wholly unfamiliar or uninterested will likely not find it good enough as a movie, or even a basic story, to want to sit through for over two hours.

No, if Sundance 2018 proved anything it was that the festival had reached a point in its history where it was damn near impossible not to find great movies scattered through its program.

Pollack had a point: after all, where else could you ski the slopes in the morning and attend a world movie premiere in the afternoon?

We've reached the point where Joaquin Phoenix deciding to star in a movie is nothing short of an event.

For example, Garrel casts his own father and son in his movies; in his lovely Summer Hours, Assayas traces the fortunes of a family at the point of dispersal; and Desplechin focuses relentlessly on family dynamics, from his first film, La vie des morts, up through The Sentinel, My Sex Life... or How I Got into an Argument (where the collegial circle becomes a second, substitute family), Esther Kahn, Kings and Queen, and now A Christmas Tale.

This sense of a capitalistic system where there's no moral direction whatsoever is incredibly palpable in the movie, almost to the point where it could be off - putting, which is the reason it's so welcome in an action picture, a work of spectacle.

Giant oversized creatures, lots and lots of destruction, and plenty of cheese make both the game and those movies equally «B.» While Earth Defense Force 2017 was a title released early on in the Xbox 360 life cycle, it immediately gave the series a foothold in the West, where up until that point it was mostly unknown.

There are some issues I had with the film such as some of the cinematography not looking as good as it could've been due to the poor lighting, some of the quick cuts in the action scenes were distracting, the movie can drag a little at points and I do think cutting off 15 minutes could've made the pacing move a little more faster (some scenes felt a little rushed too), where the film decides to take its story can be predictable, and some of the green screen was REALLY noticeable.

I truly can not think of a movie that I've seen that was so blatantly torn to shreds in post-production in the editing room, to a point where it feels like no single scene belongs in the same movie as any other one, and that no one working on the film even realized they were working on the same one as all of these other people involved.

I'll give the director points for trying, though, and it was the only part of the movie where the 3D technology made any sense, since it is kind of cool to have the words dance in the air.

by Bill Chambers Although The Iceman proves that a movie can not get by on Michael Shannon's dark charisma alone, Shannon has reached that point in his career where his casting supplies the lion's share of subtext.

Movies that once enthralled millions soon became more and more fragmented and disjointed to the point where lesser amounts of people in any large group will come away entertained or inspired by them.

A filmed staging of Del Shores» provocative stage play, this movie is an engaging exploration of the point where religion and sexuality collide in the American South.

In the book, the tension between Ron and Harry gradually build up to the point where Ron decides to leave, and i think they show this well in the moviIn the book, the tension between Ron and Harry gradually build up to the point where Ron decides to leave, and i think they show this well in the moviin the movie.

This is the point where Saulnier proves himself to be a master of controlled chaos, knowing when to show restraint, when to drop in moments of humor (Darcy reminds the concert crowd that «the racial advocacy workshop is on Wednesday, unless you hear otherwise»), and when to cry havoc and let loose the dogs of war — literally, in the case of the movie's throat - chomping pit bulls.

Someone out there must have seen a void in the ridiculously dumb comedy genre now that Jim Carrey has progressed in his career to the point where he wouldn't make another Ace Ventura movie.

It gets to the point where victim fatigue sets in and you're numb to Louis» suffering since it feels like that's the extent of the movie.

However, their storyline goes where literally every single plot point goes in this movie: half an hour of watching the group run from room to room, like Scooby and Shaggy evading a ghost, and hiding in various cupboards from the lions.

There were several times in the course of making the movie where Alden would actually recount some of the things that Harrison had pointed out.

Where this single soundtrack selection of Aileen 2 is pointed, even prophetic, the music in Monster is strictly prosaic (a love scene following a murder scene is banally accompanied by Tommy James & The Shondells» «Crimson And Clover») and illustrative of the movie's tendency to take the path of less resistance.

That's a good description of the final film — one in which you can see glimmers of the Shane Black script underneath (hardboiled characters, snappy dialogue, bursts of shocking violence, a Christmas setting) but surrounded by a lot of unnecessary bullshit to the point where you can almost feel the egos of the movie superheating the frame and melting away what was once originally there.

As is the way of these movies, from The Big Sleep on down, the plot overcomplicates a simple story to the point where things can be outright confusing — especially so when many of the characters are high in the process.

It felt like the entire point of every previous Marvel movie was to build to the deeply satisfying Avengers sequence where the Hulk swats swarms of aliens and pummels the duplicitous deity Loki, in scenes that were the closest onscreen equivalent to the kinetic, physics - defying visual poetry of late Hulk co-creator Jack Kirby.

Both Jacobs and Rudolph have a more cockeyed attitude, to the point where it's almost as if they're each in different, better, sharper movies.

Yet it's not hard to see his point in the movie's blowout party scene, where he's forced to contend with a whole battery of stars behaving badly, from an unconvincingly sleazy Michael Cera to a dangerously clumsy Paul Rudd.

I don't know when it got so hard to make a movie with forward momentum, but I can tell you that the point in the film where you start to count the «dates» to figure out when the damned thing is going to end comes early.