and an infantile but to - the -
point narrative momentum, Retaliation has almost no character development and its second act is a disaster of storytelling.
Not exact matches
While she keeps the action hopping from one flash
point to the next and cooks up a couple of exciting sequences in the last 30 minutes, she doesn't develop the
narrative momentum needed to sustain a two - hour story.
The inclusion of a few standout sequences (eg Charlie confronts Hans» dying wife) generally compensates, as does the effectiveness of the various performances (ie Rockwell has never been more entertaining), but the film doesn't wholeheartedly begin to engross until around the one - hour mark - after which
point the
narrative's escalating
momentum becomes more and more difficult to resist.
It starts as an intriguing enough mystery, evolves into a suitable second - act quest; however, some third - act «twists» just derail whatever
narrative momentum the story manages to build, and muddles both the mythology and character relationships developed up to that
point, leaving us with an awkward ending that doesn't feel much like an ending so much as a chapter break.
At various
points, the film feels like The Village, The Truman Show, and an episode of Rod Serling's «The Twilight Zone», but it just doesn't have the
narrative oomph to take its
momentum right to the very end.