Sentences with phrase «point perspective landscape»

Outcomes include a one or two - point perspective landscape inspired by monuments and buildings in the North East and pieces inspired by a range of engaging artists.

Not exact matches

There are also vista points which give a great perspective of the unique structures in the landscape, special jumps, bound serpents which will increase the player's health when freed, and legend stones that will give a glimpse of how this world came to be.

The one - point perspective and intentional flatness used by D'Arcangelo allows for a democratisation of the picture plane, removing any hierarchical elements within the landscape: road, pylon and sky are all equal.»

For Robinson, landscape painting is more about unpredictable events than the arrangement of forms into a single point perspective.

Particularly evident in Gerber's oil painting L» Origine du Monde # 1 (1992), a generic European landscape scene, depicting a twin waterfall and faded alpine mountains in the background, painted in a mid-key, cool dominant colour scheme, and structured using a vanishing - point perspective.

Vecsey is one of those artists who might influence viewers to look at the natural landscape and see it as she represents it in her paintings, analyzing and breaking down the landscape to its most essential forms, with a low horizon line or one - point perspective anchoring the arrangement.

With the use of different vanishing point perspectives and a caleidoscopic dynamic sampling of space, the Leipzig - based painter redefines the genre of landscape painting.

With the use of different vanishing point perspectives and a caleidoscopic dynamic sampling of space, the Leipzig - based painter redefines the genre of landscape painting.more

Jacotey's work draws inspiration from the gathering of people together, the expression of emotions in their many and varied interactions and the contexts and details in which these engagements take place — architecture, landscape, or place; picking out wallpaper, furniture, clothes, and zooming in further to detail pattern, patina, texture... Her works — though insistently manual in their making (paintings on plaster and dust sheets, pencil drawings, sewing and fabric)-- make use of perspectives that reference the world of cinema and slo - mo, the photographer's point and shoot, identifying an artist who has come of age in the smartphone world with its prevalent verbs — zoom, scroll, tap, drag, swipe etc..

The bird's eye perspective and absence of a horizon line, our eye's normal orientation point, create a peculiar and enigmatic abstraction of the Dutch landscape, making De Ruijter's photographs closer to painting than to documentary photography.

By refusing to work within the conventions of landscape painting, particularly those that convey an omnipotent vantage point (a sign of ownership), she was able to define a radical perspective, which I would advance is simultaneously aesthetic and ethical.

The flatness of this landscape is taken to an extreme; with the removal of one - point perspective, these roadside signals float into abstraction.

This constantly shifting spatial dynamic undermines the cone - of - vision, single point perspective of the traditional landscape so that we are caught in a cubistic spatial limbo, unsure whether we are in virtual or actual space.