Sentences with phrase «point space in between»

If you have an 8 - point space in between jobs or sections, make sure that you use 8 points of space between all jobs and sections.

Not exact matches

So I keep creating in this space here and I keep finding out that I'm not the only one who wanders and wonders in these ways through theology, politics, relationships, parenting, prayer, identity, and all points between.

Nonetheless, they do have points in common — namely, the points where their boundaries meet.5 Therefore, in terms of one of those common points, our question can be answered as follows: the space - time distance between A and B is O.

What I am trying to say is that the text for my first point this morning is actually that space in between verses 13 and 14.

Whitehead offers an alternative formulation and claims on behalf of his formulation that it can account for all experimental results accounted for by the Einsteinian formulation but that it represents a different interpretation of these results in terms of a more adequate concept of nature (PNK vi; CN vii, 182; IS 125 - 35).18 The major theoretical difference between the two formulations is that whereas in the Einsteinian formulation the metric structure of the space - time continuum is variable from point to point and in differing directions (that is, heterogeneous and nonisotropic), in the Whiteheadian formulation the metric structure of the space - time continuum is uniform from point to point and in differing directions (that is, homogeneous and isotropic).

From the point of view of an electron there are light years of space between one atom in my body and the next.

She also emphasizes the importance to give enough space in between tomato plants for best flavor and juicy tomatoes, and pointed that leggy tomato plants need to be transplanted deeper among many other details that have been very valuable to apply on my little, garden.

He pointed out that we had too many defensive midfielders wanting to bomb forward and leaving space behind for potential counter attack, and if you read between the lines and use it as a source of info for analysis, you can clearly see he is implying we need to be stronger in the midfield by not losing ball possession, pressing more when we don't have the ball and not let ourselves exposed.

As you said in your post before the game they were there for the taking YET we failed and even if the point is a good point here we are accepting second best Gervinho miss in the dying minutes of the game in just not good @ this level he had time / space to pick his spot and he blazed it horribly wide, and that's the difference between winners and runnersup.

Regardless of his demotion, Giroud still has a role to play for the Gunners, and his absence may have ultimately cost the Gunners two points and the chance to not only go top but to put space between themselves and their competitors in the title race.

Moreover, City have won the previous three contests in Manchester, so revenge is on the cards for Villa, on top of their urgency for points as they look to put further breathing space between them and the drop.

Ian Holloway will be the first one to congratulate his players on the tremendous start they've made to the season, with the Tangerines sat in 10th position and having already put some invaluable breathing space between themselves and the relegation zone (6 Points).

Spaces between the mattress and pressure points on your body will cause your muscles to contract constantly while working hard to maintain the proper sleeping position, which will inevitably cause pain not only in your back, but also in other areas of the body.

Alas, as Jon's colleague Patrick Ruffini points out, in this case «the space between fact and fiction is confused as a litmus test between right and left,» a tendency that afflicts political debate on all sides.

In 1988 Kip Thorne and his colleagues at Caltech showed that with sufficient negative matter or negative energy, one could create a wormhole through which a traveler could freely pass back and forth between, say, his laboratory and a distant point in space or timIn 1988 Kip Thorne and his colleagues at Caltech showed that with sufficient negative matter or negative energy, one could create a wormhole through which a traveler could freely pass back and forth between, say, his laboratory and a distant point in space or timin space or time.

Laine is promoting an elevator from the lunar surface to a point in space between Earth and the moon, because the physics is kinder and at least five existing materials meet its requirements, including Zylon and Kevlar.

A favored size for Planet X emerged — between five and 15 Earth masses — as well as a preferred orbit: antialigned in space from the six small objects, so that its perihelion is in the same direction as the six objects» aphelion, or farthest point from the sun.

This means that we can investigate the relation between simultaneous measurements at ten different points in space,» Schmiedmayer explains.

In a universe with no massive objects, there is no deformation of space and time, and the shortest route between two points is a straight line.

In high - precision measurements, it turns out that the probability of finding an individual atom is not the same at each point in space — and there are intriguing relationships between the different probabilitieIn high - precision measurements, it turns out that the probability of finding an individual atom is not the same at each point in space — and there are intriguing relationships between the different probabilitiein space — and there are intriguing relationships between the different probabilities.

These detectors compare changes in luminance between two neighbouring photoreceptor units, or facets, in the fruit fly's eye for every point in the visual space.

Taking models of galaxies from the Hubble Space Telescope Ultra Deep Field (HUDF) and applying a correction for the HUDF point spread function we generate lensed simulations of deep, opti... ▽ More We present a simulation analysis of weak gravitational lensing flexion and shear measurement using shapelet decomposition, and identify differences between flexion and shear measurement noise in deep survey data.

The mats were also spaced out enough to ensure that you had full range of motion when flowing between poses - a noticeable point of difference to other classes I've tried in the past where an errand Dancer's Pose could quickly become a human domino if you weren't careful.

With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête - à - tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career.

There are day and night cycles, you can move between the play space freely, missions can be tackled in any order and there's even multi-choice decision - making to be made at key points that impacts the ongoing story.

While it may sound like one of the platitudes that James Franco «s character is accused of delivering at one point, the title of Wim Wenders «new film «Every Thing Will Be Fine» contains a clue to its approach and it's in that space between «Every» and «Thing.»

What It Does: Opens wormholes in space, making possible instantaneous travel between any two points in the universe.

Given the picture's enduring popularity, there's really no point in rehashing the plot — OK, for the uninitiated (all two of you): Ripley (series star Sigourney Weaver) heads back into space and leads a team of military grunts against the nasty extra-terrestrials — but there's always room to rehash many of the highlights: Weaver's terrific performance in the central role; the contrast between the heroic Corporal Hicks (Michael Biehn) and the cowardly Private Hudson (Bill Paxton); the escalating villainy of company man Burke (Paul Reiser); scripter Cameron's ability to keep piling on confrontations and director Cameron's ability to milk them for maximum tension; and, of course, those wonderful alien creations.

Upon following the mystery, he is spirited away to the land Mid-World where he encounters the lone frontiersman knight Roland Deschain (Idris Elba) who is on a quest to reach the «Dark Tower» that resides in End - World and reach the nexus point between time and space that he hopes will save Mid-World from extinction.

His right hand, thick and muscular, floating in the space between us, tips forward and aft, moving around an imaginary pivot point.

Mercedes - Benz even confirms that the body space index that points to the ratio between the interior space and car's exterior length reaches maximum values in the segment.

The e-tron Quattro concept pointed to Audi's imminent arrival in this space while the Mazda Koeru previewed a curvy crossover coupe to sit between the CX - 3 and CX - 5.

Honda helpfully points out that, if you count the floor space between the first and second rows, and pull the front row forward as far as possible, customers can cram in 109 cubic feet of gear.

The cabin is replete with supple Nappa leather surfaces accented by wood trim, contrasted by aluminum touch points in all the spaces in - between.

(a) Except as provided in subsection (d), a contract between a consumer and a credit services organization concerning the purchase of the services of the credit services organization must be in writing, be dated and signed by both the consumer and the credit services organization, and include all of the following: (1) A statement in at least 10 point boldface type in immediate proximity to the space reserved for the signature of the buyer that reads: «You, the buyer, may cancel this contract at any time before midnight of the third business day after the date of the transaction.

Hackett adds that a good product categorizing tool which defines important similarities and points of differentiation will help a retailer in the following ways: • Determine which items fall into the good, better, and best within each category and sub - category • Develop guidelines for choosing new products to add to their assortment • Identifying brands that should be expanded or contracted based on growth and strength trends of each brand within their assigned category • Determine how much space should be allotted to each category based on space to sales movement • Determine merchandise locations and prioritize brand positioning • Develop advertising strategies based on these trends • Build a story line for the products in their store • Provide training materials for staff to communicate these categories to the consumer and the differences between them Here's a few more tips from Hackett: Categorize: A great buyer develops strong tools to categorize and sub-categorize their business.

This card appears to be a cross between the Premier Rewards Gold and Platinum Cards from American Express, and if you're a frequent traveler who doesn't like tying up their points in a specific airline and hunting for award space, it could be a good deal.

Seat pitch refers to the space between a point on one seat and the same point on the seat in front of it.

You will be using these because once you hit World 2 - 3, you will have stages where you can only traverse the hazards by using the physics to your advantage, giving you situations where the only way to jump through a narrow space between two spinning blades is by jumping at a certain angle and applying a dash mechanic in mid-jump at a certain point to come through, unscathed.

In some, there's an odd space that finds itself sandwiched in between: a point of connection between the ground we know and the sky, whether it's materialized by a tree, a totem, a mountain, a pillar, or anything sculpted by nature or maIn some, there's an odd space that finds itself sandwiched in between: a point of connection between the ground we know and the sky, whether it's materialized by a tree, a totem, a mountain, a pillar, or anything sculpted by nature or main between: a point of connection between the ground we know and the sky, whether it's materialized by a tree, a totem, a mountain, a pillar, or anything sculpted by nature or man.

There's a string of dialogue between Kayron and a companion destined for a space funeral about how each step in Kayron's journey involves several similar side quests, and you're forced to laugh, because at that point you'll have many hours of repetitive gameplay behind you.

Tack on that quantum travel takes you a huge distance in a very short period of time between interest points (moons, space stations etc), but then dumps you with about 5 minutes of afterburner distance away from the actual destination you were trying to get to.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Framed gelatin silver prints of Frazier, her mother, grandmother, grandfather, and family friends, taken in Braddock at various points between 2002 and 2011, line the two white walls of the installation space along with carefully selected cityscapes.

Appropriating iconic American cartoon characters as her point of departure, Pensato's gestural paintings and drawings flicker in the liminal space between menacing abstraction and comedic representation: Batman is depicted as a hollow, deliquescent mask, Bart Simpson peers through abraded skin, and Felix the Cat is rendered as a decapitated head.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Ramírez has curated numerous exhibitions of Latin American art including Carlos Cruz - Diez: Color in Space and Time (2011); Joaquín Torres - García: Constructing Abstraction with Wood (2009 - 10); North Looks South: Building the Latin American Collection (2009); Dimensions of Constructive Art in Brazil: The Adolpho Leirner Collection (2007); Hélio Oiticica: The Body of Color (2006 - 07); Gego: Between Transparency and the Invisible (2005 - 07); Heterotopías: medio siglo sin lugar: 1918 - 1968 (with Héctor Olea, 2000); Global Conceptualism: Points of Origin (1999).

By setting his camera at an extremely low point, perhaps on the floor, Rauschenberg created a dramatically angled view in which he appears wedged into the wall of his studio, his body geologically layered between his artwork and his creative space.

The very important thing about this exhibition, was not only that the artists had USA as a reference point, that is their country of origin or work, nor the way in which they had approached the basic concept, but is especially the connection between the works and the artists and their extension in space.