Other times, we had
a pointed conversation about the work that remained to be done, and we devised a time - bound plan for completion.
Not exact matches
A big difference is that we're local, and I think we're coming to a
point where a
conversation is starting — and it's going to be a long
conversation —
about the role of companies in the communities where they
work and their responsibilities to those communities.
«I make a
point to have a significant
conversation with one to two employees every day to learn
about what they're
working on and get to know them better.
Rubin's curious
point in the OpEd is that it wasn't «courses in economics or finance» from his days at Harvard that prepared him «for
working at Goldman Sachs and in the government» (notice the almost decade - long stretch at Citigroup is completely missing) but instead «the key was Professor Demos's philosophy course and the
conversations about existentialism in coffee shops around campus.»
It's one thing to have
conversations about what
works for your family and another to
point fingers..
This
conversation works for me, because I'm not pressuring the other person to do more than he / she can, but I'm also not doing what our government and the media does all the time — try to soften the message
about what is truly healthy to the
point that the information
about what foods are healthy becomes meaningless and causes great confusion and misinformation.
Blackfish is guaranteed to stir up
conversations and change views, and it
works best in serving as a launching
point for people to want to explore more information
about the whales and their captivity.
And I don't mean to belabor a
point here — I talked
about the Instagramming at Frieze, and how it related to those Richard Prince
works at the Gagosian Gallery booth — but when a small fair of generally inexpensive
works generates thousands upon thousands of pictures tagged #nadany, it should be involved in the
conversation.
It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in
conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better
point of entry, where one gets to know, first hand, what the
work is really all
about.
If the interviewer is keen to know
about your interest then only it can lead to an interesting
conversation or else all the above mentioned
points work for you.
But the starting
point for any
conversation about collaborative divorce has to be an overall shift away from the «us versus them» mentality of divorce litigation into something that allows people to
work through their conflicts and disagreements with integrity.