Sentences with phrase «pointed dialogue in the film»

Not exact matches

Baumbach, who's honed his comic dialogue to a furious bebop point in recent films like Frances Ha and While We're Young, keenly understands how these estranged relatives would speak to and around each other, peppering in cultural name - drops (Warhol, Neruda, Kubrick) and insecurities alike.

That's a good description of the final film — one in which you can see glimmers of the Shane Black script underneath (hardboiled characters, snappy dialogue, bursts of shocking violence, a Christmas setting) but surrounded by a lot of unnecessary bullshit to the point where you can almost feel the egos of the movie superheating the frame and melting away what was once originally there.

Did someone take notes from Guardians of the Galaxy and Watchmen, and completely miss the point of the music's presence in those films or even how to seamlessly edit things in without sacrificing the ability to hear dialogue?

The final lines of dialogue are a completely undisguised thesis statement, to the point where you could rewrite them as a question rather than a statement and have your first entry in the film's classroom study guide.

In his hands, Baumbach's dialogue sounds divine, earning belly laughs that both point to Harold's insidious narcissism while never making it merely a butt of the film's jokes.

This film suffered the fatal flaw of including all the funny points in the trailer, and leaving a jumbled mess of cheesy dialogue in its wake.

* It must be noted that, at no point during the actual film does anyone call Devereaux «The November Man»; it's only name - dropped at the very end by the film's villain, a sad - looking Bill Smitrovich, visibly thankful to have such a big part in a studio film despite half his dialogue being clumsily misogynistic cracks like «Show me your tits»).

As great as a character point as that is when it's serviced by sloppy rehashes of dialogue that we've heard Clint Eastwood deliver time and time again in films like A Fistful of Dollars all you can do is laugh at the film rather than with it.

It's a relatively fleeting experience, clocking in at about 2 - 3 hours, though fans of oldschool PC point - and - click games will love it for its film noir presentation and punchy dialogue.

It's a relatively fleeting experience, clocking in at about 2 - 3 hours, though fans of oldschool PC point - and - click games will love it for its film noir presentation and punchy dialogue.

Constructed from media reports at the time and Johnson's speeches, and using an elaboration of Warhol's of split - screen technique, the film does not change the vantage point of the camera and it is not presented in continuous time, but features multiple moments and modalities of the scene that are established strictly through dialogue and character.