Sentences with phrase «political collective work»

Rupert allowed me to begin the process of a long - term curatorial project with the four original core members of New York - based collective Fierce Pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka), focusing on the movement towards abstraction in their individual practices in photography, video, drawing, painting, sculpture, and installation and the necessity of abstraction vis à vis their political collective work.

Not exact matches

Just as MyBarackObama.com let the future President's supporters go to work on his behalf well before paid campaign staff arrived in their communities, the availability of distributed and effective online political tools gives ANYONE with an audience the means and opportunity to spark collective action.

Strategic political actors draw on these social and technical resources to create the work and communication practices and organizational processes that shape and support online collective action.

As the political world offered tributes to Benn following his death last week, parliament's chiefs were scratching their collective head trying to work out how they might give the man who left the Commons to «spend more time on politics» a good send - off.

The goal of the study was to highlight the work of teachers unions, which often goes beyond traditional collective - bargaining duties and includes advocacy and political lobbying, said Dara Zeehandelaar, one of the co-authors.

According to the last set of federal and state campaign finance reports, Governor Malloy, the champion of the corporate education reform industry and the only Democratic governor in the nation to propose doing away with teacher tenure and repealing collective bargaining for teachers working in the poorest schools has received well over a quarter of a million dollars from leaders and political action committees associated with the national education reform and privatization effort.

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The fair features pioneering artists, collectives and galleries with a focus on art for social and political change as well as work by minorities and women.

While radically different in strategies and aesthetics, these works all investigate the friction between the subjective, the collective, and the political.

As a response to the current social and political climate in the United States, the Strange Fire Collective is looking for work made by women, people of color, and LGBTQ artists that engages with issues of social justice and critically questions the dominant social hierarchy for our upcoming exhibition Call and Response: Art as Resistance.

If optimism fueled the impulse to create large, permanent works in the «60s and «70s, the artists in this exhibition are more likely to rechannel that optimism into collaborative and collective experiences; to dwell on memory and the ephemeral by charting the traces of the just - happened; and to embrace the rich social, cultural and political meanings of their throwaway materials.

The work purported to draw artists together in performance to make a collective political statement.

Addressing the Ektachrome Archive in relation to the historical period in which it was produced and in light of contemporary political and social concerns, this series of talks examines how the archive has expanded from a personal document of a historically significant period to a contemporary living document, and how this work serves to complicate our collective memory.

Comprising work in a broad range of media — including painting, sculpture, photography, film, video, and performance art — the exhibition is organized around themes based on media, geography, formal concerns, collective aesthetic, and political impulses.

«Working both within and beyond the conventions of portraiture, landscape and text, these artists find inspiration in the meeting of the self and the collective, and the personal and the political,» added Russell Lord, NOMA's Freeman Family Curator of Photographs.

The Ocean after Nature examines the ocean as a site reflecting ecological, political and economic realities through the work of more than 20 artists and collectives, including Ursula Biemann, Drexciya, Renée Green, Peter Hutton, An - My Lê, The Otolith Group and Ulrike Ottinger.

For their latest exhibition, the collective presents work from a new series titled Long Legged Linguistics, «an ongoing investigation of language as a source of political, metaphysical and even sexual emancipation».

The collective works at the intersection of political theory, art and political activism.

Acting as a catalyst, her work creates narratives that reference memory and identity, reflecting on the past and present of local socio - political events that possess global implications and referencing a collective destiny and the fragments of a shattered history.

Referencing the artist's interests in science fiction, hip hop, science and technology, sci - fi, comic books, Black political struggles and symbols of traditional African cultures, his work strives to convey the diversity present in the range of breadth of collective Black diasporic experience both past and present.

Reflecting a central aspect of her work; the role of the voice and the feeling of mourning or loss, resilience and survival, in the political and historical, individual and collective, Cammock wants to focus on how emotion is expressed in Italian culture and society, with a particular focus on opera, classical and folk music, art, poetry, writing and dance.

On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more hard - hitting political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious iconography to reflect on current global events.

Etienne is a founding editor of the architecture, landscape, and political economy journal Scapegoat, and he is currently working with the design collective 1 / X to launch a new experimental research platform, MTLO studio, through the Institute of Improbable Poromechanics in Detroit.

His work deals with diverse topics such as the political / social constitution of the Puerto Rican nationality & the hegemonic colonial ideology, art making processes, and the diffusion of collective imagery, through photography, installation, sculpture, video, painting, and found objects.

Her scholarly and cultural work seeks to assert a radically political analysis of modern and contemporary art and to foster the remembrance and visioning of cultural spaces that merge a commitment to artistic and cultural production with sociopolitical justice and collective liberation.

Referencing hoarding and notice boards used as sites of communication for action and support groups, Hayes» new work restages material extracted from newsletters and small - run publications produced by feminist, lesbian and effeminist political collectives in the US and UK from 1955 - 1977.

This work spans the personal and political, the intimate and the collective.

Arguably the first of the many Chicano artists whose artistic, cultural, and political motivations catalyzed the Chicano Art movement in the 1970s, Almaraz began his career with political works for the farm workers» Causa and co-founded the important artist collective Los Four.

There are eye - popping installations (by Samara Golden, Raúl de Nieves, and Ajay Kurian), transporting video works (by Anicka Yi and the Postcommodity collective, among others), and works that channel the current socio - political climate of frustration and outrage (including by Henry Taylor, Celeste Dupuy - Spencer, and An - My Lê).

An engaged social activist, he participated in the art collective Group Material in the 1980s and in a short time developed an influential body of work of Conceptual Art and Minimalism that mixed political critique, emotional affect with formal concerns of art.

The work of Cuban artist Tania Bruguera (born 1968) researches and performs the ways in which art can be applied to collective everyday life, focusing on the transformation of emotion into political action.

Gamboa entered the Los Angeles art scene in the early 1970s as a founding member of the multi-media arts collective Asco, which created work in response to the socioeconomic and political injustices the Chicano community faced.

In 2004, Amy co-founded Free Soil, an international collective of artists, activists, researchers, and gardeners who work together to propose alternatives to the social, political and environmental organization of space.

Activism and Camouflage denote works that are overtly political — like the Gran Fury collective's famous 1987 New Museum installation «Let the Record Show...» which is re-created in the exhibition with the same pink triangle and the words «Silence = Death» in neon — and on the opposite end of the spectrum, works in which artists «bury references to AIDS or sexuality so thoroughly that they often claimed that their work had no personal or expressive meanings at all,» according to the wall text.

This process results in a spectrum of color within each work in what Lerma calls a display of chromatic incest, a poetic gesture on the collective rise of the family's economic and political legacy.

Featuring works in a broad range of media — including painting, sculpture, photography, film, video, and performance — by approximately 120 artists from 21 countries, the exhibition explores intercontinental connections and themes based on media, geography, formal concerns, and collective aesthetic and political impulses.

Unlike, let's say, the wider historical account, which includes the whole bohemian world that is inseparable from its political and social surroundings in Dore Ashton's essential volume New York School: A Cultural Reckoning, or Irving Sandler's landmark Triumph of American Painting: A History of Abstract Expressionism, your observation that the beginning of pluralist taste in art begins with Cahill and continues onward to the works of Allen Ruppersberg and more recently, deliberately formed art collectives like Bernadette Corporation and the Bruce High Quality Foundation.

Sobering, direct, and poetic, Mauri's work recovers individual and collective historical memory; it addresses themes of mass communication and manipulation, and brings to light the political dimension of images that proliferate throughout contemporary society by means of our most prized tools.

Her curatorial work researches instances of collective imagination under situations of political exigency, political and philosophical motivations for choreography, and under - represented art historical narratives.

Its first edition, «Cosmopolis # 1: Collective Intelligence», brings together the work of artist collectives from around the world, whose practices revolve around research and the sharing of knowledge, and who engange in dialogue and discussion with their social, political and urban environs.

Arguably the first of the many Chicano artists whose artistic, cultural, and political motivations catalyzed the Chicano art movement in the 1970s, Almaraz began his career with political works for the farm workers» causa and co-founded the important artist collective Los Four.

In this way, the works are precisely composed citations that speak directly to the viewer's preconceptions, by drawing upon both the artist's personal, and our collective, experience of the built environment as a site of memory that is adept at conveying both political and psychological significance.

Main Entry: so · cial · ism Pronunciation: \ ˈsō - shə - ˌli - zəm \ Function: noun Date: 1837 1: any of various economic and political theories advocating collective or governmental ownership and administration of the means of production and distribution of goods 2 a: a system of society or group living in which there is no private property b: a system or condition of society in which the means of production are owned and controlled by the state 3: a stage of society in Marxist theory transitional between capitalism and communism and distinguished by unequal distribution of goods and pay according to work done.

Movement Defence Committee (Toronto) Law Union of BC Law Union of Ontario No One Is Illegal (Vancouver) Mutant Legal (US) Titled Scales Collective (US) Electronic Frontier Foundation — Digital Security Materials (US) Midnight Special Law Collective (US) National Lawyers Guild (US) Bring the Ruckus — Six Criteria of Political Work (US)