The BBC's
political editor reviewed PMQs» dominated by references to union boss Len McCluskey and Unite's role in picking Labour candidates bidding to become MPs.
The BBC's
political editor reviewed PMQs» dominated by references to union boss Len McCluskey and Unite's role in picking Labour candidates bidding to become MPs.
Not exact matches
Pushing back against «
political correctness,» in 1987, Thiel co-founded the Stanford
Review, a journal of conservative and libertarian viewpoints, and was its first
editor - in - chief.
While at Temple, she was a member of the Temple National Trial team and an
editor for the Temple
Political and Civil Rights Law
Review.
Indeed, one of his biographers reports that in the 1950s he even made an attempt to purchase the Catholic magazine Commonweal (through the agency of a National
Review contributor, the
political theorist James Burnham, whose brother Philip had been Commonweal's
editor).
No violations of normal procedure occurred; Sherkat says he «may well have made the same decisions» Wright did, given the
reviews; and he dismisses as «ludicrous» any suggestion that the
editor was up to anything
political.
Mohammad I. Aslam is a Ph.D candidate in
Political Science at the Department of Middle - East & Mediterranean Studies, King's College London, and a former
Editor at the Montreal
Review Journal.
The clashes over energy policies at PMQs were
reviewed by BBC deputy
political editor James Landale with Conservative MP Alan Duncan, Labour MP Vernon Coaker and Daily Politics presenter Andrew Neil.
Tim Farron told ITV News» Deputy
Political Editor Chris Ship said that the party would
review the consequences of the policy, adding that leader Nick Clegg shared «the view that this is something that we want to see changed».
The Sun's
political editor Tom Newton Dunn was also a guest on the Andrew Marr Show, where he was
reviewing the newspapers.
The clashes over women on the Conservative front bench which dominated PMQs are
reviewed by the BBC's
political editor and the Daily Politics panel.
The impact of the final PMQs before Parliament prorogues and the Queen's Speech are
reviewed by the BBC's
political editor and MPs.
The clashes over the number of women on the Conservative front bench which dominated PMQs were
reviewed by the BBC's
political editor and the Daily Politics panel.
The exchanges at PMQs between David Cameron and Harriet Harman are
reviewed by the BBC
political editor and MPs on the Daily Politics.
Postscript: After I first
reviewed this film when it was released in theaters, I received several letters to the
editor from folks with a
political agenda defending the gangstas in the film, suggesting that they were freedom fighters taking on American imperialism.
And though Hacker and Dreifus, a former Queens College
political science professor (and frequent contributor to the New York
Review of Books) and a veteran science reporter and
editor, respectively, turn in what appears to be a useful essay about the challenges ahead for the CCSS, Peter Cunningham, a former assistant secretary of education, says that Hacker and Dreifus themselves «contribute greatly to the confusion and misinformation surrounding the issue of learning standards.»
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Any author — or publisher, or
editor — who gets widely associated with a
political viewpoint that generates a lot of passion will inevitably suffer a loss of attractiveness when it comes to getting nominated for awards — or just reader
reviews.
Our esteemed panel included Kyle Pope,
Editor - in - Chief of Columbia Journalism
Review, Naomi Wolf, Author,
Political Activist, and Co-Founder of Daily Clout, Walter Mosley, Novelist and Social Commentator, Jeff Jarvis, Director of the Tow - Knight Center for Entrepreneurial Journalism, Ali Gharib, Chief Politics
Editor at Mic News, and Sheryl Huggins Salomon, Senior
Editor - At - Large at The Root.
Columns and
reviews Associate
editor Pablo Larios writes a fan letter in praise of the late Guy Davenport; Olivia Laing discussed the enduring relevance of Philip Guston's «Klan» paintings amidst recent racial tensions in the US; Krzysztof Kościuczuk observes how «necropolo,» a new genre of macabre, deadpan music in Poland, reflects current
political anxieties; Ben Eastham witnesses a revival of state - of - the - nation novels in his
review of Virginie Despentes's book trilogy, «Vernon Subutex»; Andrew Mellor surveys the London Sinfonietta, past and present, as it celebrates its 50th anniversary; and Elvia Wilk asks whether live - action role play can help us overcome social obstacles in the art world.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a
review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former
editor - in - chief of the esteemed American art journal Artforum, discussing the
political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.
The evidence for this is in precisely what happens in venues like E&E that have effectively dispensed with substantive peer
review for any papers that follow the
editor's
political line — you end up with a backwater of poorly presented and incoherent contributions that make no impact on the mainstream scientific literature or conversation.
And to further assert that peer
review is abandoned precisely in order to let the
editor publish papers which support her
political position, is even more damaging, not to mention being completely ridiculous.
Yesterday the «the Observer's award - winning Chief
Political Commentator» was conspicuously absent from the paper, instead he was replaced by Joanna Biggs, the assistant
editor at the London
Review of Books.