There seems to be a current vogue for
political films dealing with heavyweight subjects but Frost / Nixon eclipses efforts such as Oliver Stone's humorous but ultimately pointless Bush biopic W.
Not exact matches
Political arm - twisting and back - room
dealing lead to plenty of intrigue in Steven Spielberg's
film about the 16th president's efforts to pass the 13th Amendment.
mmm... a protagonist who complete dominates a long
film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to
deal with
political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the
film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the
film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the
film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
Not For Conservative Anti-Mexican White People In Arizona Or People Who Dislike Major Stabbings: The fleshed - out theme of illegal immigration and the corporate /
political exploitation of that issue,
dealt with in a gut - level exploitation
film style, is kind of brilliant.
One of the reasons that I love fantastic genre
film is that it can often find the most relevant and interesting metaphors for
dealing with issues of social life, be they cultural,
political, or sexual.
Then we have Roger Michell's Hyde Park on Hudson, a similarly historical piece on arguably just as important a president that replaces captivating
political wheeling and
dealing with tedious jaunts to the countryside in a
film so devoid of any spark that it feels like watching someone's boring vacation videos.
Produced by George Clooney and Grant Heslov and starring Sandra Bullock, Billy Bob Thornton and Scoot McNairy, the new
film from David Gordon Green («Undertow,» «Pineapple Express»)
deals with American
political consultants hired to work on a Bolivian election.
Certainly when
dealing with a subject who is not only alive but still serving in office (unlike Stone's earlier
films about Nixon and Kennedy), it would be impossible to create a
political piece that passes everyone's test of objectivity.
This is not only a
political movie about campaigning for office: it is a study of character, specifically the character of Jane Bodine (Sandra Bullock), a person who is a burnout from leading previous campaigns and who comes across for a good
deal of this
film's 108 minutes as a woman on the verge of a nervous breakdown.
As its closing credits indicate, Faust is intended as an epilogue to a trilogy of
films Sokurov released around the turn of the century — 1999's Moloch, 2001's Taurus, and 2005's The Sun — which
dealt with 20th - century
political figures who were either losing power or had already lost it.
In a year filled with
political noise about income inequality and the One Percent lashing out as what they might perceive as government overreach, it's pretty heartening to see a piece of mainstream pop culture embracing imagery that strikes unmistakable parallels between Collins» bruising make believe and the realities that many moviegoers who will be watching this
film on opening weekend have to
deal with outside the confines of the multiplex.
Still, it feels like movies like Darkest Hour and The Post, both well - made
films about big, important
political concerns being
dealt with on a granular level, would be competing for the same votes, and neither one of them appears to have captivated wide enough segments of the audience to accumulate the votes they'll need.