Sentences with phrase «political side of the wars»

Not focusing on political side of the wars these soldiers are placed - in, but rather focusing on their personal stories that are attributed to conflict and how wars unjust / or just alike impact these people and their families during / after their service.

Not exact matches

For starters, there is no strong body of support on either side of the political fence in the U.S. (or globally for that matter) for the sort of trade war that is being whipped up around U.S. President Donald Trump's tweets and policy outpourings.

Even as his counterparts like Atlanta rapper Killer Mike — who has been very vocal about America's racist war on drugs and his own political beliefs — used their celebrity for fundraising, meetings with politicians, and self - penned articles; the rapper usually left politics to the side as he expanded his business and rose to the top of the corporate ladder.

Right now there is great temptation for both sides of the standard culture - war divide to use this attack for political advantage.

What will it mean for both sides in this debate — at least as it takes place among believers, in and for the church — to move beyond political ideologies and culture wars and stand together under God's word of law and gospel?

«It is clear that both sides have chosen the path of war, open conflict, and the space for political dialogue and cessation of hostilities and mediation is very, very reduced at this point,» deputy U.N. peacekeeping chief Edmond Mulet said.

The news comes as QPR continue negotiations with Mark Hughes about succeeding Neil Warnock as manager, with the hope that a new boss can reignite the fortunes of Taarabt, who has been on the fringes this term, having fired the R's to promotion from the Championship the season before.A deal with French money bags Paris Saint - Germain looked like going through in the summer, but Taarabt later blamed political differences for the transfer ultimately collapsing, leaving him frustrated at having to stay in England.The mercurial Moroccan has interest from a host of top European clubs, but his conduct in the last few months, including walking out of QPR's 1 - 0 win over Chelsea at half - time and consistently admitting he wants to leave, have left many questioning his attitude and professionalism.However, Qatari side Al - Sadd have not been put off, and made their move for Taarabt last week, only to pull out of a deal after being told it would take a whopping # 15 million to convince them to sell.That sort of figure also rules out Newcastle and Aston Villa as potential destinations, with the thought now that QPR will hang on to Taarabt until at least the summer, where they hope Taarabt could spark a bidding war, after being rejuvenated under a new manager and firing the club to Premier League safety.

«The EU's advice is totally in agreement with our public position on the same issue, to the effect that the Buhari administration must refrain from massive deployment of State violence and use of dark side of the laws of the land as well as levying of political, economic, social, ethnic and cultural wars against members of the Nigeria's Igbo and other Southern nationalities.

If this does not erupt into a P.R. war, then anyone who has ever made a deal with Kruger, on both sides of the aisle, should expect to see the right hand of political death coming their way.

Political communism failed due to the policy of encirclement by the Western powers, a war of attrition fought through proxy wars - otherwise known as the Cold War - a hot war between the two main powers would have been simply too dangerous given the preponderance of nuclear weapon technology on both sidwar of attrition fought through proxy wars - otherwise known as the Cold War - a hot war between the two main powers would have been simply too dangerous given the preponderance of nuclear weapon technology on both sidWar - a hot war between the two main powers would have been simply too dangerous given the preponderance of nuclear weapon technology on both sidwar between the two main powers would have been simply too dangerous given the preponderance of nuclear weapon technology on both sides.

But when the issue transcends petty political rascality, and becomes a vicious war to roll back gains against corruption, corruption that has, for too long, under - developed the people, resulting in mass anguish and pains, then it is nothing but capital crime of political hue: one side must die for the other to prevail.

Something the public loves to hate in its political cabals battling to run the country from the thick of Westminster's guerrilla territories, and something our war - painted politicos on all sides perennially condemn as an obstruction to policy - building, while sharpening their poison darts in the undergrowth.

Former party member Martin Heneghan, from Sheffield, told The Times: «Brexit is the biggest political event since the Second World War and Labour is now on the wrong side of history.»

When the veterans of World War I, on both sides of the political divide, returned from the front in 1918 and 1919, they came back as battle - hardened soldiers.

FROM THE PUBLISHER: On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars - on both sides of the Atlantic - serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political.

The political indifferences amongst the collective split them down the middle, and though predictably War Machine (Don Cheadle) and Vision (Paul Bettany) side with the former, and Falcon (Anthony Mackie) the latter, it's surprising to see Black Widow (Scarlett Johansson) also take the side of Tony Stark.

And if our Mars observer would also have knowledge about the explosive population growth, about the weapons» power of destruction more and more perfected and about the division of humankind into a few political sides, he wouldn't probably forecast for us a future any brighter than that of a few rat societies being at war on a foodless boat» (p. 256).

And if our Mars observer would also have knowledge about the explosive population growth, about the weapons» power of destruction more and more perfected and about the division of humankind into a few political sides, he wouldn't probably forecast for us a future any brighter than that of a few rat societies being at war on a foodless boat»

As budget season hits its stride, and the political war between charter and regular public schools is at high pitch, it is refreshing to find there are instances where the two sides get together for the betterment of the city's students.

Of Guatemalan - American descent, Benjamin witnessed the effects of transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia UniversitOf Guatemalan - American descent, Benjamin witnessed the effects of transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia Universitof transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia Universitof the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia University.

In addition to pressure from political foes and friends in the U.S., the president was attentive to British and French reactions and the possibility of their intervention on the side of the Confederacy, not least because of the economic suffering the war caused across the Atlantic.

Still, Ms. Holzer's way with language, morality and history — alternately poetic and withering, and expressed in incised stone benches or on silk - screen paintings of redacted government documents concerning the dark side of recent wars — has a renewed and tragic force in the current political climate.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Whether you're in the mood for his political satire side (War Drags You Out, Anti-Trump) or his social awareness side (Princest Diaries, Happy Never After, Once Upon A War) both will keep you on your toes and full of anticipation for upcoming artwork by the PoPlitically Incorrect Saint Hoax.

Even correcting the excesses of environmental alarmism — or for that matter, climate scepticism — means scientists taking sides in a political war.

I suggest study of that pre-Civil War and Civil War era conflict between the pro-industrial American Whigs vs. the «Free Trade» Tories, with Mathew Carey, Henry Clay and his «American System» of political economy, Abe Lincoln, and William Kelley on the one side, and William Lloyd Garrison, Nathan Rothschild, August Belmont, John Stuart Mills, and Harriet Beecher Stowe championing the other.

To their benefit, I suggest study of that pre-Civil War and Civil War era conflict between the pro-industrial American Whigs vs. the «Free Trade» Tories, with Mathew Carey, Henry Clay and his «American System» of political economy, Abe Lincoln, and William Kelley on the one side, and William Lloyd Garrison, Nathan Rothschild, August Belmont, John Stuart Mills, and Harriet Beecher Stowe championing the other.

neither do those uncertainties allow scientific closure — as long as models of the climate system's behavior decay into chaos on shorter time scales than human history, climate modeling will remain prey to misrepresentation by those well enough paid, or ideologically bloody minded enough to do so: the trouble with the climate wars is that neither political side, activist or obscurantist, really gives a damn about the science, and those presuming to speak for it invite damnation by both.