Twenty years ago a cocky, perhaps overconfident Cahill, seeking an all - but - automatic second term, faced
a political unknown named John Guerin.
Not exact matches
In a deft synthesis of escapism and dreadful reality — like successfully mixing ice cream with Buckley's cough syrup — an
unknown sports sophisticate and
political junkie
named Paul Kaplan (an Atlanta Braves fan, but that's not a crime) sent a letter to his congressman to protest the defeat of his baseball team in the National League playoffs and demand they be crowned the winners anyway.
From the get - go, the candidate faced an uphill battle as a
political -
unknown with little
name recognition facing an incumbent mayor.
That becomes something of a crutch in The Cut, his decade - spanning, continent - hopping look at the aftermath of the Armenian genocide, because the film's narrative requires that its embattled protagonist, a refugee
named Nazaret (Tahar Rahim), navigate a whole slew of
unknown territories and
political ideologies over the course of a few decades in the early 20th century.