Sentences with phrase «political views presented»

Not exact matches

In this book Küng presents «an ethically oriented overall view developed step by step through argument,» a view which encompasses the global political and economic realms.

Tinder, by contrast, has a narrower view of the function of a prophetic stance, and although it is arguably correct for our present American cultural and political circumstances, his making it central to all Christian politics leads him to some harsh criticism of theological ideas of justice that have arisen in other situations.

The Democratic National Convention presented an extremist view on the issue of abortion, according to Cokie Roberts, a liberal political analyst for ABC News and NPR.

This is a medical issue, not a political one, and there's no reason why anyone should feel they have to present an opposing view if that view is irrational or unsupported by the evidence.

Allowing this bill to fly in my views will further heighten the already polarized political environment, present hate speech as alluring as «whatever that is forbidden is most admired»

In this way extreme views and policies are presented as measured responses unreasonably stonewalled by an effete political establishment.

This involved bringing together different local organisations and political and civic leaders to present information on their roles in working for sustainability, but also to hear the students» views and work on addressing environmental challenges.

From appearing in campaign adverts, jumping on campaign platforms to recently announcing that the NDC had fulfilled its promise to fix the power crisis (Dumsor) while presenting an award at the 2015 Ghana Movie Awards, John's political stance and views were more than certain.

I hold the view that in Ghana's present circumstances the plurality of political parties fielding candidates at the presidential elections is the only guarantee to effectively policing the process by the presence, and alertness of their supporters, polling assistants and others at the polling stations on the day of elections.

In the statement, they say that they try and present a diverse and differing political views for all of its listeners to be able to hear.

Like a cinematic Donald Trump, Tarantino revels in the unforgiving violence and political incorrectness of The Hateful Eight, and is so fatalistic in the world view he is presenting that it feels as though he is egging his critics (and supporters) on.

The Ben Achour Commission — an umbrella organization comprised of 150 members responsible for the National Constituent Assembly election (NCA)-- established a number of agreements between major political parties, including: a «process first» view that addressed only those matters necessary to return order and stability to Tunisia; a constituent assembly vote that took place prior to a vote for the president so that incentives were present to build consensuses and party platforms that were prioritized over electing a leader who might otherwise wield too much power; ensuring that women are given ample representation in writing the constitution; and the creation of an electoral commission to ensure that all parties were confident in the legitimacy of the elections.

Schools present a favorable view of the PARCC and their ability to carry out testing because of a lack of political leadership from the state

This poignant first - person account of the Chinese Cultural Revolution presents a child's point of view of political turmoil and a divided family with an indomitable young spirit.

Do your stories present your philosophical or political views, or do you try to mask them?

LONDON - Presenting works made between 2008 and 2017 in various media, including sculpture, painting, film, installation, photograms and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a creative process itself and that aesthetics are always political.

Organized in collaboration with the Museum of Fine Arts, Houston, Home — So Different, So Appealing features U.S. Latino and Latin American artists from the late 1950s to the present who have used the deceptively simple idea of «home» as a powerful lens through which to view the profound socioeconomic and political transformations in the hemisphere.

features U.S. Latino and Latin American artists from the late 1950s to the present who have used the deceptively simple idea of «home» as a powerful lens through which to view the profound socioeconomic and political transformations in the hemisphere.

The survey of works on view, created by Pellizzi from 2011 to the present, features sculptures, installations, and paintings that engage audiences critically with political, educational, and financial market systems.

The show attempts to present, analyze and unveil some of the strategies that governments use in order to create specific images / views of political and social events and influence audience's opinions when it comes to broadcasting cases in the global political arena.

This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze.

A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

And her critical perspective is one that to a large degree shapes this spare - looking show, which takes a textured view of the political past — a past that is acquiring renewed weight in the immediate present when the civil rights gains, including feminist gains, of the past half - century appear to be up for grabs.

2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.

Punctuating each addition to the series is not only a different dimension to people's political views and behaviors, but also a different approach to how they are captured and presented.

From the Museum of Fine Arts, Houston website - «HOME — So Different, So Appealing is an exhibition showcasing works by nearly 40 U.S. Latino and Latin American artists from the late 1950s to the present who use the universal concept of «home» as a lens through which to view socioeconomic and political changes in the Americas over the past seven decades.»

Two assemblages are encased in glass vitrines and illuminated from the interior, reinforcing Genzken's notion of the public and political relic and paying backhanded homage to traditional modes of viewing and presenting works of art.

Presented at Tate Liverpool from 21 May to 30 August 2010; this exhibition reveals a fascinating new insight into the artist's life as a tireless political activist and campaigner for peace, challenging the widely held view of Picasso as creative genius, playboy and compulsive extrovert.

Bosslet's position on the role of the artist, at least as expressed in the works presented here, is ideologically conservative, but entirely honorable — especially in view of the desolation and destruction wreaked on the world in our century by various political utopianisms.

But there are also Minimalist, Pop Art, and Abstract Expressionist works present, delivering a more multifaceted view of how aesthetic strategy can speak to politics and communicate political emotion.

Rehabilitated by formalists looking for sources for the post-war triumph of American painting, Monet has also been reinterpreted as a quintessential man of his time from a political and philosophical point of view by present - day revisionist art historians.

Presented at Tate Liverpool from 21 May to 30 August 2010, this major exhibition of over 150 works will reveal a fascinating new insight into the artist's life as a tireless political activist and campaigner for peace, challenging the widely held view of the artist as creative genius, playboy and compulsive extrovert.

On view through October 25, 2008, Blondeau Fine Art Services (BFAS) in Genève, Switzerland presents the exhibition Political Correct.

Home — So Different, So Appealing features U.S. Latino and Latin American artists from the late 1950s to the present who have used the idea of «home» as a powerful lens through which to view the profound socioeconomic and political transformations in the hemisphere.

In particular his use of fairly extreme ideological / political — even conspiratorial — thinking coupled with an inability / unwillingness to drill directly and deeply into any particular issue to maintain a singular world view is presented with great clarity.

In the talk, Victor, trained in political science, warns against focusing too much on trying to defeat those denying the widespread view that greenhouse - driven climate change is a clear and present danger, first explaining that there are many kind of people engaged at that end of the global warming debate — including camps he calls «shills» (the professional policy delayers), «skeptics» (think Freeman Dyson) and «hobbyists.»

A major part of the present climate research would not be there without the «political reasons», i.e. the willingness of politically controlled organizations to fund such research much more than it would be funded in absence of the widely accepted view that AGW is a very serious and possibly the most important risk to humanity.