These works include her richly layered wax paintings and poured latex and
polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).
Not exact matches
Over the past forty years, her paintings and
sculptures have blurred distinctions between these mediums and expanded the scope of artistic and non-traditional materials, utilizing wax, latex,
polyurethane foam, metal, glass, and ceramics.
Benglis's work continued to evolve during the 1970s leading to large - scale
sculptures and installations made from
polyurethane foam.
The
sculptures are made of expanding
polyurethane foam that Deshayes mixes and pours on his studio floor to create amorphous organic shapes.
She also used
polyurethane foam in many of her
sculptures.
The
foam pieces, which are largely unknown, date from 1966 through 1970 and are made from commercially available
polyurethane foam, which Chamberlain cut, folded, and tied to make a kind of instant
sculpture - direct, graceful, and immediate.
These funky flubber - like
sculptures are made with a combination of
polyurethane foam, acrylic paint, and epoxy resin.
She invented dramatic, large - scale
sculptures in surprising materials (including, most memorably, poured
polyurethane foam with phosphorescent pigment) that can make the likes of Richard Serra, Anish Kapoor and Matthew Barney look timid.
Los Angeles - based artist Matthew Monahan creates
sculptures using contemporary materials such as
polyurethane foam, epoxy resin, glass and bubble wrap.
Carved from industrial
foam and
polyurethane, the colossal bagel
sculptures are a witty riff on American sculptor Claes Oldenburg's monumental scales and Constantin Brancusi's modernist columns, with a gothic twist.
César's experiments with the potentials of expanded
polyurethane foam, for example, are echoed in the cascading forms of Robert Morris's felt works, Claes Oldenburg's soft
sculpture, and the highly textured paintings of Dutch - born Belgian artist Bram Bogart.
Carved from industrial
foam and
polyurethane, the colossal bagel
sculptures are a witty riff on American sculptor Claes Oldenburg's monumental scales and Constantin Brancusi's modernist columns.
The artist assembles plastic and industrial material including straws, neoprene,
polyurethane foam, bristles, balloons and more to create site - specific installation, wall reliefs and folded
sculpture.
A visitor peers inside Silver Ball, a
sculpture made in 1994 by Mike Kelley of aluminum foil,
polyurethane foam, wood, chicken wire, speakers, boomboxes, three baskets and artificial fruit.
Male artists by no means dominate, though; Cheim & Read also shows fantastic works by their pioneering female artists, including iconic corporeal
sculptures and works on paper by Louise Bourgeois;
polyurethane foam and cast aluminum sculptural pours by Lynda Benglis; a work from Jenny Holzer's «TOP SECRET» series; and iconic expressive abstractions by Joan Mitchell.
These provocative
sculptures are surprising for their unorthodox choice of materials — sculpted out of industrial Styrofoam and
Polyurethane insulation
foams.
His
sculptures are made from unconventional, industrial insulation materials — Styrofoam and
polyurethane foam — whose color palette of baby blue and pink and their inherent toxicity are what he refers to as, «one big moral contradiction.»
The first one is a series of
sculptures made from wholesale - size
polyurethane foam and the second one engages the properties of superabsorbent polymer powder, a substance developed to soak up large quantities of liquid relative to its mass.