Even
the poor writers felt success and took pride in what they were able to produce» (Tukey, 2002, p. 64).
Not exact matches
The dialogue gets
poorer and it overall
feels like the
writers have gotten lazy.
I had hoped that
writer Steve Kloves and director David Yates might actually correct some of the faults in what I
felt was the
poorest book in the series.
I don't have that kind of money to throw around, though, and hearing several other (well known) indie
writers nod and agree that «they, too, do this» makes us
poorer indies
feel a bit inadequate.
Even harder to bear are the
poor writers who didn't get to join in the fun for one reason or another this year, whether it was too many other obligations, lack of creativity and spark, or just not
feeling up to the challenge.
Creators Paul Tobin discusses Models, Inc., female readers, and writing female characters: «When
poor writers approach women, they
feel the need to constantly point out that they are women.
I
feel cheapened by this process, I don't mean this in an egocentric sense, I mean in the sense that I don't see much light around this process, whether it's the
writers submitting piss
poor stuff or the agents and publishers responding cruelly towards those who honestly wanted a shot at just being heard.