Sentences with phrase «pop art movie»

Chungking Express (1994) was the Masculin féminin of the 1990s, a pop art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world - cinema imagination.

«Chungking Express was the Masculin Féminin of the 1990s, a pop art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world - cinema imagination.

Not exact matches

Fans of the movie «Rocky» can run up the steps of the Philadelphia Museum of Art highlighted in the Sylvester Stallone film, while others may want to pop into the museum to enjoy its stellar artwork.

Complex pop art like Game and the Crank movies shun escapism to stylize and replicate real - life complications.

Lincoln Center announced that David Geffen, the entertainment mogul who has shaped cultural tastes in pop music, art and movies, will donate $ 100 million to renovate — and rename — Avery Fisher Hall, home of the New York Philharmonic.

When it comes to the traditional dinner and movies think outside the box - art house cinemas, outdoor cinemas, pop up restaurants...

They talk about Blake's pioneering digital art, which often obliquely if not directly referenced pop culture; one exhibition of his work was named after the eyeglass vendor in David Cronenberg's Videodrome, Spectacular Optical, and borrowed its ideas from the spatial dynamics in Cronenberg's early movies.

Billing itself as «Television Chocolate» in a deep - voiced Oompa - Loompa's introduction, this presentation uses picture - in - picture to excerpt bonus material and showcase concept art plus pop - up graphics to display scene - specific fun facts and jokes (punctuated by obnoxious sounds) while the movie is playing.

In this case, Russell has an underlying conception and a unifying style — a pop - art, comic - strip style, built on parodies of old movie genres.

The mood's mostly pretty dour, which leaves the audience particularly grateful for those who provide comic relief: Dave Bautista's growly Drax, who in one scene is practicing the underappreciated art of standing really, really still; Tom Holland's chipper Peter / Spidey, taking it all in with wide eyes; Robert Downey Jr.'s ever - grumpy Tony Stark / Iron Man, who's pretty sick of Peter's pop - culture references (particularly «a really old movie called «Alien»»).

The game is a combination of fast run - and - gun game play mixed with elements of all our favorite movies and pop art from the â $ ™ 80s and â $ ™ 90s.

Of the small sampling of Hong Kong films I've seen, the ones I've liked best are not usually the pop action blockbusters but some of the so - called art movies, which in some cases have been box - office failures (largely because there is no art - movie market in Hong Kong): Yim Ho's Homecoming (1984), Wong Kar - wai's Days of Being Wild (1990), Stanley Kwan's Center Stage (1991), and Yim Ho and Tsui Hark's King of Chess (1991).

The sequence seems to belong to a different movie, and Nichol never provides any context for Williams, best known for the 1968 instrumental hit «Classical Gas,» or for Ruscha, a pivotal figure in pop art.

This is a bold, audacious, intoxicating work of pop culture art, which makes it one of my favorite movies this year.

It's been a very good year for David Lynch fans, what with the release of Twin Peaks: The Return, Mulholland Drive's stunning 4k restoration and the highly entertaining documentary David Lynch: The Art Life, which explores the pop surrealist's career up to the making of 1977 midnight movie marvel, Eraserhead.

Cutting a movie trailer may be primarily an act of salesmanship, as mercenary in its goals as a fast food commercial or a pop - up ad, but there is an art to it.

Made in 1977 and recently revived and released to the rest of the world, it's the archival cult find of the decade: a candy - colored style bomb of a horror movie, more jaw - droppingly unreal than scary, an experimental piece of pop - art genre filmmaking.

At Sundance 2013, there was something for everyone and also a feeling of come - one - come - all to movies that in a more stratified environment would have been classified in either / or terms: queer or het, art or pop.

The visuals are incredible — this is the most eye - popping Marvel movie ever, and the magic, here visualized as precise, geometric runes performed as a martial art, is stunning.

Genre: Arts & Photography, Individual Artists, Biographies & Memoirs, Historical, Memoirs, Professionals & Academics, Business & Investing, Industries & Professions, Personal Finance, Children's eBooks, History, Literature & Fiction, Comics & Graphic Novels, Geography & Cultures, Biographies, Sports & Outdoors, Manga, Computers & Technology, Microsoft, Software, Cookbooks, Food & Wine, Culinary Arts & Techniques, Drinks & Beverages, Meals, Professional Cooking, Quick & Easy, Special Occasions, Humor & Entertainment, Movies & Video, Pop Cultur Size: 91 pages Free eBook download for Kindle from 11 May 2018 onward PDT / PST

Genre: Arts & Photography, Individual Artists, Biographies & Memoirs, Historical, Memoirs, Professionals & Academics, Business & Investing, Industries & Professions, Personal Finance, Children's eBooks, History, Literature & Fiction, Comics & Graphic Novels, Geography & Cultures, Biographies, Sports & Outdoors, Manga, Computers & Technology, Microsoft, Software, Cookbooks, Food & Wine, Culinary Arts & Techniques, Drinks & Beverages, Meals, Professional Cooking, Quick & Easy, Special Occasions, Humor & Entertainment, Movies & Video, Pop Cultur Size: 91 pages Free download for Kindle from 11 May 2018 onward PDT / PST

If that sounds like a cry for revolution or the next Star Wars movie, Perlstein cares little for political art or pop culture, although he does have work by Barbara Kruger and Ed Ruscha, whose text covers the artificial lights of Southern California at night.

Drexler has been an active participant in New York's artistic scene, and her collages and large format paintings — which borrow imagery from movies, advertisements, and newspapers of the 1960s — reverberate with the Pop art of her contemporaries.

Even when Pop Art embraced advertising cartoons, and the movies, it still made painting, and it still made aArt embraced advertising cartoons, and the movies, it still made painting, and it still made artart.

Huerta derives visual influence from many sources, including his Hispanic background, art history, pop culture, music, movies, and books.

Furthermore, the influence of American movies and media had a large impact on the Germans of our generation and it was the movement of Abstract Expressionism, Pop Art and minimalism that influenced the generation of artists we collect.

Most recently, he has merged his interest in art and art criticism into «visual essays» that resemble movie or pop music posters and comment on a variety of issues, including economics, aesthetics, and race in the contemporary art world.

Opening: «Mark Mothersbaugh: Myopia» at Grey Art Gallery As a musician, Mark Mothersbaugh has worked in playfully sophisticated and deceivingly naive art - pop modes as a founding member of the band Devo and the composer of scores for children's movies and TV shows (among them Pee - wee's Playhouse and Nickelodeon's Rugrats among theArt Gallery As a musician, Mark Mothersbaugh has worked in playfully sophisticated and deceivingly naive art - pop modes as a founding member of the band Devo and the composer of scores for children's movies and TV shows (among them Pee - wee's Playhouse and Nickelodeon's Rugrats among theart - pop modes as a founding member of the band Devo and the composer of scores for children's movies and TV shows (among them Pee - wee's Playhouse and Nickelodeon's Rugrats among them).

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woart history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Commonly associated with artists such as Andy Warhol, Roy Lichtenstein and Jasper Jones, pop art draws its inspiration from popular and commercial culture such as advertising, pop music, movies and the media.

Big business knows that we need pop stars, movie stars and supermodels to fuel the machine and make the art world feel like it's crossing over into the real world.

This vintage 1983 Andy Warhol Querelle movie lithograph print Pop Art poster is a very special and unique piece to add to your collection.

«Let's Go to the Movies: The Art of Film and Progression of Pop Culture» will begin at 5:30 p.m. in the Jean Browne Theatre located on the Tyler Junior College Campus.

Also seen only in Philadelphia are Mimmo Rotella's The Hot Marilyn, 1962 — a decollage of an Italian movie poster shredded from wear on the street — and Ed Ruscha's Felix, 1960, an early example of his work in the idiom of Pop Art, of which he was one of this country's pioneering figures.

This retrospective of Waters» visual arts career comments on pop culture, the movie industry, the contemporary art world, the artist's childhood and identity, and the transgressive power of images.

Tags for this Online Resume: art director, artist, creative director, production artist, multimedia specialist, traditional art, digital art, analog art, painting, drawing, prepress, point of purchase, pop, gaming, prototyping, graphics, graphic, graphic design, 3D, rendering, 3d modeling, animation, video, editing, compositing, special effects, printing, art direction, web design, web development, creativity, adobe, display, advertising, technical, illustration, assembly drawing, exploded view, profile view, 3/4 view, commercial, web banners, ads, cinema, movie, dvd, bluray, hd, broadcast, media, html, website, web, draw, paint, sketch, photoshop, illustrator, dreamweaver, 3dsMAX, 3d Studio Max, Combustion, indesign, flash, flint, flame, inferno, xsi, wireframe, shaders, materials, design, designer, zbrush, poser, mudbox, sketchup, soundforge, soundbooth, quark, retail, merchandiser, merchandising, wood, wire, metal, plastics, thermoform, vacuum form, roto molding, injection molding, heat bending, CAD, cnc, routing, manufacturing, tradeshow, expo, entertainment, novelty, slot machine, gambling, console, character, beverage, food, healthcare

The Blot Says is a pop culture art blog covering designer toys, comic books, screen prints, t - shirts, vinyl figures, action figures & movie posters Frequency about 21 posts per week.

Also features superhero movies, anime, pop culture, & Street art.