Sentences with phrase «pop cultural material»
Producing all the costumes, make up and sets and playing all the characters herself, Maclean creates disturbing yet hilarious narratives that blend appropriated present day pop cultural material with a multitude of narrative references.
https://www.zabludowiczcollection.com/ Not exact matches
In his sculptural work, Gibson uses the technique, craft, and material of his Native American heritage while simultaneously appropriating the text of adjacent cultural production: literature, pop music, sermons, hymns.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
But she bucks this value judgment, focusing instead on the psychology at work behind the interplay of interaction and confrontation between wildly different materials that relate to a confusing set of pop cultural references.
Richard Phillips has achieved international fame for his large - scale hyper - realistic portraits that appropriate material from a range of cultural sources: porn, advertising spreads from the»50s,»60s, and»70s, photographs, and Pop paintings.
This body of work functions as a bridge between his Dada and Cubist predecessors, whom he idolized and paid homage to through the cultural allusions of his materials, and his Pop and Minimalist contemporaries exploring the ideas of seriality and commercialization.
· Richard Wentworth (b. 1947 Samoa; lives London) will consider the Post-War period, modernism of modest means, the beach as a discursive site, the body, materials and making, new consumerism and Pop, the domestic, the start of the Cold War, militarisation, industrial design, and cultural memory.
Her extensive collection of pop cultural source material — stuffed animals, chairs, toys — serves as a collection of totems.
Sun Splashed includes artworks made from soda pop bottles, shoelaces, shopping carts, and a fire escape — materials that speak to the artist's distinctive experimentation and resonate with social, political, and cultural meaning.
Brannon's signature methodology of years past, based in antithetical pairings of consumerist and pop - cultural idioms, does not falter despite the labyrinth of material.
A monograph on the great Pop Art master, James Rosenquist, this book shows how the artist's large - scale works and their source materials remain powerful and relevant as cultural and political commentary.
Its use of non-art materials anticipated the use of «popular» mass - produced objects and cultural imagery of Pop - Art, and was an important influence on Arte Povera and contemporary Installation art.