Fifty years after Time magazine declared Swinging London the global capital of cool, comes an exhibition by one of the relatively overlooked visual chroniclers of that heady
pop cultural moment.
Not exact matches
And, anchored by gorgeous production design and the
pop naturalism of its performances, How to Make It in America dramatizes this particular
cultural moment with uncommon style and a little grace as well.
Audaciously staged as a little - more - than - real - time dramatization of a single night's house party, the air humid with that special, pheromone - drenched mist of booze and sweat and young sex and aspirations towards same, Can't Hardly Wait is a reminder of the
pop -
cultural moment when Brad and Gwyneth were the hot celebrity couple, Jennifer Love Hewitt was an up - and - comer, nobody had ever heard of Selma Blair or Lauren Ambrose, and the likes of Smash Mouth and Eve 6 were planting hit singles on MTV and the radio.
As fitting as it might've been to have the first Marvel Cinematic Universe movie about a black hero in theaters while the first black commander in chief was in office, Narcisse feels it wouldn't have conjured the same kind of
pop -
cultural moment.
In 1995 he achieved a breathtaking
pop -
cultural moment when he had the nation's No. 1 best - selling book (The Lost World), the No. 1 movie (Congo), and the No. 1 TV show (ER), a trifecta he repeated in 1996 with Airframe, Twister, and ER.
Through refined, calculated, and controlled gestures, whether it's application of paint, color choices, compositions, or
pop cultural references, all of these works lead to
moments of reflection and beauty among the chaos.
Delving into the 400 - page publication that takes on the politics, gender roles, and
cultural variations of
Pop, the organizers will talk about how they created an exhibition that attempts to recast this pivotal time in the history of art and culture, and what
Pop foreshadowed of our current media - infused
moment.
But if you're able to snag a few
moments at these stations, you'll see the objects on view in the aesthetic and
cultural context of significant artworks, monuments, and movements: Marcel Duchamp's 1913 readymade Roue de bicyclette [Bicycle Wheel]; the Crystal Palace at the 1851 World's Fair;
Pop Art's embrace of mass - media messaging.
A highly specific chronology charges these works not only with a certain absurdity, but also an unexpected poignancy: the Lakes act as poetic sarcophagi, cementing bygone
moments in recent
pop cultural history as well as the technology which helped generate them.
The imagery and objects rendered allude to the mass consumerism that rapidly developed during the lead - in to this
moment (the «40s and «50s) in a resounding response to
pop cultural idioms provided by television, film, advertisements, and literature.