Not exact matches
Thanks to countless
pop culture references and notorious 20th - century organized crime
figures such as Al Capone, Bugsy Siegel and John Gotti, the concept of organized crime calls to mind images of bygone eras when speakeasies, Mob - run casinos and infamous M...
we discuss gaming and
such with prominent
figures in the
pop -
culture arena.
Attending the New York Studio School in the 1970s, Pensato found her signature style and subject matter early in her career, merging a drawing - heavy, expressive markmaking - focused education with the
pop culture figures that fascinated her in their form and content -
such as the powerful image of Batman, with his ominous and formally striking mask.
Caulfield, who died in 2005, disavowed the
Pop artist label — Juan Gris, Fernand Léger and formal problems were his bag — whereas Hume, now in his early 50s, has always been comfortable pulling into his work
figures from popular
culture,
such as Kate Moss or Michael Jackson.
Leckey's interests might have shifted throughout the last decade — from an obsession with
pop culture, subculture and the
figure of the dandy in earlier films
such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low
culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture,
such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).
Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable
figures in American
pop culture,
such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.
They coalesce with A.L. Steiner's Greatest Hits exhibition: a collection juxtaposed photographs and videos of
pop culture figures,
such as Madonna or Boychild.
Claire Pasquier's work ranges from abstract prints and drawings to intriguing portraits of individuals and
pop -
culture figures such as the Darth Vader and Luke Skywalker characters from George Lucas» Star Wars movies.