Sentences with phrase «pop culture icons from»

Many of our pop culture icons from Tina Turner to Bob Dylan are seniors, with Mick Jagger and the Rolling Stones and many others in the same demographic.

Not exact matches

A frequently fascinating romp through American culture with the emphasis on pop culture (some would say there is no other kind), showing the myriad ways in which the figure of Jesus has been detached from theological or churchly connections to become an icon for the promotion of almost anything.

From Men in Blazers: In this episode, Rog and Davo recap a lopsided Chelsea - Middlesbrough bout, break down the ever - tightening relegation battle, and welcome actor and pop culture icon, Kevin Bacon.

Travolta and Jackson as Vincent and Jules respectively, became pop culture icons delivering some of the most darkly humorous lines from the mind of Quentin Tarantino.

Waters» film aptly mocks the gallows frenzy of the murderer - celebrity, reveling in the grotesque pleasure derived from these monsters we hail as pop culture icons.

Whenever a well - known role is up for grabs, especially when its a comic book character or some other pop - culture icon, stories seem to flood forth from every last corner of the press and blogosphere.

A Nightmare On Elm Street, of course, arrived from horror icon Wes Craven in 1984, making an instant star of Robert Englund and an unlikely, wisecracking pop culture juggernaut of undead child - murderer Freddy.

Taking aim at everything and everyone, from «Indiana Jones» and «Iron Man» to Amy Winehouse and High School Musical., DISASTER MOVIE lampoons the blockbuster movie, pop culture icons and public figures along the way as Jason Friedberg and Aaron Seltzer satirize everything as only they can.

The latest «effort» from Jason Friedberg and Aaron Seltzer, the guys responsible for Date Movie, Epic Movie and Meet the Spartans, is yet another bottom - feeding cash - grab that exploits current events, ridicules pop culture icons and compromises the integrity of the zeitgeist itself in order to create, oh, one - quarter to one - half of a funny joke within the shortest possible time frame that qualifies as a theatrical release.

The key takeaway from all of this however is that Deadpool's very own feature film is a riotous success laced with the fourth wall breaking, dick - joke quips, bloody dismemberment, and the dementedly twisted snark people have come to love, to transcend the Merc with a Mouth from cult phenomenon to the pop culture symbolic icon status he now carries around today.

It all starts off fairly well, with a random character chosen for you at the beginning of each level; ranging from pixelated army marines to characters clearly inspired by pop culture icons.

The books this year run the gamut from summer blockbuster source material (Avengers, Suicide Squad, Captain America) to pop culture icons (Archie, Doctor Who, Strawberry Shortcake, Sonic the Hedgehog) to cool little niche titles that you might not recognize now but might just end up being the next series that you slavishly follow every month.

Hernan finds inspiration for games from many sources; certainly from games they have played, but also from books Hernan read as a child, anime, comics, TV series, movies, and even pop culture icons such as Billy Idol or Joey Tempest.

Game franchises such as Call of Duty or Halo have gone from being mere video games to pop culture icons, spawning their own lingo, merchandise, and memes.

And after more than a decade as one of the most popular franchises in the music genre, DanceDanceRevolution has transcended from a video game into a pop culture icon.

Well, while some people are quick to throw out names from Tekken and SoulCalibur (likely the same ones who think it should have been Ryu or someone else from Capcom, rather than Mega Man), the obvious choice is the company mascot — especially when said mascot is not only a company icon, but a gaming icon and a pop culture icon as well.

Cole's work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African American imagery, to Dada's readymades and Surrealism's transformed objects, and icons of American pop culture or African and Asian masks, into highly original and witty assemblages.

He is well known for his advertisements and creating artwork for pop culture icons such as commissions from The Beatles, Marilyn Monroe, and Elizabeth Taylor, among others.

In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols.

Snakes, spiders, scorpions, and other bits of nature from his hometown appear mixed in with Catholic symbolism, aliens, gang members, pop - culture references, and commercial imagery, giving brand logos and religious icons the same attention and placement.

This exhibition presents Warhol's book work, from early student - work illustrations of the late 1940s, through to his careers as a commercial artist in the 1950s, Pop fine artist and underground filmmaker in the 1960s, and photographer and Pop culture icon of the 1970s — 80s.

Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).

Between Pop Art and Trans - Avantgarde Mori Art Museum, Tokyo, Happiness; A Survival Guide for Art and Life Lentos Kunstmuseum Linz, Linz, Stiftung Maria und Gerald Fischer - Colbrie Auden Galerie, Bad Homburg, Pop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Art and Trans - Avantgarde Mori Art Museum, Tokyo, Happiness; A Survival Guide for Art and Life Lentos Kunstmuseum Linz, Linz, Stiftung Maria und Gerald Fischer - Colbrie Auden Galerie, Bad Homburg, Pop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPOP and More from the Frederick Weisman Art Foundation Collection

It was just what you would expect from this hot young star, who at 28 had zoomed from street - level graffiti artist to pop culture icon.

Often borrowing themes or influences from art history and pop culture the sculptures come in a variety of characters and icons.

Described by New York Times art critic Holland Cotter as «a classic artist's artist and one of our few important practicing history painters» Saul is best known for his paintings depicting exaggerated, provocative images of pop culture ranging from well - known art references to political icons.

Michael Jackson, Madonna, Britney Spears) as well as icons and symbols from popular culture of the 1980s and 1990s, this updated form of Pop - Art also drew inspiration from Dada (in their use of readymades and found objects), as well as modern Conceptual art.

Here are the sickest pictures from the swarm of Instagrammers who converged on the rainbows, 3D nudes, and pop culture icons that ruled the fair this year.

Accompanied by his artwork, the pop culture icon presents a glimpse into his life, from a childhood spent in Berlin and Shanghai to his teenaged odyssey to New York City in the 1960s where he became a rising star in the art world.

Over the course of her trailblazing artistic career, Mickalene Thomas has drawn inspiration from prolific artists and pop culture icons alike, from 1970s supermodel Beverly Johnson to Edouard Manet's Odalisque figures of the 19th Century.

Image credit: Louise English Fan Center Local Currency Celebrates Pop Culture Icons In these turbulent economic times, the idea of a local currency we can exchange with our neighbors and is somewhat insulated from the chaotic global markets starts to have an undeniable appeal.

A fan letter to»80s pop culture, set in a world where icons from...