Sentences with phrase «pop culture icons in»

Image credit: Louise English Fan Center Local Currency Celebrates Pop Culture Icons In these turbulent economic times, the idea of a local currency we can exchange with our neighbors and is somewhat insulated from the chaotic global markets starts to have an undeniable appeal.

This year's Oscar winner for Best Documentary is the incredible story of a Mexican - American songwriter called Rodriguez, who failed miserably in America in the early 70's but became a pop culture icon in South Africa where he found a huge audience.

Not exact matches

In a recent interview with The Guardian, Shania Twain, noted country singer and pop culture icon, said she would have voted for Donald Trump in the 2016 US presidential electioIn a recent interview with The Guardian, Shania Twain, noted country singer and pop culture icon, said she would have voted for Donald Trump in the 2016 US presidential electioin the 2016 US presidential election.

A frequently fascinating romp through American culture with the emphasis on pop culture (some would say there is no other kind), showing the myriad ways in which the figure of Jesus has been detached from theological or churchly connections to become an icon for the promotion of almost anything.

From Men in Blazers: In this episode, Rog and Davo recap a lopsided Chelsea - Middlesbrough bout, break down the ever - tightening relegation battle, and welcome actor and pop culture icon, Kevin Bacoin Blazers: In this episode, Rog and Davo recap a lopsided Chelsea - Middlesbrough bout, break down the ever - tightening relegation battle, and welcome actor and pop culture icon, Kevin BacoIn this episode, Rog and Davo recap a lopsided Chelsea - Middlesbrough bout, break down the ever - tightening relegation battle, and welcome actor and pop culture icon, Kevin Bacon.

A pop culture icon and ground - breaking physicist, Stephen Hawking is one of the most prominent figures in modern science.

The collaboration between Pantone and A&E networks was a joining of like - minded creatives who wanted to come together to create a distinctive shade in a unique medium in honor of this world renown pop culture icon

The «Lost in Space» robot — which has become a pop - culture icon — was similar in look to a robot named Robby that Kinoshita helped create for the classic 1956 sci - fi movie «Forbidden Planet.»

The movie that made his name, 1997's Funny Games, was a sadistic meta - thriller in which the killers repeatedly addressed the audience and kept identifying themselves after pop culture icons.

There are the pop culture icons who show up as themselves, appear in a single scene, and provide a quick, hearty, and enduring laugh.

Waters» film aptly mocks the gallows frenzy of the murderer - celebrity, reveling in the grotesque pleasure derived from these monsters we hail as pop culture icons.

, he also preceded Ready Player One in dreaming up the idea of people interacting with beloved pop culture icons (to a level of studio cooperation few believed would ever happen again... before Spielberg signed on for this film).

A Nightmare On Elm Street, of course, arrived from horror icon Wes Craven in 1984, making an instant star of Robert Englund and an unlikely, wisecracking pop culture juggernaut of undead child - murderer Freddy.

Her most famous role in «I Know What You Did Last Summer» made her a»90s pop culture icon.

The latest «effort» from Jason Friedberg and Aaron Seltzer, the guys responsible for Date Movie, Epic Movie and Meet the Spartans, is yet another bottom - feeding cash - grab that exploits current events, ridicules pop culture icons and compromises the integrity of the zeitgeist itself in order to create, oh, one - quarter to one - half of a funny joke within the shortest possible time frame that qualifies as a theatrical release.

Or even the simple recognition of some prominent person or event in recent history that the filmmakers deemed a noteworthy pop culture icon?

The liberal lion of the Supreme Court (and second woman ever to be confirmed to the position) is presented in Betsy West and Julie Cohen's film as equal parts civil - rights pioneer and pop culture icon, with loving scenes of her lifting weights, cracking wise, and being turned into a meme spliced alongside original interviews and archival footage.

The chaos mathematician became a pop culture icon with his alluring, half - shirtless turn in 1993's Jurassic Park, and would return in 1997's Jurassic Park: The Lost World.

Even pop culture icons are weighing in.

Cowboys in pop culture are covered in a subsection called «The Cowboy Way,» which presents fun rundowns of great movies and novels and features cool old black - and - white photos of icons such as Gene Autry and Roy Rogers.

Humorist, feminist and pop culture icon Catlin Moran wades into the waters of fiction with her debut, a semi-autobiographical look at a young girl's coming - of - age in the Midlands in the 1980s.

Simply put, when a game, TV show, or type of music attains status as a pop - culture icon, it makes a ton of money, then everyone in the industry tries to create their own version of it to capitalize on the craze.

They come in all sorts of shapes and sizes (some are based upon pop - culture icons whilst some might not even be human) but they all offer something different.

Celebrating his 20 - year anniversary, Crash Bandicoot returns in 2016 as Activision Publishing, Inc., a wholly owned subsidiary of Activision Blizzard, Inc. (NASDAQ: ATVI), features the pop - culture videogame icon as a guest star in Skylanders ® Imaginators.

But even though Nathan clearly hasn't reached the same level of «brand recognition» in the pop culture consciousness at large, and may never barring some pretty radical sexual reassignment surgery, he could well be on his way to becoming a videogame icon in his own right.

Friday The 13th is a slasher film series that has become an immediately recognisable pop culture icon since the original film's release in 1980.

Heroes Evolved maybe be one of the first MOBA games to start a trend in playing famous pop - culture icons.

And after more than a decade as one of the most popular franchises in the music genre, DanceDanceRevolution has transcended from a video game into a pop culture icon.

To add in a bit of humor, there are some indirect jokes made about pop culture icons.

Since the first Nintendo gaming console was released in 1983, the Japanese company has not only become a household name, but the proprietary characters have become pop culture icons.

The series was definitely more than just a game, it was a pop - culture icon — in many ways it still kinda is.

Such photorealistic quality is evident in all his series, which include Wet Paint, Waterworld, Simply Flowers, Pop Culture Icons and Paper Beauties.

«The secret to our gallery's success was finding a niche that worked for us and really focusing all of our efforts there,» says Katie Cromwell, co-founder of Gallery1988 (www.nineteeneightyeight.com), a world - renowned destination for pop culture - themed art that boasts two locations in the Los Angeles area and has collaborated with such entertainment icons as Spider - Man creator Stan Lee and the Beastie Boys.

Designing Women celebrates female icons in TV, music, pop culture and history, as seen through the eyes of LAND's artists.

Cole's work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African American imagery, to Dada's readymades and Surrealism's transformed objects, and icons of American pop culture or African and Asian masks, into highly original and witty assemblages.

The «ribald, pop - culture - obsessed provocateur» (The New York Times) Paul McCarthy (cover of Juxtapoz in Nov / Dec 1999) applies his signature, irreverent wit to take aim at American myths and icons in WS, his largest work to date and the pinnacle of his creative output.

The «ribald, pop - culture - obsessed provocateur» (The New York Times) Paul McCarthy applies his signature, irreverent wit to take aim at American myths and icons in WS, his largest work to date and the pinnacle of his creative output.

The process by which the artworks are cast in urethane add to the blankness, as the artist has to fill in the puff stickers with paint to recapture the pop culture icons and weather them to recreate the look of the original.

Eduardo Arroyo could be said to fit within the pop art trend, on account of his interest in the environment, his critique of our media culture which incorporates icons of both mass media communication and the history of painting, and his scorn for nearly all established artistic styles.

The Museum of Contemporary Art in Los Angeles is organising a collaboration between pop singer - songwriter, actress, fashion muse, front woman for Blondie, and icon of popular culture Deborah Harry and artist Marina Abramović.

Dream Team to perform at MOCA Gala In November The Museum of Contemporary Art in Los Angeles is organising a collaboration between pop singer - songwriter, actress, fashion muse, front woman for Blondie, and icon of popular culture Deborah Harry and artist Marina AbramoviIn November The Museum of Contemporary Art in Los Angeles is organising a collaboration between pop singer - songwriter, actress, fashion muse, front woman for Blondie, and icon of popular culture Deborah Harry and artist Marina Abramoviin Los Angeles is organising a collaboration between pop singer - songwriter, actress, fashion muse, front woman for Blondie, and icon of popular culture Deborah Harry and artist Marina Abramović.

Brazilian artist, Ana Smile, has created a bit of controversy with her company Santa Blasphemy, which creates plaster religious statues painted in the form of pop - culture icons such as Batman, Frida Kahlo, Catwoman, Captain Hopper, The Joker, and Minnie Mouse.

In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols.

An upcoming retrospective at London's Victoria & Albert Museum celebrates the pop icon as an artist in his own right, a meticulous shaper of his image who worked with artists and photographers to sculpt Ziggy Stardust, the Thin White Duke, and his other culture - making personae.

Snakes, spiders, scorpions, and other bits of nature from his hometown appear mixed in with Catholic symbolism, aliens, gang members, pop - culture references, and commercial imagery, giving brand logos and religious icons the same attention and placement.

Anthea Hamilton is a UK - based artist who creates multi-media installations that resemble theatrical stages or film sets and incorporate arrangements of prop - like objects, references to modernist paintings, and appropriated images of pop culture icons such as blow - ups of John Travolta in John Travolta, Bust - like, 2012.

This exhibition presents Warhol's book work, from early student - work illustrations of the late 1940s, through to his careers as a commercial artist in the 1950s, Pop fine artist and underground filmmaker in the 1960s, and photographer and Pop culture icon of the 1970s — 80s.

Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).

Between Pop Art and Trans - Avantgarde Mori Art Museum, Tokyo, Happiness; A Survival Guide for Art and Life Lentos Kunstmuseum Linz, Linz, Stiftung Maria und Gerald Fischer - Colbrie Auden Galerie, Bad Homburg, Pop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Art and Trans - Avantgarde Mori Art Museum, Tokyo, Happiness; A Survival Guide for Art and Life Lentos Kunstmuseum Linz, Linz, Stiftung Maria und Gerald Fischer - Colbrie Auden Galerie, Bad Homburg, Pop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop - Art Meets Minimal Art Guggenheim Hermitage Museum, Las Vegas, Nevada, American Pop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Icons Burkhard Eikelmann Galerie, Dusseldorf, The Pop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Art Show Polk Museum of Art, Lakeland, FL, Some Assembly Required; Collage Culture in Post-War America, white8 Galerie Dagmar Aichholzer - Villach, Villach, Summer Exhibition 2003, 20 Contemporary Artists, Artiscope, Brussels Union is Force; Collages & Assemblages Arizona State University Art Museum, Tempe, AZ, Andy Warhol and the Pop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Aesthetic; Permanent Collection and Loans Museum Kunst Palast, Dusseldorf, The Pow!er of Pop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPop Thomas Ammann Fine Art AG, Zurich, Thirty Three Women The Madison Museum of Contemporary Art, Madison, WI, Some Assembly Required: Collage Culture in Post-War America County Hall Gallery, London, Marilyn; The Life of a Legend Fischerplatz Galerie, Ulm, Leckerbissen The Luckman Fine Arts Complex, Los Angeles, CA, POP and More from the Frederick Weisman Art Foundation CollectPOP and More from the Frederick Weisman Art Foundation Collection

One of the founders of Pop Art in the early 1960s, Dine is best known for his series of hearts, tools, Venuses, and bathrobes — images that have become icons of American culture.