Sentences with phrase «pop figuration»

Fafi and Miss Van are among the most influential street artists in Europe, creating pop figuration from a woman's perspective.

Posters 1982 - 1990 — Museum fur Kunst und Gewerbe, Hamburg, Germany, Kunstmuseum, Heidenheim, Germany, Kunsthaus, Kaufbeuren, Germany Pop Figuration — Deitch Projects, New York, New York, United StatesOne Person Show — Tony Shafrazi Gallery, New York, New York, United StatesFour Sculptures — American Academy, Rome, ItalyTwo Sculptures — Parco della Musica, Rome, ItalyHaring Drawings — Culturgest, Porto, PortugalOne Person Show — Kagan - Martos Gallery, New York, New York, United StatesKeith Haring — Centro Cutural Banco do Brasil, Sao Paulo, Brazil, Centro Cutural Banco do Brasil, Brasilia, Brazil

Not exact matches

Through exuberant works that sometimes engage the heroic gesture or make use of pop imagery, artists explored the traditions of figuration and history paintings and offered new interpretations of abstraction.

It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.

Her commitment to truth and dedication to figuration — unfashionable during her lifetime — ensured that her work remained permanently out of kilter with avant - garde movements such as abstract expressionism, pop art and minimalism.

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

Primitivism and pop culture, abstraction and figuration, flatness and depth all rub up against one another in a rich, allusive brew.

Through her dynamic application of paint and pop cultural references, Pensato's compositions extend the possibilities of action painting into bold figuration and abstraction.

In the 20th century, with the advent of pure abstraction, the pendulum swing became much more pronounced: Ab - Ex was followed by Pop followed by Neo-Expressionism followed by the «90s figuration boom with John Currin, Elizabeth Peyton, Lisa Yuskavage, et al..

Mark Rothko committed suicide in 1970, by which time younger groups of American artists had rejected the painterly qualities and the passion of expressionism in favour of a cooler approach, either pop art figuration or, in a less than resonant umbrella title coined by the critic Clement Greenberg, post-painterly abstraction.

Laura Owens's work on display at the Dallas Museum of Art challenges assumptions about figuration and abstraction, as well as the relationships among avant - garde art, craft, pop culture, and technology.

She experiments with figuration and abstraction, exploring themes around pop culture, technology, and traditional painting.

Different in scale and style, his painterly production contemplates both intimate and delicate paintings where figuration fades into abstraction, as well as more exuberant and confrontational works that deploy references to pop culture, sexuality and consumerism.

Katz's adherence to figuration set this artist apart from the abstraction, and made him one of the precursors of Pop Art.

Alex Katz's adherence to figuration set this artist apart from the abstraction, and made him one of the precursors of Pop Art.

Although Pop arose in distinct forms within each region, artists expressed a shared interest in mass media, consumerism, and figuration

They are «Selected Recent Acquisitions: Building a Collection,» «Look and Look Again: Contemporary Observation,» «American Views: Artists at Home and Abroad,» «William Merritt Chase: A Life in Art,» «Fairfield Porter: Modern American Master,» «Esteban Vicente: Portrait of the Artist» and «Collective Conversations: Abstract Expressionism, Figuration, and Pop.»

Atypical of publications that have dealt with the 13 - year period in question, Inventing Downtown shifts the discussion away from a progression of styles — Abstract Expressionism, figuration, Pop, and Minimalism — to a reexamination of the New York art scene from cultural, social, and economic viewpoints.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuympop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Often through exuberant work that engaged with heroic gesture or pop imagery, artists explored the traditions of figuration and history painting and offered a new interpretation of abstraction.

Combining traditional figuration with Pop Art's obsession for disparate images, he rejuvenated postmodernism and Neo-expressionism by adding humor and theatricality.

«SELECTIONS FROM THE PERMANENT COLLECTION» New exhibitions include «Selected Recent Acquisitions: Building a Collection,» «Look and Look Again: Contemporary Observation,» «American Views: Artists at Home and Abroad,» «William Merritt Chase: A Life in Art,» «Fairfield Porter: Modern American Master,» «Esteban Vicente: Portrait of the Artist» and «Collective Conversations: Abstract Expressionism, Figuration, and Pop.»

1969 Vancouver Art Gallery, Vancouver, Canada, New York 13, exhibition traveled to Norman MacKenzie Art Gallery, Regina, Saskatchewan, Canada; Musée d'Art Contemporain Montreal, Montreal (catalogue) The Art Gallery of Ateneum, Helsinki, Ars 69 - Helsinki The Whitney Museum of American Art, New York, Annual Exhibition of Recent American Painting Hayward Gallery, London, Pop Art The National Collection of Fine Art, Washington, D.C., The New Vein: The Human Figure 1963 - 1968 Palais des Beaux - Arts, Brussels, La nouvelle figuration americaine, peinture, sculpture, film.

With titles culled from media, music and pop - culture, his abstraction often veers into a figuration of the many references he draws on for his work.

Thus, Lauand successfully negotiated the development of Brazilian avant - garde tendencies after World War II ⎯ ⎯ including the influence and reception of Pop art and New Figuration in the 1960s and 1970s, as well as the political disruption initiated during the military dictatorship ⎯ ⎯ continually buttressing Concretism's critical ideas while formulating her own meaningful intersections with notions of rupture.

All of the polarities of West Coast art have found their way into his practice, from «cool» abstraction and the brand - newness of Pop to «hot» (abject) figuration and the used - upness of assemblage.

While previous exhibitions and prevailing scholarship have primarily focused on the dominance of Pop activity in New York and London during this time, this exhibition examines work from artists across the globe who were confronting many of the same radical developments, laying the foundation for the emergence of an art form that embraced figuration, media strategies, and mechanical processes with a new spirit of urgency and / or exuberance.

The museum's major holdings are California - based, highlighting such movements as early and mid-century modernism, Bay Area Figuration, assemblage, California Light and Space, Pop Art, Minimalism, and installation art.

The inspiration for the exhibition was the late, great Austrian American Pop artist Kiki Kogelnik, whose works, filled with neon bodies flying in every direction, prefigure a lot of today's exuberant figuration.

Her paintings also bring to mind the extravagant decadence of fin de siècle Vienna, the crystalline colors of ukiyo - e woodblock prints, the late figuration of Philip Guston and the Pop abstraction of Nicholas Krushenick.

With some 140 works from 14 countries, this exhibition follows the trajectories of Pop Art beyond its New York and London epicenters, following artists who exuberantly embraced figuration, media and mechanical processes.

Taking stylistic elements from abstract expressionism and classical figuration, and combining them with the pop cultural and the illustrative, Caldwell amalgamates distinct and seemingly adverse vocabularies to invoke contemporary conflicts.

Expect to find eye - popping art, a mini-survey of figuration, classic landscape and figuration, plus a Cuban Opera performance.

Then tastes changed; Crumb became more desirable in the artworld, not because of pop art, but because of the enormous influence on collectors and museum people of the «dumb» figuration of the late, great Philip Guston, which was itself largely based on comic strips such as George Herriman's Krazy Kat.

More literal depictions of the figure hang on the opposite end of the room — examples from the comeback of representation in the»60s and»70s when movements like pop (Wayne Thiebaud) and eccentric figuration (Lucian Freud, Francis Bacon) allowed modern museums to hang figure painting without seeming old - fashioned.

This, together with his suggestions about how painters might address pop culture from a semi-abstract viewpoint, and his erasure of the normal boundaries between abstraction and figuration, constitutes his most important legacy to the history of art.

New exhibitions include Exhibitions include «Selected Recent Acquisitions: Building a Collection,» «Look and Look Again: Contemporary Observation,» «American Views: Artists at Home and Abroad,» «William Merritt Chase: A Life in Art,» «Fairfield Porter: Modern American Master,» «Esteban Vicente: Portrait of the Artist» and «Collective Conversations: Abstract Expressionism, Figuration, and Pop.»

While contemporaries such as Larry Rivers, Jim Dine and Claes Oldenburg were busy carrying ideas from abstract expressionism over into the pop art movement, Mr. Jones refused to give up figuration.

Also included will be examples of Pop, Surrealism, Figuration, and Expressionism, alongside contemporary artists touching and expanding on some of these themes and movements.

Often through exuberant work that engaged with the heroic gesture or pop imagery, these artists explored the traditions of figuration and history painting, and offered new interpretations of abstraction.

Her humorous, innovative and critical translation of comic - book imagery, combined with a ferocious application of paint, positions Pensato between the illustrative figuration of Pop Art and the gestural physicality of Abstract Expressionism.

Mayerson's compositions, which appropriate images from found photographs, films, and comic books, as well as document personal events from the artist's own life, might be aptly described as «faux folk» for their familiar, pop subject matter and naive approaches to naturalism and figuration.

When Pop Art made figuration fashionable in the 1960's, he switched back to abstraction.

Mixing influences such as Abstract Expressionism, Pop Art, figuration, Cubism, and Minimalism, Salle is able to present the works as «mirrors» that reflect both the wonders and horrors of contemporary mass media culture, thereby creating in his paintings what Roberta Smith once called «a precarious balance of dystopian and decorative.»

Walking the graffiti - filled streets of his Greenpoint neighborhood and working in his nearby Williamsburg studio, Brooklyn - based artist Eddie Martinez discusses the motivation to shift his paintings from Pop - like figurations to pared down abstractions.

Her bold and experimental work challenges traditional assumptions about figuration and abstraction, as well as the relationships among avant - garde art, craft, pop culture, and technology.