Sentences with phrase «pop music did»

Pop music didn't produce behaviors that were any different than when there was no music at all.

The Pentecostal pioneers of Christian pop music don't let listeners down with this...

Not exact matches

There's been pop music in every generation; some of it survives, some of it doesn't.

My Songbook, for example, is about to grapple with what the ubiquity of love song in pop music, going back many many decades, has gradually done to us.

I do agree with «wm» that such a case seems more damning for typical TV (and I would add internet) use, than it would for typical pop music use.

Recently, Emily Esfahani Smith of Acculturated had a blog essay entitled «Does Today's Pop Music Stink?»

«There are more stars here than the Grammys,» said Houston's music director, Rickey Minor, and the service did feature pop star Stevie Wonder and music mogul Clive Davis, among others.

I want to provide a little Protestant push - back (against Alexis, not Peter), and to expose a little of my own academic work in Postmodern Conservative, since I actually do not spend all my time philosophizing about pop music!

While I do get interested in Dylan, hippies, Bowie, baroque - rock, and even some art rock, I am overall not a fan of the turn to seriousness in our pop music, whose first big wave came in 1966 - 1975, especially insofar as it snuffed out what was best in the Afro - American tradition.

posts on ALMOST FAMOUS, two on the SCHOOL OF ROCK, and an epic one on THE DOORS, I do think that among my list of pop - music films, THE LAST DAYS OF DISCO is the standout in terms of sheer cinematic achievement, with only AMERICAN GRAFFITI giving it a run for the money.

posts on ALMOST FAMOUS, two on the SCHOOL OF ROCK, and an epic one on THE DOORS, I do think that among my list of pop - music films, THE LAST DAYS OF DISCO is the standout in terms of sheer....

That was not exactly intentional, but had everything to do with (white) disco fans simply permitting themselves to re-embrace the original raison d'etre of the whole Afro - American pop music phenomenon: good - time dancing.

18) The fact that there is a later punk - driven attempt to democratize rock fame (and not in the fatuous way that Andy Warhol's «15 - minutes of fame» comment suggested) or that pop / disco artists like Michael Jackson and Madonna will pick up on Bowie's fame - playing and image - emphatic example, in Madonna's case overtly subordinating the music to the prerogatives of notoriety, do not alter what ALMOST FAMOUS is showing us, that rock can be thought of as a social phenomenon / scene that one might belong to («you're too sweet for rock and roll» is said not by a musician to a musician, but by a groupie to a rock writer), that is as fame - focused as it is music - focused.

Getting more hits, and concert tours, often did depend on the celebrity - friendly - manners and publicity - work that labels like Motown emphasized, but still, pop - music celebrity always remained somewhat different from the image - drenched Hollywood method of star - creation, which especially in the early days tended to be far more about the star's type - cast and sex - appeal possibilities than acting talents.

Now as an arty egg - heady guy I can relate to the need (and sometimes temptation) to brood alone, but what I particularly notice is that this music often oscillates, as much of the classic 60s art pop did, between rhythmically simplistic evocations of lonely - ish innocence, say, the Mo Tucker and Marine Girls moments, and a-rhythmic plunges into enervated hopelessness, say, the The Loneliest Person in the World moments.

As a book on pop - music, Simon Reynolds» Retromania: Pop Culture's Addiction to Its Own Past earns a high B, but does not rate among my very favorites, being too beholden to Rock attitudes, and too long - winded for its own gopop - music, Simon Reynolds» Retromania: Pop Culture's Addiction to Its Own Past earns a high B, but does not rate among my very favorites, being too beholden to Rock attitudes, and too long - winded for its own goPop Culture's Addiction to Its Own Past earns a high B, but does not rate among my very favorites, being too beholden to Rock attitudes, and too long - winded for its own good.

Indie pop outfit OK Go — also known as the makers of the world's most intricate and insane music videos — has done it again.

Personally I don't care for most «pop» music whether it be secular or religious.

In my Rock Songbook posts I have had on occasion to talk about various pop music genres that aren't rock but which are commonly conflated with it, contrasted with it, etc., as I did with the posts on disco, or with various ones distinguishing R+B and rock n» roll from Rock.

Easum predicts, for example, the quick death of all symphony orchestras that do not soon begin to feature a significant amount of pop and rock music.

I'm tickled because while I admit my own — deliberately chosen — rap ignorance, I really do believe, as thoroughly as Roxanne Shante did about her female - MC supremacy, that nobody has explained as thoroughly as yours truly why those five words really ought to serve as the motto of the rock story, and of the pop - music story generally, from the mid-90s on.

Mandalay Bay also is home to Michael Jackson ONE, Cirque du Soleil's latest resident production based on the music and choreography of the King of Pop.

A doula doesn't have anything to do with pop music or Adam Sandler movies.

«Here comes the sun»: Does pop music have a «rhythm of the rain?».»

I am about as much of a city girl as you can get - I don't like camping, or bugs, or being outside in places where you can't pop into a store to use a bathroom and get a bottle of water - but I grew up on the high plains of Colorado, and as the daughter of a man who listened to nothing but old fashioned country music, Western style is still pretty close to my heart.

Indeed, music and romance are so intertwined that it doesn't matter if you are a fan of pop songs or rock songs; top 40 hits or indie darlings; the Beatles or Bauhaus - chances are, if there is a band out there that you like, they will have written a song or even an album about love.

My favorite things to do is people watching and live music (excluding country and pop).

«love music» so im doing music and want to be pop star so i released my first album «fight for the victory».

i love music and i love rock»n' roll, pop, and hip hop.theres only one person i do not like in my life. . . . . . .

Love to do and enjo my hobbis which are athletics classic auto and rock and pop music.

I don't mean to be rude but... The British TV and music producer we all love to hate rose to public prominence as a judge on Pop Idol and American Idol

Well since you really want to know, «me» is Conner L nice to meet you:D I am not a geek or nerd but I do love anime, video games, k - pop, music of all sorts, cosplaying, roleplaying, and fan - boying...

i'm a family type of person looking for a woman who can complete my life respect for tradition laughter when needed likes traveling, food, tv, movies, science fiction... games music, pop, rock 80's music, likes to eat, do some activities from time to time sleep, etc...

Former American Idol contestant Jennifer Hudson won the best supporting actress award for Dreamgirls, and earned an apology from Simon Cowell who was I don't mean to be rude but... The British TV and music producer we all love to hate rose to public prominence as a judge on Pop Idol and American Idol

She had pop punk music and the media ended up doing the rest..

Tokyo Police Club's signature sound, the niche that they carved out for themselves in a constantly fluctuating music scene (an emphasis on rhythm and abstract, maze - like lyrics with real emotion at their center) is almost completely gone, replaced by a rabid pop sensibility that sometimes works and sometimes really, really doesn't.

I don't why people now say that they miss the old daft punk.Sure Get Lucky was more of a mainstream type of pop music but I think the whole album together is just a a revision of their albums and to me it's an excellant dance music, electronica and with some songs like Touch and Within It just adds some soul to make a well rounded album and all the people givbing a score of 7 and below well they're just people who listen to Katy Perry and Justin bieber whole day... well Prism is okay... good perhaps.

Questlove has become the go - to guy for pop - music perspective in music documentaries for a reason he proves once again here: He brings a musician's knowledge of why a piece of music is special (his analysis here of «Don't Stop «Til You Get Enough» is a mini-music class) as well as a fan's appreciation for what that music meant to millions of ordinary people — how Jackson's music during this era not only defined the time, but made the world a better place simply by its existence.

I don't why people now say that they miss the old daft punk.Sure Get Lucky was more of a mainstream type of pop music but I think the whole album together is just a a revision of their albums and to me it's an excellant dance music, electronica and with some songs like Touch and Within It just adds some soul to make a well rounded album and all the people givbing a score of 7 and below well

In many ways, it is the least forward - looking Daft Punk recording, but also the most ambitious — a concept album that plays like an alternative music history, with an emphasis on styles and sounds that don't usually fit into the Baby Boomer - dictated pop / rock canon.

There is a lot of music in I, Tonya, all from the pop / rock charts, and the DTS - HD 5.1 lossless track does enough justice to it.

At least the movie doesn't resort to tacky modern references or pop music, and like most animated family films these days, «Coco» also has some adult appeal.

Rarely does a single album capture so much of what's right in a country's current moment in pop music.

By the time The U.S. vs. John Lennon is done, the filmmakers have reinforced the sense that pop music once produced prophets, as well as profits.

Although Linklater's time capsule (which includes music, pop culture and historical events occurring during the years he shot the film) may be most notable for its gimmick, how audiences react to it will likely have a lot to do with their own upbringing.

«CBGB,» about the birth of the legendary New York City music venue and the punk scene it launched in the 1970s, doesn't even begin to capture the energy or the brashness of the pop - culture phenomenon it depicts.

This sort of film does nothing to peak my cinematic interest; riddled with teenage angst coupled with pop music to simply date the film.

The first bonus header «Music & More» does not even merit its own page, since it only houses the pop music video (3:16) for the upbeat end credits version of «Who Am I?&rMusic & More» does not even merit its own page, since it only houses the pop music video (3:16) for the upbeat end credits version of «Who Am I?&rmusic video (3:16) for the upbeat end credits version of «Who Am I?»

It's also, however, marked by steep music peaks in the pop tunes it regularly samples (full list at the bottom of the page), requiring a remote in hand if you're watching this late at night as I did.

Not that there isn't music: the score by Radiohead's Jonny Greenwood stands out as the year's best, though on first viewing it doesn't appear as vital to the film as the pop scores in Anderson's last three films (one sequence excepted).