Sentences with phrase «pop record»

The result is the most effective pop record of the year so far; one that is bold, fresh, and utterly infectious.

I give this a 7 because I like the album from a generic pop record standpoint.

Dirty Computer may be a glossy pop record, but it is a deeply personal one.

The plaintiff's attorney has an eye - popping record of success.

Victoria Legrand and Alex Scully are the masters of fuzz, haze and melody, and the combination of all three, so this, their first release on Sub Pop Records, shouldn't disappoint.

It's the full - on pop record that Monáe had been hinting at for years, and though some of her stylistic choices may not age well — especially when she veers into trap territory - she approaches them with a kind of flighty confidence.

1989 is a deeply catchy, sleekly - produced pop record with the slightly juiceless quality of an authorized biography, a would - be tell - all bleached of the detailed insight she's trained us to expect from her.

(In Nashville, musicians asked to work on C — Pop recordings regularly refer to such gigs as doing «J — J»: «junk for Jesus.»)

But it's also one of the most heart - lassoing»70s radio - pop records since the death of flares, its psychedelic oddness leavened with big gnarly hooks, the emotional thwack of a shattered heart and intimate and bloodied narratives.

2017 has had better pop records surely, but hearing Halsey grow as an artist is a uniquely rewarding experience that makes the album's faults more forgivable and its successes more thrilling.

As it is now, John Wizards is an effortlessly fun, pan-global pop record that stands on its own, no qualification needed.

It is a juicy, genre - crossing pop record ripe with the funk, which somehow combines Beyoncé's Lemonade and St Vincent's Masseduction with lashings of Lauryn Hill.

While some fans of her earlier, more challenging, material may be mildly disappointed sonically by such a straight - up pop record, even they must acknowledge what an important album this is both personally to Monae and socially to the current world, and for that, it is a successful and pleasurable work.

The three brides of Dracula — Trekker - wet dream Jeri Ryan, Esposito, and alt - pop recording star Vitamin C (Colleen Fitzpatrick)-- gear all of their snarky come - ons to the easily - aroused thirteen - year - old boy set and remain, to a one, modestly covered.

Set in 1961, right at the cusp of the American folk explosion, Llewyn is repped by Legacy — what appears to be a literal elderly mom and pop record company — and is trying to make a go of it as a solo artist, as his previous duo act — Timlin & Davis — splits.

Sub Pop Records recording artist Kelley Stoltz produced a music - industry first.

«When we didn't have much money, the club helped with cash flow,» says Bruce Pavitt, founder of Sub Pop Records, a $ 1 - million independent Seattle record label.

It's the full - on pop record that Monáe had been hinting at for years, and though some of her stylistic choices may not age well - especially when she veers into trap territory - she approaches them with a kind of flighty confidence.

The result is an addicting dance - pop record with a heavy emphasis on arena - ready songs («Last Time,» «Are We All Forgotten») with a healthy smattering of ballads («Be Healed,» «Lovers» Anthem»).

There are so many fantastic songs on this pop record that it's hard to know where to start... the plaintive vocals and soaring falsetto on «Fine for Now»?

Some ministers have used popular songs and have quoted them, and a lot of people say «that's a good idea» and then they hear it's a pop record and they get kinda flustered.

Monáe has given us a pop record that feels gleefully youthful, perhaps even the album she wishes she could have had as a teen in Kansas City.

And this one, too, is as sardonic and soulful, as hilariously outraged and superbly tuneful as any rock - pop record you'll hear in 2018.

It appears that these two kids are rebelling against the uptight morals of their community and run away to listen to pop records, paint, and live generally as bohemians.

Sub Pop Records, the label for Flight of the Conchords, has confirmed there's truth to the musical comedy duo's red carpet claim that three of their tracks will be coming to Rock Band.

Ed Freeman's early career was in the music industry; he performed as a folk guitarist and classical lutenist, worked as a road manager on the last Beatles» tour, played guitar on dozens of pop recordings, wrote orchestral arrangements for artists such as Carly Simon and Cher, produced and arranged over two dozen albums, including Don McLean's American Pie.

They have been commissioned by various clients including U.S. Soccer Federation, Morningstar, Intelligentsia Coffee, China Eastern Airlines, Veto Records, and Sub Pop Records and they lead lectures and workshops in academic and commercial settings, including recent visits to California Institute for the Arts, Columbia College Chicago, The Art Institute of Chicago, Pratt Institute, Minneapolis College of Art and Design.