Sentences with phrase «pop songs by»

There I'm modifying the entire structure to match the progression of standard pop songs by switching things up in the second verse.

The music for the evening was a very enjoyable mix of genres, with harmonies composed by Ray Conniff and Agustin Lara to famous pop songs by bands such as The Beatles and Abba.

There's a cute pop song by Paolo Nutini called, «New Shoes».

What started out as a Tchaikovsky musical number began a thumping pop song by the end of the level.

Through a kinetic juxtaposition of materials including a cymbal and piece of concrete David Beattie explores the physicality of sound and how we experience it in our everyday, while Dennis McNulty's research for a commission in Norway has led to a layered, performative multi-component work that takes 1930s science writing and a 1980s pop song by a-ha to join ideas of universal time.

Not without a touch of irony, the title alludes to the famous pop song by the British group Queen and underscores how very important performativity is in contemporary art.

Not exact matches

(The siblings gained a sizable following by uploading videos of themselves singing pop songs in a capella; they currently have 3 million subscribers.)

His genres of choice include indie rock, bubblegum pop, and dreamy electronica; he has featured songs by Goldroom and Strange Talk in Snapchat's promotional videos.

The latest part of that campaign appears to be a version of the Spanish - language pop song «Despacito» by Luis Fonsi and Daddy Yankee, which recently become the most streamed song of all time.

You can even hear it in the in - store music choices, usually well - known songs remixed by obscure artists — another way to embrace pop while trying to maintain an indie edge.

Pop quiz: When Jason and the Argonauts were lured onto the rocks by the Sirensâ $ ™ song, what did they do?

When new pop songs come out they are accompanied by a video.

And I realized that actually, this song by the King of Pop illustrates the premise of that passage pretty well.

I expected Christian rock artists, classic rock»n' roll, and possibly some Indy Pop, but I was not prepared for the string of explicit rap artists that hit my desk, including Jay - Z, Kevin Rudolf, and Lil» Wayne, along with heavy metal songs such as «Raining Blood» by Slayer.

His song, «Evergreen» — sung by Barbara Streisand for the film A Star is Born — won an Academy Award and reached number one on the pop charts.

One of the more obscure songs about a goalkeeper was a track recorded by a «supergroup» of Indie pop stars who all happened to be Tottenham Hotspur fans.

The song was later covered by Seventies pop star Leo Sayer.

Cocky, bordering on arrogant but luckily the arrogance is not unfounded unlike other members of the squad (Bentdner, I'm looking at you), the song that pops into my head first is «Undaunted by the Adrenaline Mob»

Go find yourself the cheesiest pop song, your favourite AC / DC tune, or even something upbeat by your kid's favourite singer, and turn it up.

I Loved Her First is a song by the country and pop group Heartland.

By Kehinde Ajose Adibeli Ugochukwu, a.k.a UFB (Ugly fine boy), is a budding Afro pop artiste whose song, «Baby boo» is currently...

A machine learning system turns lyrics into song by composing a pop music score to suit the words it's given.

AI lends a hand to songwriters by setting their words to a pop song melody.

The 17 - year - old New Zealand pop star, who quickly scaled to stardom when she topped charts and snagged Song of the Year at the 2014 Grammy Awards with «Royals,» tweeted a photoshopped photo of her skin next to an untouched picture showing blemishes from the same concert, side - by - side.

Even when I was going nuts to one of my favourite songs by Icona Pop I Don't Care!

Sugar, Sugar — The Archies (1996) You wouldn't think that bubblegum pop sung by a comic - book band could make for a top love song, but this song would prove you wrong.

Songwriters Brian Wilson and Tony Asher knew they were taking a risk by invoking «God» by name in a pop song, but wanted to invoke the feeling of awe and mystery that love inspires.

PLUS: The 50 Sexiest Songs Ever Top «Love» Songs Word Cloud Pop Star Hookups & Breakups 30 Biggest Break - Up Songs ALSO: 20 Best Love Songs By Real Couples 40 Biggest Duets Ever

International dating agency gives you the wonderful opportunity to meet beautiful single women who can take you to a different world altogether by merely Single Ladies is an uptempo dance - pop and R&B song with dancehall, disco and bounce influences.

There are some pop culture references to the 1970s, with Heart's «Barracuda» and Led Zeppelin's «Immigrant Song» featured on the soundtrack, but there's never the sense of a movie begging for laughs by throwing in anachronisms.

Great songs by Iggy Pop, Lou Reed, Cheap Trick, Debbie Harry and others.

But even if this is «Call Me By Your Name» through the lens of the Disney Channel, there's a place in the culture for adolescent gay kids to enjoy the shiny, shallow, pop - song - infused coming - of - age stories that their straight peers consume on a daily basis.

Its drifting in and out of the soundtrack is partly a reminder of Lena's previous life, before Area X turned her world inside out — we hear CSN croon as she flashes back to goofy bedroom antics with her husband, military man Kane (Oscar Isaac), and it provides a sonic backdrop for Lena once that love is lost and she's left at home alone — but mostly the song is an artifact of pop - culture normalcy in a world defined by aberration.

There are also a couple musical numbers, including the singularly generic pop tune «When Christmas Comes to Town,» plaintively sung by Hero Girl and Lonely Boy (well, by two singers the producers brought in to sing for them) in a manner suggesting someone really, really wants the song to be nominated for an Oscar.

Watch the recently resurrected Brooklyn dream pop outfit Savoir Adore bring glossy, anthemic, and a heartfelt songs from their new album by The Baeble Bounce House.

The movie stop - starts between fight - chase sequences played out against pop tunes from Quill's beloved mix - tape; there's something a little alienating about the repeated use of dissonance between the cheery songs («Come a Little Bit Closer» by Jay & The Americans) and the slomo violence meted out by the Guardians.

Despite their losses, they are soon discovered and promoted by a used car salesman named Curtis (Foxx, Miami Vice), who sells everything he has to put all his effort into promoting the act to the top of the pop charts, utilizing songs written by Effie's brother, C.C. (Robinson, Fat Albert).

The soundtrack of tween pop is complemented by cast renditions of familiar songs like Queen's «Somebody to Love», Three Dog Night's «Joy to the World», Gypsy's «Let Me Entertain You», and Elton John and Kiki Dee's «Don't Go Breaking My Heart.»

Spurred by Isaac's growing celebrity, the scene was almost a ready - made meme for people to share with ease, but did you know that the dance basically matches up to any pop song?

In hindsight, the 1984 hit Footloose — starring Kevin Bacon and directed by Herbert Ross — along with its contemporary Flashdance, can be seen as the link between the old Hollywood model of a let's - put - on - a-show musical, based on original songs brought to life in elaborate choreographed numbers, and the later Hollywood model of youth films, perfected in the»80s by John Hughes and terminally calcified over the decades to follow, in which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned it.

● ABU (Father), by Arshad Khan, explores Khan's upbringing in a modern yet traditional Muslim family in Pakistan where he couldn't confide his attraction to boys, and his moving journey to self - acceptance, told through home movies, animation, film clips, and pop songs, that began after the family immigrated to Canada.

Clearly he has musical tastes that aren't driven by any sort of studio trying to push a pop song, so it came as no surprise when the opening credit sequence of The Sacrament featured «Heartbeats», a ten year old Swedish synth pop song.

His solid - gold soul tune «Runnin» was shut out of the Best Original Song category, however, squeezed out by a pair of tunes from La La Land, a selection from Moana, and Justin Timberlake's inescapable pop hit from Trolls.

References to older films of the genre, witty dialogue (including a monologue delivered by Carradine near the end that is probably the best thing Tarantino has ever written), extreme violence, a soundtrack filled with all kinds of extraordinary pop songs; even an entire backstory sequence completely done in Anime.

The soundtrack features a number of pivotal pop songs presumably all cleared in advance for this DVD including Rupert Holmes» «Escape (The Piña Colada Song)» and «We Got the Beat» by the Go - Go's.

Far from staid, the picture illustrates nothing but Brownian motion — shaking shit up real good and filming the results for two long hours to a parade of ironic pop songs and barely - heard snatches of dialogue written by someone I'd like to see do better than this, Donnie Darko creator Richard Kelly.

Thankfully, the film's Uhura and Spock, Zoë Saldana and Zachary Quinto, are making the wait for the film more bearable by lip syncing to pop songs in crazy outfits for our entertainment.

(13) Notably, the Cantonese translation of Western pop songs is a favourite cultural traverse of Wong's, as evident in the Cantonese version of The Cranberries» «Dreams» in Chungking Express, Berlin's «Take My Breath Away» in As Tears Go By and the re-orchestration of Massive Attack's «Karma Koma» in Fallen Angels.

Trapero directs with a high level of energy, employing pop songs (including several Kinks» numbers) to provide rueful commentary and making sure we never mistake the film for some sort of black - hearted family satire by rubbing our noses in the brutality of Arquímedes» methods.

But most disappointing are the not - so - memorable new songs that pop up in the second half whose melodies are once again written by composer Alan Menken but with lyrics by Tim Rice («The Lion King»).