Julian Stanczak, a Polish - born American abstract painter who rose to fame as a leading figure of
the popular Op Art movement but slipped into obscurity when its reputation flagged, died on March 25 at his home in Seven Hills, Ohio, a Cleveland suburb.
Not exact matches
He was included in «The Responsive Eye,» the Museum of Modern
Art's
popular survey of
Op Art in 1965, and had his first solo show in New York at the Betty Parsons Gallery in 1966.
The style became wildly
popular in the swinging»60s, when psycholodelic designs infiltrated fashion, design, and
art — but Op Art was more than just a tre
art — but
Op Art was more than just a tre
Art was more than just a trend.
An
art form
popular in the United States in the «70s and introduced in the Netherlands through exhibitions such as «
Op Losse Schroeven» (1969) in the Stedelijk Museum Amsterdam and «Sonsbeek Buiten de Perken» (1971) in Arnhem.
He first came to wide public recognition when he was included in the enormously
popular exhibition The Responsive Eye at the Museum of Modern
Art, New York, 1965, which greatly contributed to the public awareness of the
Op Art movement.
While the term became widely
popular to refer to the particular kind of paintings
Op artists tend to create, many of the artists didn't like the term and preferred for their work to be referred to as perceptual
art instead.
As
popular as
Op Art may have been in its heyday, classic works by the masters continue to rise in value and once again, the movements popularity is on the rise.
Unlike Pop
art which drew on imagery from
popular culture, however,
Op art was a style of abstraction that relied on geometric shapes, lines, and color juxtapositions to create optical illusions for the viewer.
He lists as examples
Op Art (think Bauhaus) and Abstract Expressionism (Mark Rothko and others), as well as
popular culture iconography.
Its bold and colourful spirals are an ode to the
op art movement
popular at the time.