by Walter Chaw Lyrical, dislocated, and grim in the fashion of a Derek Jarman film (and director John Maybury served as editor on Jarman's The Last of England), The Jacket, like Altered States, Miracle Mile, Jacob's Ladder, and 12 Monkeys before it, is the sort of doom - filled genre romance that's regularly underestimated in
popular contemporary conversation.
BONNIE CAMPLIN»S WORK STAGES A FRACTURED,
contemporary take on the «
conversation piece,» the genre of intimately scaled, informal group portraits that were
popular in Britain in the eighteenth century.
this
conversation, between artist Kathryn Andrews, scholar Lisa Wainwright, writer John Yau and curator / writer Dan Nadel, aims to draw a connection between Brown and the broader world: politics,
popular culture, religion, and his
contemporaries in the Pop Art movement.
È il progetto di David Horvitz», Artribune «One Frieze Artist's Special Relationship With His Retainers», by Emily Spivack, The New York Times Style Magazine «Frieze Hired a Pickpocket to Roam Their Art Fair — Here's Why», by Ryan Steadman, Observer 2015 «7 Questions to David Horvitz» by Transparencies blog, December 2015 «After the Hookup, the App», by Paul Soulellis on Rhizome online, December 2015 «How this artist's internationally cliche self - portrait was spread across the internet» by Eugene Reznikon, American Photo Mag online, June 2015 «I send you this California Readwood: An interview on Mail Art with Zanna Gilbert and David Horvitz», by Alison Burstein, MoMA learning blog, January 2015 2014 «
Contemporary Art and Online
Popular Culture», by Domenico Quaranta, ARTPULSE Magazine, December 2014 «David Horvitz at Blum & Poe», by Natilee Harren, ARTFORUM, November 2014 «David Horvitz at Blum & Poe», by Andrew Berardini, Art Agenda, July 2014 «Sounds of All but Silence», by Roberta Smith, New York Times, May 23, 2014 «Artist's diary», by Matteo Mottin, ATP Diary, April 2014 2013 «In
Conversation with David Horvitz», by Rachel Peddersen, Andreview «Local Colour?»