Sentences with phrase «popular culture critic»
Greg Tate is a music and popular culture critic and journalist whose work has appeared in many publications, including the Village Voice, Vibe, Spin, the Wire, and Downbeat.
http://www.ago.net/ Not exact matches
Pop culture critics, who tend to be attracted to the thing that's most popular, mostly ignore the most popular shows on TV, which are lower - brow fare crafted to get high ratings.
The Christian culture critic Ken Myers, editor of Mars Hill Tapes, rightly describes popular Christianity as being «of the world, but not in the world.»
But the rise of the selfie in popular culture has come with many critics, too.
The sample included reviews written by film critics; other types of critics including those for television, music, and popular culture; staff reporters; and
A Brooklyn - based writer and critic, Matt is an avid lover of all kinds of popular culture, from books to movies to comics and more.
Isolde Brielmaier is a New York - based curator and critic focusing on international contemporary art and popular culture and Visiting Assistant Professor of Art at Vassar College.
[15] However, the term is often credited to British art critic / curator Lawrence Alloway for his 1958 essay titled The Arts and the Mass Media, even though the precise language he uses is «popular mass culture».
On top of his opposition to Greenberg's pictorial strictures, Steinberg disagreed with the critic's dialectal separation between the «Avant - Garde and Kitsch,» as Greenberg titled his 1939 essay that used «kitsch» as a synonym for popular culture.
Just think of the importance of the Independent Group (IG), composed of writers, artists and critics, who went against the then - dominant notions of Modern art in order to include more of popular culture within the realms of creation.
New Museum Assistant Curator Alice Yang organized «The Final Frontier» (May 7 — August 15, 1993) with scholar of media and technology Lisa Cartwright and critic of mass media and popular culture Celeste Olalquiaga.
Cultural critic and curator, Carlo McCormick has been writing about art, popular culture and the relationship between them since the early 1980s.
In the strictest sense, pop art was born in a series of discussions at London's Institute of Contemporary Arts by the Independent Group, a loose coalition of artists and critics fascinated with postwar American popular culture.
He was a member of the Independent Group of artists, architects and critics within the Institute of Contemporary Arts (ICA), who met to discuss popular culture as a then unregarded but vivid element in a seamless world of communication from which the fine arts might derive some strength.
«New Realism» would shortly be replaced by «Pop art,» a term critic Lawrence Alloway had used to identify the work of several British artists who incorporated the imagery of advertising and popular culture into their work in the late 1950s.
The term «high culture» is often used by art critics when trying to distinguish the «high culture» of painting and sculpture (and other fine arts), from the «low» popular culture of magazines, television, pulp fiction and other mass - made commodities.
His work, described by New York Times critic Holland Cotter as charged with «psychic irritation and urgency», often features motifs of Native American visual culture such as totem poles, teepees, and hawks, while weaving in elements of popular culture that interrogate his own complex, multilayered identity.
Her exuberant art, often inspired by popular culture and childhood memories, has been winning over critics ever since the artist was «discovered» in her late seventies — in the past seven years, she's had shows at Tate Britain and Turner Contemporary, won prestigious awards and been elected a Senior Royal Academician.
Critic Mark Brown once referred to Deller as a «pied piper of popular culture» — an apt reference to Deller's extensive use of music and sound, his deliberately lowbrow approach, and his performance pieces that often require participation of the viewer.
Culture critic Harry Graff identifies the shortcomings of the popular podcast's second season.