Most Slaw readers will know that gavels simply aren't part of the equipment of Canadian or British judges — however much they may feature in
the popular iconography of the American judicial system.
Indonesian artist, Entang Wiharso's grand metal sculpture, Double Happiness # 2 (2013), is informed by
popular iconography of political, social and historical realities, and cultural myths.
His grand metal sculptures and large - scale narrative paintings are informed by
popular iconography of political, social and historical realities, cultural myths and the Candi reliefs at Sukuh Temple.
Not exact matches
It favours multiculturalism but suspects the
popular symbols and
iconography of Englishness.
The
iconography of the gauntlet remained
popular, however.
I suspect this stretch
of film was subsequently whittled down to the bone because it lampoons a musician, Wilson, lacking
popular iconography or a correlative biopic, but I found it much more uproarious, nay, fresh, than the comparatively
popular Bob Dylan interlude, «Let Me Hold You (Little Man)» aside.
New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only interview with Walt Disney discussing the film set to an image track, the seven - minute featurette «
Iconography» that explores the film's influences on
popular culture, art, and fashion, «@DisneyAnimation: Designing Disney's First Princess» with four contemporary animators discussing the design
of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style pieces «The Fairest Facts
of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»
As with The Shining, Rob Reiner's Stand by Me is difficult to appraise afresh because its
iconography, performances and mood are so ingrained in
popular culture and have been so influential on American coming
of age cinema.
It's during these introductory «zombie» moments when director Jeff Baena experiments with his own, unique faction
of the obnoxiously
popular iconography that the movie proudly rears its creative head and is at the top
of its game for it.
This show «is a five - part extended series that explores the
iconography of popular culture and the desires and values it supports,» according to the press release.
Taking on the
iconography of popular culture with a satirical edge, artist and animator Eric Yahnker challenges conventions
of fine art with his impeccable drafting style.
Since his emergence in the 1980s, Jeff Koons has blended the concerns and methods
of Pop, Conceptual, and appropriation art with craft - making and
popular culture to create his own unique
iconography, often controversial and always engaging.
He re-animates the things around us — objects, images, characters and brands — to examine the
iconography of popular culture and its affective pull.
With massive drawings, Jamal blends references from
popular culture, religious
iconography, and symbolism in an attempt to create a possible image
of what our multilayered identities could look like.
Johns» striking use
of popular iconography, «things the mind already knows,» as he put it (flags, numbers, maps), made the familiar unfamiliar — and made a colossal impact in the art world, becoming a touchstone for Pop, minimalist and conceptual art.
The work
of Paul McCarthy investigates the stereotypes and myths surrounding American
popular culture, with particular focus on the unconscious effects
of media, consumerism and
iconography.
Superheroes and celebrities, totems and toys: the imagery
of manufactured fantasy is reframed in the visual language
of historical
iconography in this multimedia exploration
of popular culture today.
Donoso addresses the multifaceted nature
of identity and how it is informed by the confluence
of diverse sources; he combines self - portraiture with motifs from Spanish Baroque art, patterning found in Latin American textiles and imagery from current
popular culture and pre - Columbian
iconography.
Since his emergence at that time, Jeff Koons has blended the concerns and methods
of Pop, Conceptual, and appropriation art with craft - making and
popular culture to create his own unique
iconography, often controversial and always engaging.
Foulkes incorporates references to dada - surrealist
iconography and the
popular imagery
of Walt Disney (Mickey Mouse is a recurrent figure in his works), and highlights with great ferocity the moral and political decline
of the United States.
In fact, the complex mix
of religious
iconography, racial themes, and
popular culture is exactly what earned Ofili the coveted Turner Prize in 1998 (just before his 30th birthday) and led him to represent Great Britain at the 2003 Venice Biennale.
In this body
of work, White incorporates themes from her past,
popular iconography and language from the four countries
of her grandparents, along with lone figures in silhouette, that allude to a kind
of personal transformation.
In Reproduction, artists use the
iconography of popular reproducible media to make a political or institutional critique like Uwe Wittwer's Family After Gainsborough, Negative.
Combining
iconography from comic books, art history, and
popular culture, Art & Beauty portrays a broad selection
of images
of female figures in diverse settings.
The juxtaposition
of Wachtel's newly minted characters from
popular pulp American greeting cards with folk art objects, in this case a preacher with a Bible, alluded to concepts around authority, history and
iconography.
Chris Ofili's intricately constructed works, combining beadlike dots
of paint, collaged images from
popular media, and elephant dung, create a unique
iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip - hop culture.
Uprooted from Cuba as a child, and brought to Miami via Spain in 1983, Andres Conde, an expressionist painter with pop tendencies, mitigates the feeling
of displacement by merging images from
popular American culture with historic examples
of Cuban
iconography.
Although creating very different works, Rauschenberg, Johns and Rivers are united by their take - off
of Abstract Expressionism, their irreverence for tradition and their use
of popular American
iconography.
By uniting both past and present
iconography with the techniques
of mass communication, language and sign, Zhang's work deconstructs notions
of tradition, gender, identity, the body, and
popular culture while calling attention to these subjects in the context and construction
of a multicultural society.
The artist's planned work examines how refugees and migrants are de-humanized and demonized, by contrasting the personal stories
of asylum seekers with public perceptions and
popular iconography.
These picture
of gay men as virile, confident, and unashamed — equally radical for their near - illicit, underground distribution — originated an empowering queer
iconography and liberating spirit that has marked
popular culture, art, fashion, and human rights.
This balance
of culture and psychology is the underlying theme
of this show that continues the artist's exploration
of myth, folklore and
popular iconography including familiar stories such as Snow White.
I began to explore a diverse range
of cultures and pictorial
iconographies — from Western art history to American
popular culture to Pre-Columbian art and beyond.
Smithson's prolific drawings from this period, including those about language and Christian
iconography, sought out disorder from the hierarchies
of social conventions and
popular culture.
Johns» breakthrough move, which was to inform much later work by others, was to appropriate
popular iconography for painting, thus allowing a set
of familiar associations to answer the need for subject.
Often incorporating
popular iconography, the artist attempts to shed light on the relationship between man and monument, coexisting as representations
of one another.
She is fascinated by contemporary modes
of digital communication, the power (and sometimes the perversity)
of popular iconography, and the situation
of identity in the blurring contexts
of technological virtuality and biological reality.
Martinez has become known in recent months for paintings that take the
iconography of the Pee - Chee folder, but use it to tackle a variety
of issues, from figures in the
popular culture to police brutality.
Using bold, easy to recognize imagery, and vibrant block colours, Pop artists like Andy Warhol (1928 - 87) created an
iconography based on photos
of popular celebrities like film - stars, advertisements, posters, consumer product packaging, and comic strips - material that helped to narrow the divide between the commercial arts and the fine arts.
The exhibition will be curated by the artist himself and will delve into the subjects
of imagination and
iconography in contemporary
popular culture.
The explosion
of popular music and television was reflected in the Pop - Art movement, whose images
of Hollywood celebrities, and
iconography of popular culture, celebrated the success
of America's mass consumerism.
In these pieces, the artist tackled genres like the still life, the portrait, figurative representation, landscape, interiors, historical painting, political propaganda, religious
iconography, and the appropriation
of elements from
popular culture and art history.
Alongside that tragic American antihero, the Marlboro Man, the car has become one
of the artist's central recurring motifs, subverting
popular iconography with an air
of both nostalgia and cynicism.
His distinctive, monumental pieces are renowned for their adoption
of popular iconography such as flags, numbers and maps and their textural painterly surfaces.
Works by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized by their portrayal
of any and all aspects
of popular culture that had a powerful impact on contemporary life; their
iconography — taken from television, comic books, movie magazines, and all forms
of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and by means
of the precise commercial techniques used by the media from which the
iconography itself was borrowed.
His work juxtaposes symbolic elements borrowed from pre-Columbian mythology, religious
iconography, and
popular culture to highlight cultural and historic collisions between Western and non-Western cultures that includes borders and immigration issues based on the artist's concepts
of reverse Modernism and reverse anthropology.
Ronnie Cutrone, Rammellzee, Kostas Seremetis, and Romon Kimin Yang aka Rostarr, signal their membership through the distinctive use
of style, spontaneity and
popular iconography derived from their subcultural influences — and elevate as masters
of their craft.
His large - format collage drawings fuse poetry, song lyrics, and
popular phrases with the visual
iconography of biker culture, the sex industry, and the world
of music.
A 21st - century channeling
of Andy Warhol's original visual discourse on
popular American culture, Longley - Cook's show places drag in the lineage
of pop
iconography with fresh, thoughtful perspective.
Self - described as a «mechanic artist,» Romero draws on Pre-Columbian
iconography, colonial imagery, and
popular culture to transform automobiles and their components into contemporary works
of art.